thu 24/10/2024

Comedy reviews, news & interviews

Rose Matafeo, Arcola Theatre review - Starstruck star muses on love

Veronica Lee

Rose Matafeo knows how to make an entrance, as she enters the stage with a choreographed dance. She's useless at ending things, she says – shows, relationships – so she's going to start On and On and On with something memorable. She doesn't need to, as this affable Kiwi has the audience hooked straight away in her first stand-up since her success with romcom Starstruck, 2018's Horndog and her appearance in 2019 edition of Taskmaster.

Ellen DeGeneres, Netflix Special review - no mea culpa and few jokes

Veronica Lee

Hard to imagine it now, but just a few years ago Ellen DeGeneres was one of America’s biggest daytime TV stars; her chatshow The Ellen DeGeneres Show attracted Hollywood stars and politicians and she was paid millions for it. But then, in 2022, it was cancelled amid accusations there was a toxic atmosphere on set created by senior members of her team. This is the context of For Your Approval, which the comic says is her last stand-up appearance.

Joe Rogan, Netflix Special review - US podcaster...

Veronica Lee

Before Joe Rogan gained fame for his podcast The Joe Rogan Experience, he has been, variously, a comic,  presenter of goofball television shows...

Zoë Coombs Marr, Soho Theatre review - stock...

Veronica Lee

You have to admire the ambition of a show called Every Single Thing in My Whole Entire Life, the latest from Zoë Coombs Marr, which she performed at...

Adam Sandler, Netflix Special - songs, silliness...

Veronica Lee

You may spend some of Adam Sandler's new Netflix Special wondering what's going on. But if you're a fan of his alma mater, Saturday Night Live, you'...

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Blu-ray: Laurel and Hardy - The Silent Years

Graham Rickson

Always watchable, occasionally hysterical collection of silent shorts

Edinburgh Fringe 2024 review: Joe Kent-Walters

Veronica Lee

Spoof of old-school entertainment

Edinburgh Fringe 2024: Edinburgh Comedy Awards winners

Veronica Lee

Amy Gledhill wins main award

Edinburgh Fringe 2024 reviews: Grace Mulvey / John Tothill

Veronica Lee

Candid stories, and teasing the comedy gods

Edinburgh Fringe 2024 reviews: Sheeps / Mhairi Black

Veronica Lee

Sketch trio make their farewell, former MP says hello to the stage

Edinburgh Fringe 2024 reviews: Stevie Martin / Colin Hoult

Veronica Lee

Deconstructing comedy, and reflections on fatherhood and family

Edinburgh Fringe 2024 reviews: Chris Grace / Ania Magliano / Elvis McGonagall

Veronica Lee

Humour in loss, finding commitment hard, and satirical poetry

Edinburgh Fringe 2024 reviews: Emma Sidi Is Sue Gray / Sam Lake

Veronica Lee

Political satire, and a parental memoir

Edinburgh Fringe 2024 reviews: Eric Rushton / Mark Thomas

Veronica Lee

Surreal storytelling, and a bracing dose of politics

Edinburgh Fringe 2024 reviews: Anna Akana / Elliot Steel / Rosco McClelland

Veronica Lee

Dark humour, life's travails, and staring death in the face

Edinburgh Fringe 2024 reviews: Jin Hao Li / Sian Davies

Veronica Lee

Surreal stories and owning our mistakes

Rahul Subramanian, Soho Theatre review - rush-hour traffic and upsetting DJs

Veronica Lee

Observational gags from the Mumbai stand-up

Hannah Berner, Netflix Special - sex, politics and relationships

Veronica Lee

First stand-up special for American social media star

Jazz Emu, Soho Theatre review - delightfully daft musical spoof

Veronica Lee

Archie Henderson's louche creation

Rachel Parris, Leicester Square Theatre review - smart observations and satirical songs

Veronica Lee

Late Night Mash host on tour

Punt and Dennis, The Marlowe, Canterbury review - satire and sketches

Veronica Lee

Double act back on the road after a decade

DVD/Blu-ray: Billy Connolly - Big Banana Feet

Veronica Lee

The comic caught on the cusp of his fame as he tours Ireland in 1975

Clinton Baptiste, Touring review - spoof clairvoyant on great form

Veronica Lee

Character has life beyond 'Phoenix Nights'

Jack Docherty, Soho Theatre review - warm and witty childhood memoir

Veronica Lee

Former chat show host on his David Bowie obsession

Rhod Gilbert, G-Live Guildford review - cancer, constipation and celebrity treatment

Veronica Lee

Finding the funny in illness

Fern Brady, Netflix Special review - sex, relationships and death

Veronica Lee

Cynicism laced with playfulness

Jonathan Pie, Duke of York's Theatre review - spoof political reporter takes no prisoners

Veronica Lee

Tom Walker in a bravura display

Spencer Jones: Making Friends, Soho Theatre review - award-winning comedian mines his post-lockdown escape to the country

Gary Naylor

If big chickens scare you, this is your thing!

Six Chick Flicks, Leicester Square Theatre review - funny, frenetic and feminist spoof

Veronica Lee

Whip-smart parody of the genre

Footnote: a brief history of British comedy

British comedy has a honourable history, dating back to Chaucer’s Canterbury Tales, through Shakespeare’s and Restoration plays to Victorian and Edwardian music hall and its offspring variety, and on to Monty Python’s Flying Circus, working-men’s clubs, 1980s alternative comedy, and today's hugely popular stand-up acts in stadiums seating up to 20,000 people.

In broadcast media, the immediate decades after the Second World War marked radio’s golden age for comedy, with shows such as ITMA, The Goons, Round the Horne and Beyond Our Ken. Many radio comedy shows transferred to even greater acclaim on television - such as Hancock’s Half Hour, The Hitchhiker's Guide to the Galaxy, Knowing Me, Knowing You, The Day Today, Red Dwarf, The League of Gentlemen, Goodness Gracious Me and Little Britain.

In television, the 1970s and 1980s were the great age of British sitcom, when shows such as Steptoe and Son, Till Death Us Do Part, Rising Damp, Dad’s Army, Porridge, Yes, Minister, Only Fools and Horses, Fawlty Towers and Blackadder. They were marked by great writing, acting and directing, although the time should also be noted for great British dross such as On the Buses and Love Thy Neighbour.

By the 1990s, British sitcom had developed into intelligent über-comedy, with shows such as Absolutely Fabulous and The Office making dark or off-kilter (although some would say bad taste) shows such as Drop the Dead Donkey, Peep Show, Green Wing and The Inbetweeners possible. In film, British comedy has had three great ages - silent movies (Charlie Chaplin being their star), Ealing comedies (Passport to Pimlico perhaps the best ever) and Carry On films. The first are in a long tradition of daft physical humour, the second mark the dry sophistication of much British humour, and the last the bawdiness that goes back to Chaucer.

The 2000s marked the resurgence of live comedy, with acts (including Jimmy Carr, Peter Kay and Russell Howard) honing their talents at successive Edinburgh Fringes and their resulting TV, stadium tour and DVD sales making millionaires of dozens of UK comics. Comedians cross readily from TV to stand-up to film to West End comedy theatre. The British comedy industry is now a huge and growing commercial business, with star comics such as Peter Kay and Michael McIntyre grossing tens of millions of pounds from arena tours, and attendances of up to 20,000 at venues across the UK.

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