thu 25/04/2019

GALLERY photographic & art displays

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Who’s Afraid of Drawing? Works on Paper from the Ramo Collec...

Paper is traditionally the medium though which artists think. Stray thoughts and experiments can be quickly tried out, pushed further or...

Avengers: Endgame review - Marvel save the biggest and best...

The Earth’s mightiest defenders are back in a triumphant climax, 11 years in the making. Despite a three hour runtime and an overstuffed preceding...

Ain't Misbehavin', Southwark Playhouse review - a...

The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible...

Mitten wir im Leben sind, De Keersmaeker, Queyras, Rosas, Sa...

All Bach is dance, a teacher once told me. The justifiable...

Nouvelle Vague, Islington Assembly Hall review - the dreamy...

When you’re off to Islington’s beautiful Assembly Hall for an evening of slinky...

Rodrigo y Gabriela, Roundhouse - sound and (new) noise

It was in the early 2000s in a tiny, gritty Camden bar that I first saw Rodrigo y Gabriela live. Camden was less pretty then - a look was close to...

Mark Thomas, BAC review - impassioned polemic about the NHS

Mark Thomas issues a health warning for Check-Up: Our NHS at 70  at Battersea Arts Centre  – “This show...

CD: P!nk - Hurts 2B Human

Look behind the lyrics of some of P!nk’s biggest hits, and you’ll see that those powerhouse vocals and big pop-rock...

Billy Budd, Royal Opera review - Britten's drama of goo...

On one level, it's about Biblically informed good and evil at sea, in both the literal and the metaphorical sense. On another, the love that dared...

Suede, Brighton Dome review - Brett Anderson gives it full f...

Suede finish “Sabotage”. It’s a mid-paced, elegant number set off by swirling, circling central...