sat 22/01/2022

feminism

Albums of the Year 2021: Marina - Ancient Dreams in a Modern Land

We did that whole state-of-things COVID/Brexit/anxiety/neurosis blah-blah in the end-of-year pieces last year. And, indeed, the year before (when Bozza was elected). Not this year. I’m over that. Let’s crack on. Live life. Own it. All that. An...

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Grace Petrie, Summerhall, Edinburgh review - songs of solidarity

“How to explain Theresa May?” Grace Petrie muses from the Summerhall stage as she introduces decade-old opener “Farewell To Welfare”. “Well, in 2010, she was as bad as we thought it was going to get.”That is, on the face of it, the problem with...

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The Wife of Willesden, Kiln Theatre review - a saucy ode to Brent

Zadie Smith might not be the only writer who can rhyme "tandem" with "galdem", but she’s the only one who can do it in an adaptation of Chaucer. In The Wife of Willesden, her debut play, a modern version of one of the Canterbury Tales, Smith’s...

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little scratch, Hampstead Downstairs review - a maverick director surpasses herself

Katie Mitchell’s desire to bust the boundaries of theatre has taken a brilliant turn. Over her long and distinguished career as a director she has been tirelessly inventive, injecting stylised movement into Greek tragedy, projecting film onto giant...

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Milk and Gall, Theatre 503 review - motherhood in the age of Trump

Tuesday, 8 November 2016. Vera is in a New York hospital room giving birth to a son. On anxiously checked phones, the votes are piling up for Hillary, but the states are piling up for Trump. Vera’s world will never be the same again.Mathilde Dratwa’...

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Iliza Shlesinger, Eventim Apollo review - feminism, the internet - and bras

Iliza Shlesinger is an American writer, performer and presenter whose film work includes roles in Pieces of a Woman and Good on Paper, the latter which she also wrote and produced. She's also an established stand-up comic, with five Netflix specials...

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Pride & Prejudice* (*sort of), Criterion Theatre review - bursting with wit, verve, and love

“We haven’t started yet!” Hannah-Jarrett Scott, dressed in Doc Martens under a 19th-century shift, reassures us as she attempts to dislodge a yellow rubber glove from a chandelier in the middle of the set of Pride & Prejudice* (*sort of)....

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Stuart Jeffries: Everything, All the Time, Everywhere - How We Became Post-Modern review - entertaining origin-story for the world of today

In his 1985 essay “Not-Knowing”, the American writer Donald Barthelme describes a fictional situation in which an unknown “someone” is writing a story.“From the world of conventional signs,” Barthelme writes, laying out for the reader this story...

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Rice, Orange Tree Theatre review - whip-smart, but unsure where it stands

“Careful, there’s a hole in the floor.” The warning’s an unusual one, passed along conscientiously by the stewards at the door of the tiny Orange Tree Theatre.The hole in question is long and angular and will soon be filled with water, stretching...

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10 Questions for writer Lucia Osborne-Crowley

Anyone familiar with psychiatrist Bessel van der Kolk’s bestseller The Body Keeps the Score (2014) will recognise the ghost of his title in Lucia Osborne-Crowley’s My Body Keeps Your Secrets. His book is an essential text for understanding the...

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Album: Tomu DJ - Feminista

The endless circles and spirals that dance music moves in can take you to some strange places.It is, after all, a little peculiar that a producer from California, who was first turned on to DJing by the edgy, claustrophobic, ultra-modernist sound of...

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Elinor Cleghorn: Unwell Women review – misunderstanding and misdiagnosis

I’m one of the women in the pages of Elinor Cleghorn’s new history of the female body, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World. I’ve dealt with strange chronic pain throughout my early twenties. Still, I’ve always felt...

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