book reviews and features
Help to give theartsdesk a future!
Sunday, 01 December 2024
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com. It followed some hectic and intensive months when a disparate and... Read more... |
Jon Fosse: Morning and Evening review - after thoughts
Tuesday, 19 November 2024
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive... Read more... |
Jean-Baptiste Fressoz: More and More and More review - fuel for thought
Thursday, 07 November 2024
If you are bothered about climate change – and who isn’t? – you’ll soon come... Read more... |
Alan Hollinghurst: Our Evenings review - a gift that keeps on giving
Monday, 04 November 2024
In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and... Read more... |
Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference
Tuesday, 29 October 2024
Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey... Read more... |
theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema
Tuesday, 22 October 2024
You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-... Read more... |
Olga Tokarczuk: The Empusium review - paranoid prose
Tuesday, 22 October 2024
In his first of a series of meditations on the sickness that was consuming him, John Donne reflected... Read more... |
Stevie Smith: Not Waving But Drowning review - riding the wave
Wednesday, 02 October 2024
Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it. In fact, Faber &... Read more... |
Ellen McWilliams: Resting Places - On Wounds, War and the Irish Revolution review - finding art in the inarticulable
Friday, 19 July 2024
How do you give voice to a history that is intimate to your own in one sense, whilst being the story of others whom you never knew? This is a... Read more... |
Claire Messud: This Strange Eventful History review - home is where the heart was
Thursday, 18 July 2024
Claire Messud’s This Strange Eventful History is personal: a novel, that is, strangely inflected by autobiography, a history that is... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Album: FaithNYC - Love is a Wish Away
FaithNYC is a vehicle for the singer and songwriter Felice Rosser, an original rooted in reggae...
Perianes, Orchestre Symphonique de Montréal, Payare, Barbica...
When the Venezuelan Rafael Payare was appointed as conductor of the Orchestre Symphonique...
English Teacher, Queen Margaret Union, Glasgow review - Merc...
Props designed like flowers were scattered across the QMU stage for English Teacher's performance. A fitting choice given the Leeds group are...
Kemah Bob, Soho Theatre review - Thailand, massage and menta...
Kemah Bob is a regular on television and radio panel shows and well established on the comedy circuit, but Miss Fortunate is her full-...
[title of show], Southwark Playhouse review - two guys and t...
Not just a backstage musical, a backroom musical!
In the...
Album: Father John Misty - Mahashmashana
The word “mahashmashana” – महामशान in Sanskrit – translates as “great burying ground.” Co-opted as the title of Josh Tillman’s sixth album as...
La Serenissima, Wigmore Hall review - an Italian menu to sav...
For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no...
Jon Fosse: Morning and Evening review - after thoughts
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama,...
Roman Rabinovich, Wigmore Hall review - full tone in four st...
Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand...