sat 20/09/2025

Radio show

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill discusses the power of protest music and his new project This Is The Fire

Peter Culshaw

This edition of Peter Culshaw’s peripatetic radio show...

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theartsdesk Radio Show 36 - legendary producer Joe Boyd discusses his recent book on global music

Peter Culshaw

The latest in Peter Culshaw’s peripatetic radio shows is a conversation with Joe Boyd whose...

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theartsdesk Radio Show 35 - with writer/composer Amit Chaudhuri

Peter Culshaw

Welcome to one of Peter Culshaw’s occasional global radio shows, hosted by Music Box. Today’s...

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theartsdesk Radio Show 34 - with post-punk visionary Lu Edmonds

Peter Culshaw

Welcome to the latest edition of Peter Culshaw’s occasional radio show, which normally has a global music focus. This week’s guest for the entire two hours is the...

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theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

Peter Culshaw

The latest edition of Peter Culshaw’s occasional global radio shows focuses totally on Ukraine,...

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theartsdesk Radio Show 32: a conversation with Matt Johnson of The The

Peter Culshaw

Peter Culshaw’s occasional global music...

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theartsdesk Radio Show 31 - special guest: TV soundtrack maestro Dominik Scherrer

Peter Culshaw

Peter Culshaw’s periodic global themed radio show is...

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theartsdesk Radio Show 30 - podcast on Malcolm McLaren with Paul Gorman, his biographer

Peter Culshaw

This episode of Peter Culshaw’s episodic global...

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theartsdesk Radio Show 29 - Morricone, Moroccan psychedelia and Sudanese techno

Peter Culshaw

Peter Culshaw’s periodic global music radio update is back...

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theartsdesk Radio Show 28 - Tony Allen tribute with guest Stephen Budd

Peter Culshaw

Peter Culshaw’s occasional global radio music show comes blinking into the light after...

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'We are bowled over!' Thank you for your messages... ...
Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

Album: Robert Plant - Saving Grace

Robert Plant is magnificently well-equipped to shine as a consummate musical survivor: not only has his voice kept its magic, with a range from...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...

Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review...

Anyone who has followed the trajectory of choreographer-director Michael Keegan-Dolan and his West Kerry-based company Teaċ Daṁsa (House of...

new music

Album: Robert Plant - Saving Grace

Mellow delight from former Zep lead

Brìghde Chaimbeul, Round Chapel review - enchantment in East London

Inscrutable purveyor of experimental Celtic music summons creepiness and intensity

First Person: Musician ALA.NI on how thoughts of empire and reparation influenced a song

She usually sings about affairs of the heart - 'TIEF' is different, explains the star