fri 02/05/2025

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 36 - legendary producer Joe Boyd discusses his recent book on global music

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Medicine Festival review - sound and music healing in the depths of Berkshire

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Medicine Festival review - the new New Age gathers in leafy Berkshire

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theartsdesk Radio Show 35 - with writer/composer Amit Chaudhuri

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'The music business was created for people like me who are not criminal enough to go to jail, and not mad enough to go to the nuthouse'. Sinéad O'Connor, 1966-2023

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Park Jiha, Stone Nest, K-Music - timeless evocative East-West soundscapes

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theartsdesk Radio Show 34 - with post-punk visionary Lu Edmonds

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Frida Kahlo Through Indian Classical Music, Elgar Room, Royal Albert Hall review - a strangely effective meeting of cultures

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theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

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theartsdesk Radio Show 32: a conversation with Matt Johnson of The The

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theartsdesk Radio Show 31 - special guest: TV soundtrack maestro Dominik Scherrer

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London Bulgarian Choir, Kings Place review - dark Slavic tales in waves of sound

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GogolFest:Dream review - the best music festival of the summer?

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theartsdesk Radio Show 30 - podcast on Malcolm McLaren with Paul Gorman, his biographer

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theartsdesk Radio Show 29 - Morricone, Moroccan psychedelia and Sudanese techno

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Ennio Morricone 1928-2020: A lost afternoon in his apartment in Rome

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Die Walküre, Royal Opera review - total music drama

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...

Georgia Mancio, Alan Broadbent, Pizza Express Dean Street re...

Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist...

The Extraordinary Miss Flower review - odd mashup of music,...

The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie...

Borrowed Time: Lennon's Last Decade review - how the gr...

Purporting to be a documentary about John Lennon in the 1970s, Borrowed Time is no such thing....

Album: PUP - Who Will Look After The Dogs?

PUP’s Who Will Look After The Dogs? is a raw and emotionally charged album that captures the band’s chaotic spirit while showing clear...

My Master Builder, Wyndham's Theatre review - Ewan McGr...

It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily works to the benefit of...

First Person: rising folk star Amelia Coburn on her French i...

“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year.  While living in...

Adrian Utley / Eddie Henderson Project, Ronnie Scott's...

On the eve of recording an album at Real World Studios, guitarist Adrian Utley and the American trumpet player Eddie Henderson brought their “...