tue 23/07/2019

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

Oumou Sangaré, Earth review - the new Mama Africa takes her crown

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theartsdesk Radio Show 23 - the hottest Brazil sounds for 2019 with guest Tiago Di Mauro

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theartsdesk Radio Show 22 - the autumn's newest global sounds

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'I read French from left to right and Arabic from right to left': remembering Algerian rebel rocker Rachid Taha

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BaianaSystem, Village Underground - the new Brazilian contenders

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WOMAD 2, Charlton Park review - rainbows and rumba

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David Byrne, Eventim Apollo review - twice in a lifetime?

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Ismaili a Go-Go: How the Aga Khan funded a music renaissance

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Africa: A Journey Into Music, BBC Four review - too little, too late?

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theartsdesk in Ramallah - the music biz turns its sights on Palestine

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Tim Maia tribute, The Jazz Café review - the Brazilian wild soul legend revival continues

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theartsdesk Radio Show 21

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Norah Jones, Ronnie Scott's review - heartfelt music that transcends bland

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WOMAD 2017, Charlton Park review 2 - utopian globalist festival dances through the rain

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Yasmine Hamdan, Scala review - sultry, epic and doom-laden

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theartsdesk Radio Show 20 – from Mali to São Paulo

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latest in today

Il Segreto di Susanna/Iolanta, Opera Holland Park review - s...

Secrets, and the voluptuous, sensory pleasures they conceal, may unite Wolf-Ferrari’s Il segreto di Susanna and...

Prom 3, CBeebies: A Musical Trip to the Moon review - a cele...

This year’s Proms for children were entitled “Off to the Moon...

Helen Schjerfbeck, Royal Academy review - watchful absences...

Light creeps under the church door. Entering as a slice of burning white, it softens and blues into the stone interior, seeming to make the walls...

Lights, Camera, Malta!, BBC Concert Orchestra, Malta review...

With sapphire blue waters, year-round sun and architecture that spans centuries and cultures, it’s little wonder that Malta is a favourite...

CD: School Of Language - 45

Finding snapshots to characterise Donald Trump’s US...

Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Boh...

Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between...

Vic Marks: Original Spin review - trouble in Taunton

In cricket, timing is everything. Played a fraction early and that...

Reissue CDs Weekly: Peter Laughner

“As much as I love New York City, it’s all too obvious that Cleveland is about to become the musical focal point that the Big Apple has been on...

Gossip, SWG3, Glasgow - a reunion tour worth celebrating

If there was a downer during the giddy, gleeful Glasgow stop of Gossip’s recent run of shows, it was only when front...

Making Noise Quietly review - poetic if occasionally preciou...

Robert Holman’s 1986 Bush Theatre play – seen most recently in London at the Donmar Warehouse in 2012 – makes for a beautifully acted curio of a...