thu 16/10/2025

New Music Interviews

theartsdesk Q&A: musician Warren Ellis recalls how jungle horror and healing broke him open

Nick Hasted

Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects meanwhile exist on the malign edge, from Snowtown’s suburban serial killer and Nitram’s mass shooter to Ned Kelly.

Read more...

Interview: Roy Haynes, Jazz Drumming Giant (1925-2024)

Nick Hasted

Roy Haynes, who had begun to seem immortal, has died aged 99. In this extensive Arts Desk interview from 2011, one of the greatest jazz drummers ranges across his remarkable life with sharp intelligence and generous feeling.

Read more...

10 Questions for DJ-producer Dave Clarke

Thomas H Green

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno DJ. Although, in fact, he has lived in Amsterdam since 2009. He is also a producer of repute. His Red singles of the mid-Nineties are regarded as groundbreaking productions.

Read more...

10 Questions for folk singer-songwriter Olivia Chaney - 'deeply personal songs that open out to the universal'

Tim Cumming

The British folk artist and singer songwriter Olivia Chaney released her third solo album this week, as we break out into springtime, and she’ll be touring sporadically around the UK over the next few months, with a showcase at London’s Union Chapel in June.

Read more...

theartsdesk Q&A: Singer Dee C Lee

Thomas H Green

Dee C Lee was born Diane Sealy in London in 1961. She is best known for her 1985 hit “See the Day”, later covered by Girls Aloud, and for being in two of the Eighties' most notable pop acts, The Style Council and WHAM!. But she was also prolifically involved in multiple other musical projects, and now has a new album appearing, Just Something, her first in over 25 years.

Read more...

theartsdesk Q&A: Musician Karl Wallinger

graeme Thomson

In February 2001 a brain aneurysm nearly killed Karl Wallinger. It didn’t do World Party many favours either. The aftermath of devastating illness resulted in a five year hiatus for his band, followed by a gradual, tentative return. Since 2006 there have been shows in Australia and America, but no new music and no gigs on this side of the pond. Until now.

Read more...

theartsdesk Q&A: Steven Wilson on Porcupine Tree, 'The Harmony Codex' and electro-dominance

Graham Fuller

This September Steven Wilson issued The Harmony Codex, his seventh solo record in 16 years. Though rooted in mortal concerns and alert to real-world dangers, this radiant suite of electronically textured songs is so dreamily redolent of movement it makes you (or me, anyway) think of astral journeys. Not the space rock variety but those taken across the plains and through the valleys and canyons and cities, some of them ruined, of private inland empires.

Read more...

10 Questions for the avant-pop icons Stereolab

Cheri Amour

Just over 30 years ago, avant-pop icons Stereolab released their debut album Peng! establishing the early hallmarks of the English-French band’s sound; 1960s pop harmonies, chorus-laden guitar riffs and a borderless world of analog electrics.

Read more...

'We wanted to make a record we really love': The Rolling Stones at Hackney Empire

Tim Cumming

One day, someone will compile a full illustrated history of Rolling Stones press conferences, going right back to Mick and Keith in 1964 buying a couple of pints in a pub in Denmark Street for journalists from the NME and Melody Maker – both now in the dustbin of history – and telling them, “here’s our album, have a listen” and leaving them to it.

Read more...

theartsdesk Q&A: musician Susanne Sundfør - ‘Blómi is a message of hope for whoever might need it’

Kieron Tyler

With the release this week of Blómi, her sixth studio album, Norway’s Susanne Sundfør discloses more about herself than she previously has through her music – but nothing is made obvious. As she says during this interview, the driving concept became complex.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
The Last Dinner Party's 'From the Pyre' is as...

Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness,...

Kempf, Brno Philharmonic, Davies, Bridgewater Hall, Manchest...

Dennis Russell Davies and his musicians from the Czech...

Moroccan Gnawa comes to Manhattan with 'Saha Gnawa...

A mix of tradition and Afrofuturism, acoustic and electronic, east and west fumigating in a cauldron of rhythms, chants, solo explorations and...

Albert Herring, English National Opera review - a great come...

Britten’s Albert Herring is one of the great 20th century comic operas; only Puccini’s Gianni Schicchi and Barry’s The...

Iron Ladies review - working-class heroines of the Miners...

The enduring image of the 1984-1985 Miners' Strike is that of men standing arm in arm against police and of mass protests devolving into mayhem –...

Blu-ray: The Man in the White Suit

The best Ealing comedies are surely the three...

Solomon, OAE, Butt, QEH review - daft Biblical whitewashing...

Forty years ago, the Orchestra of the Age of Enlightenment was born, and I heard Handel’s Solomon in concert for the first time. Charles...

The Woman in Cabin 10 review - Scandi noir meets Agatha Chri...

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek...