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London Film Festival 2024 - Angelina Jolie does Maria Callas
Maria
How do you solve a problem like Maria?...
Encounters, Royal Ballet review - exciting mixed bill with a...
In 2022, the American choreographer Pam Tanowitz made a duet on...
Dahomey review - return of the king
Mati Diop’s “speculative documentary” reverses the transatlantic journey of her feature debut Atlantics’ ghost Senegalese migrants, as...
Le nozze di Figaro, The Mozartists, Page, Cadogan Hall revie...
Ten years ago, Ian Page launched his and the Mozartists’ (then Classical Opera’s) remarkable endeavour to play music by WA Mozart 250 years after...
Isabel LaRosa, Saint Luke's and the Winged Ox, Glasgow...
The bar staff at Saint Luke’s will rarely have had an easier night than this one. Such was the youthful nature of the crowd for Isabel LaRosa that...
Album: Amyl and the Sniffers - Cartoon Darkness
Amy Taylor’s lyrics on Amyl and the Sniffers’ previous discs could hardly be described as demure – especially with song titles like “Don’t Need a...
Milisuthando review - exorcising apartheid
“The street I grew up in had no name and is in a country that no longer exists,” director Milisuthando Bongela begins her meditation about growing...
Vanessa Bell, MK Gallery review - diving into and out of abs...
The Bloomsbury group’s habit of non-binary bed-hopping has frequently attracted more attention than the artworks they produced. But in their...
theartsdesk Q&A: Anna Bogutskaya on her new book about t...
You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema,...
new music
Isabel LaRosa, Saint Luke's and the Winged Ox, Glasgow review - TikTok pop and a school disco atmosphere
The up-and-coming pop star was lively but one-dimensional