sat 27/07/2024

Proms

First Night of the Proms, BBCSO, Chan review - from the sublime to the mischievously meticulous

The first night of the BBC’s 2024 Proms season was illuminated by the blazing brilliance of Isata Kanneh-Mason’s performance of Clara Schumann’s Piano Concerto and the world premiere of Ben Nobuto’s witty video-game-inspired Hallelujah Sim. Hong...

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Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - running the emotional gamut

Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt like a rebirth. There was immediate purging in the focused whispers of the first “Requiem aeternam”s,...

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Prom 5, BBC National Orchestra of Wales, Bancroft review - a luxury orchestral cruise

This looked like a classic Prom in the grand old BBC tradition: two big but lesser-known pieces by pivotal figures (Schoenberg and Zemlinsky) played by a major non-metropolitan ensemble, the BBC National Orchestra of Wales. And so it proved, with...

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BBC Proms 2024 Preview: theartsdesk recommends…

So maybe there’s a bigger quota of popular Proms, leading Stephen Walsh to lambast what he sees as "junk" to avoid. It surely doesn’t matter. Among the 89 concerts, some of them beyond the Royal Albert Hall, the mix of old and new, middle-of-the-...

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Hallé, Elder, Bridgewater Hall, Manchester review - a fine and fitting finale for Sir Mark

When it was first announced that Mark Elder was to become music director of the Hallé, I phoned a friend who knew him well from serving on his staff at English National Opera in earlier years. “He’s completely devoted,” he said. “He never does...

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Life after Tár: conductors at the 2023 BBC Proms

A conductor who can now add "Gár" to his less flattering sobriquets may not have appeared as advertised at this year's Proms, but surely Chris Christodoulou can find a photo of him punching the air among his 43 years' worth of conductor portraits...

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Prom 65: Bruckner's Eighth, BBCSO, Bychkov review - a friendly giant

Bruckner's behemoth has always had its fervent champions – and its muttering sceptics. The 85-odd minutes of his Eighth Symphony, finally performed after major revisions in 1892, build into a titanic testament. Advocates read into it enough...

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Prom 60: Gerstein, Berlin RSO, Jurowski review - a master conductor returns with his German band

During his transformational time at the helm of the London Philharmonic Orchestra, Vladimir Jurowski conducted the complete Threepenny Opera in concert and two performances of Rachmaninov’s Third Symphony which changed my mind about its being good...

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Prom 55: Thibaudet, Boston Symphony Orchestra, Nelsons review - old-style showmanship

Funfairs and dance music, old world and new, should have guaranteed a corker of a second Prom from the Boston Symphony Orchestra with its chief conductor, Andris Nelsons. Glitter it did; but wit, drive and violence took a back seat to showcase...

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Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach

Few singers can match the exhilarating range of counter-tenor Iestyn Davies’ performances, whether it’s in the free-soaring clarity of his voice in rapid recitative-style passages or the white heat of intensity he brings to sustained notes.In this...

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Prom 50: Samson, Academy of Ancient Music review - a gradual build in musical and dramatic intensity

1743 was the year in which Handel presented both the Messiah and Samson to Londoners – and for most audience members the merits of one clearly eclipsed the other. Fascinatingly it was Samson that was seen to be the more successful – after breaking...

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Prom 49: Schumann, Das Paradies und die Peri, LSO, Rattle review - knocking on heaven's door

Have Proms audiences heard it all before? Not by the longest of chalks. Remarkably, last night saw the festival’s first outing for a major work by Robert Schumann.True, an extract from his secular oratorio Das Paradies und die Peri once reached the...

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