wed 09/04/2025

avant-garde

Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyful

Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by exaggerating its latent irrationalities seems redundant. For this reason, perhaps, revivals of plays...

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Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the...

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The End review - surreality in the salt mine

The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced documentaries, is a surreal examination of a group of individuals isolated from the chaos of a collapsing external world. Sheltered (or trapped?) in an eerily...

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Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness, and especially in the age of AI, it’s easy for people to think “a computer could have done that”. Indeed...

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The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to say about how the world is changing, perhaps more accurately, how our perception of it is changing. Both are true of...

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Best of 2024: Visual Arts

I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate...

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Albums of the Year 2024: Meemo Comma - Decimation of I

I don’t really want to talk about this year. Genuinely.It’s been so horrific on the macro scale with deranged Fascism and the effects of rampant and undeniable climate change looming everywhere you look – and on the personal level I’ve been been...

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Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight

On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by Julia Holter.The opener was Nyokabi Kariüki, an experimental musician who played with loops, found...

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Jon Fosse: Morning and Evening review - after thoughts

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive single thought, uttered always in a characteristically...

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ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

Picture this: framing the stage are two pearlescent clouds which, throughout the performance, gently pulsate with flickering light. Behind them on a giant screen is a spinning globe, its seas twinkling like a million stars.Suddenly, this magical...

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Album: Ded Hyatt - Glossy

This record keeps you guessing. It starts off with “Hybrid Romance”, an ambient piece that’s very pretty but has swooping glassy synths that crack and fracture and could easily be about to break into some super jagged Berlin deconstructed club music...

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10 Questions for Black String’s Youn Jeong Heo

The first K-Music festival landed in London for than a decade ago, and has brought an eclectic range of bands and musicians from Korea to the stages of the capital, whether that’s the sorrowful storytelling tradition of Pansori, the sonic attack of...

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