mon 27/01/2025

book reviews and features

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some hectic and intensive months when a disparate and...

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Best of 2024: Books

theartsdesk

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

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William J. Mann: Bogie & Bacall review - beyond the screen

John Carvill

What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer,...

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Jeff Young: Wild Twin review - a box of tricks

India Lewis

The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However,...

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Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

Rachel Halliburton

How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated? Was it its remoteness, the endless snow and ice, the polar bears? Did it...

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Jon Fosse: Morning and Evening review - after thoughts

Jack Barron

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive...

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Jean-Baptiste Fressoz: More and More and More review - fuel for thought

Jon Turney

If you are bothered about climate change – and who isn’t? – you’ll soon come...

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Alan Hollinghurst: Our Evenings review - a gift that keeps on giving

Hugh Barnes

In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and...

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Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

Bernard Hughes

Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey...

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theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema

Harry Thorfinn-

You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-...

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Help to give theartsdesk a future!

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