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Infinite Life, National Theatre review - beguiling new comed...
A sun deck with seven pale-green padded loungers is the latest setting for the latest...
Music Reissues Weekly: Myriam Gendron - Not So Deep As A Wel...
Myriam Gendron's debut album Not So Deep As A Well was originally released in 2014 by Feeding Tube, a US label run by...
Powell and Pressburger: In Prospero’s Room
There’s a thread of bright magic running through British...
Eileen review - a dank fairytale film noir
As the title character in Eileen, set in a miserable Massachusetts backwater in the days before Christmas 1964, Thomasin McKenzie plays a...
A Sherlock Carol, Marylebone Theatre review - merry, but mir...
It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...
Fallen Leaves review - deliciously dry Finnish romcom
Fallen Leaves is Aki Kaurismäki’s 20th film, the one the...
Album: Shirley Hurt - Shirley Hurt
The realisation that Shirley Hurt is the name assumed by Canada’...
Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...
Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...
Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...
Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...
Queendom review - an LGBTQ+ performance artist takes to the...
It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...
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Music Reissues Weekly: Myriam Gendron - Not So Deep As A Well
The surprise reappearance of the Canadian stylist’s interpretations of Dorothy Parker’s poems
