avant-garde
Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiereFriday, 06 September 2024
For men, navigating through life whilst maintaining strong friendships is not easy (I’m sure the same can be said for women, but Yasmina Reza’s multi-award winning play, revived on its 30th anniversary, is most definitely about men). What brings... Read more... |
Album: Laurie Anderson - AmeliaMonday, 02 September 2024
Laurie Anderson is what Leonardo da Vinci would have hailed as una donna universale: inspired by science and technology, she's wide-ranging artist, a writer, film-maker, and explorer. She has a remarkable gift for story-telling, and her latest... Read more... |
We Out Here Festival 2024 review - generations of weirdness and wonderSunday, 25 August 2024
I won’t give it loads about the atmosphere and attendees at We Out Here – suffice to say that in its fifth edition, it has maintained all the strengths I mentioned last year, with the added benefit of slicker-operating infrastructure having ironed... Read more... |
The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punchSaturday, 17 August 2024
Before a word is spoken, a pause held, we hear the seagulls squawking outside, see the (let’s say brown) walls that remind you of the H-Block protests of the 1980s, witness the pitifully small portions for breakfast. If you were in any doubt that we... Read more... |
Album: Isabell Gustafsson-Ny - RosenhagtornFriday, 26 July 2024
In a discussion recently a friend compared generative AI to self-driving cars back in 2017: the makers were convinced, perhaps rightly, that they had solved 99.9% of the problem, and therefore would have a viable product within the year. The problem... Read more... |
Album: Kim Gordon - The CollectiveThursday, 14 March 2024
Some icons sit back and bask. Kim Gordon does not. She has occasionally intimated that her New York cool and relentless work rate may be down to a smidgeon of imposter syndrome, even after all her years on the frontline. Whatever the truth of it,... Read more... |
Sheila Heti: Alphabetical Diaries review - an A-Z of inner lifeTuesday, 20 February 2024
After a first read of the blurb for Sheila Heti’s Alphabetical Diaries, you might be forgiven for assuming that this is merely a gimmick.The book does what it says on the tin: each "chapter" begins with the next letter of the alphabet, with the... Read more... |
John Francis Flynn, The Dome review - new trad and taped tin whistlesFriday, 02 February 2024
The Dome, as the opening act, Clara Mann noted, is a normally a heavy metal venue (black or dark purple tour bus parked outside, a long queue of piercings and mohawks). It was a lovely confounding of expectations, therefore, to stage Mann’s own... Read more... |
theartsdesk on Vinyl 81: Nobro, Adrian Sherwood, Evian Christ, Ozric Tentacles, Maple Glider, Viken Arman and moreTuesday, 12 December 2023
The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next one will be our Christmas Special, filled with seasonal fare and present-suitable reissues and boxsets. For the best... Read more... |
Jesse Darling: Virgins review - going straightThursday, 16 November 2023
Self-described ‘intermittent poet’ and 2023 Turner Prize-nominee Jesse Darling said this in a recent interview for Art Review: ‘I think about modernity as a fairytale’. The comparison is made in reference to capitalism’s beginnings, as continuous as... Read more... |
theartsdesk on Vinyl 80: Nanci Griffith, Scuba, Dope Lemon, Aerosmith, Bob Marley, Pharoah Sanders and moreTuesday, 14 November 2023
VINYL OF THE MONTH Being Dead When Horses Would Run (Bayonet)Being Dead are ostensibly an indie trio from Austin, Texas, but that description doesn’t really do justice to their smörgåsbord sound. Their default setting seems to be Trashmen “Surfin’... Read more... |
DVD/Blu-ray: 23 Seconds to EternityTuesday, 14 November 2023
The KLF are endlessly fascinating. There’s never been a “pop group” like them. From the late Eighties into the early Nineties, they treated music, especially electronic dance music, as a laboratory for lunatic experiment. Unlike most avant-garde... Read more... |
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