Comedy reviews, news & interviews
Comedy podcasts round-up 2: from home and abroad
Wednesday, 06 January 2021
We're still some way off being able to see live performances in actual clubs and theatres, but here are some more comedy podcasts to keep your laughter quotient healthy in the meanwhile.Available on all podcast platforms unless stated. Office Ladies
Best of 2020: Comedy
Wednesday, 30 December 2020
What a year that was. Live performance was stopped dead in its tracks for most of 2020, and comedy – as viscerally live as you can get in dark and sweaty enclosed spaces above pubs or in club basements – was particularly hard hit. Never again, I suspect, will comedy fans complain about the privations of broom-cupboard venues at the Edinburgh Fringe.
Footnote: a brief history of British comedy
British comedy has a honourable history, dating back to Chaucer’s Canterbury Tales, through Shakespeare’s and Restoration plays to Victorian and Edwardian music hall and its offspring variety, and on to Monty Python’s Flying Circus, working-men’s clubs, 1980s alternative comedy, and today's hugely popular stand-up acts in stadiums seating up to 20,000 people.
In broadcast media, the immediate decades after the Second World War marked radio’s golden age for comedy, with shows such as ITMA, The Goons, Round the Horne and Beyond Our Ken. Many radio comedy shows transferred to even greater acclaim on television - such as Hancock’s Half Hour, The Hitchhiker's Guide to the Galaxy, Knowing Me, Knowing You, The Day Today, Red Dwarf, The League of Gentlemen, Goodness Gracious Me and Little Britain.
In television, the 1970s and 1980s were the great age of British sitcom, when shows such as Steptoe and Son, Till Death Us Do Part, Rising Damp, Dad’s Army, Porridge, Yes, Minister, Only Fools and Horses, Fawlty Towers and Blackadder. They were marked by great writing, acting and directing, although the time should also be noted for great British dross such as On the Buses and Love Thy Neighbour.
By the 1990s, British sitcom had developed into intelligent über-comedy, with shows such as Absolutely Fabulous and The Office making dark or off-kilter (although some would say bad taste) shows such as Drop the Dead Donkey, Peep Show, Green Wing and The Inbetweeners possible. In film, British comedy has had three great ages - silent movies (Charlie Chaplin being their star), Ealing comedies (Passport to Pimlico perhaps the best ever) and Carry On films. The first are in a long tradition of daft physical humour, the second mark the dry sophistication of much British humour, and the last the bawdiness that goes back to Chaucer.
The 2000s marked the resurgence of live comedy, with acts (including Jimmy Carr, Peter Kay and Russell Howard) honing their talents at successive Edinburgh Fringes and their resulting TV, stadium tour and DVD sales making millionaires of dozens of UK comics. Comedians cross readily from TV to stand-up to film to West End comedy theatre. The British comedy industry is now a huge and growing commercial business, with star comics such as Peter Kay and Michael McIntyre grossing tens of millions of pounds from arena tours, and attendances of up to 20,000 at venues across the UK.
latest in today

The oeuvre of M Night Shyalaman has...

One of the finer episodes in Raven Leilani’s startling debut (...

Another year, another lockdown. Though I have little...

Or, What The Durrells Did Next. Writer ...

The tears of a clown is a familiar enough metaphor – a cliché, perhaps – and as an image it adorns the sleeve of the latest album by...

The First Generation 1965–1974 is a 35-CD box set dedicated to the...

Volker Schlöndorff’s brilliant adaptation of Günter Grass’s 1959 novel The Tin Drum hasn’t aged one bit: just as the book and film’s main...

What’s all this? Female voices, guitars, a song lasting over four minutes… harmonies? Have Britain’s savviest...
most read











