tue 27/09/2022

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

Frida Kahlo Through Indian Classical Music, Elgar Room, Royal Albert Hall review - a strangely effective meeting of cultures

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theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

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theartsdesk Radio Show 32: a conversation with Matt Johnson of The The

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theartsdesk Radio Show 31 - special guest: TV soundtrack maestro Dominik Scherrer

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London Bulgarian Choir, Kings Place review - dark Slavic tales in waves of sound

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GogolFest:Dream review - the best music festival of the summer?

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theartsdesk Radio Show 30 - podcast on Malcolm McLaren with Paul Gorman, his biographer

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theartsdesk Radio Show 29 - Morricone, Moroccan psychedelia and Sudanese techno

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Ennio Morricone 1928-2020: A lost afternoon in his apartment in Rome

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theartsdesk Radio Show 28 - Tony Allen tribute with guest Stephen Budd

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theartsdesk Radio Show 27 - direct from Sāo Paulo with guest stars including Chico César

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theartsdesk Radio Show 26 - with guest from the Amazon, the latest Brazilian star Arthur Nogueira

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theartsdesk Radio Show 25 - with bohemian chanteuse Anne Pigalle

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theartsdesk Radio Show 24 - hot subcontinental sounds with guest Viveick Rajagopalan

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WOMAD, Charlton Park review - a gloriously defiant global music celebration

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10th Odessa International Film Festival review - exquisite gay love stories and visionary new music

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latest in today

Purcell's Playhouse, Bevan, Barokksolistene, Eike, Purc...

“What about the communication with the audience?” asked violinist and impresario Bjarte Eike in his First Person piece for theartsdesk...

Bronwyn Adcock: Currowan review - a fire foretold, a warning...

In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires...

Blu-ray: Love (Szerelem)

Károly Makk’s Love (Szerelem...

Igor Levit, Wigmore Hall review - titanic talent shows his l...

It probably tells you all you need to know about Igor Levit that when a mobile phone pinged just before his encore, he neither ignored it, nor...

Marina Abramović: Gates and Portals, Modern Art Oxford and P...

I have powerful memories of performances by Marina Abramović. Back in 1977 at Documenta in Kassel,...

Aida, Royal Opera review - dour but disciplined

No gods, ancient Egyptian or otherwise; no sinister priest along the lines of Russia’s antichrist Patriarch Kiriil, sending soldiers to their...

The Big Moon, Oran Mor, Glasgow review - partying prevails d...

Presumably before setting out on their current tour the Big Moon smashed a few mirrors, walked under some ladders and crossed the paths of...

Album: Lambchop - The Bible

Lambchop’s 1997 breakthrough album took its title from Michael Jackson’s Thriller. Borrowing The Bible is a more purposefully...

Gurrelieder, LPO, Gardner, RFH review - everything in place,...

Schoenberg’s “Song of the Wood Dove” takes up a mere 11 of the 100 minutes of his epic Gurrelieder, though it’s a crucial narrative of...

Music Reissues Weekly: Bill Nelson's Red Noise - Art /...

The British music weeklies were clear about where the Sound-On-Sound LP and its singles fitted into the current musical topography when...