fri 13/09/2024

theartsdesk com, first with arts reviews, news and interviews

Aleks Sierz
Friday, 13 September 2024
Platonic love should be simple — basically you’re best mates. And without the complications of sex, what could go wrong? Waleed Akhtar, whose big hit The P Word was also performed...
Boyd Tonkin
Friday, 13 September 2024
Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised Art of Fugue will have to wait....
Alexandra Coghlan
Friday, 13 September 2024
Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back in time. Wednesday’s season opener...
Adam Sweeting
Friday, 13 September 2024
Based on the novel by Elin Hilderbrand, The Perfect Couple is an expensively-dressed fable about a lavish wedding in Nantucket, the desirable island paradise off Cape Cod, which...
Saskia Baron
Friday, 13 September 2024
Anyone who has seen Lee Miller’s photographs – those taken of her in the 1920s when she was a dazzling American beauty, those she took as a World War Two photojournalist –...
Helen Hawkins
Friday, 13 September 2024
The latest Greatest Hit to land at the Lyric is Timberlake Wertenbaker’s 1988 award-winning play about a performance of Farquhar’s The Recruiting Officer by British convicts in a...
Gary Naylor
Friday, 13 September 2024
Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories...
Markie Robson-Scott
Friday, 13 September 2024
“I’d know her. Bone of my bone, flesh of my flesh. Would I know her? Would I?” John (a brilliant Jared Harris, who’s also an...
Joe Muggs
Friday, 13 September 2024
I made a terrible mistake when I first got this LP: I played it on my laptop speakers. That’s not the straight up...
David Nice
Thursday, 12 September 2024
Somehow those of us required to translate the musical experience into words look for the moments which defeat us. One such...
Thomas H Green
Thursday, 12 September 2024
Contrary to popular belief, not all music journalists get off on being snide about the same old easy-to-slate bands. When...
David Nice
Wednesday, 11 September 2024
Some operas shine in the vasts of the Albert Hall, others seem to creep back into their beautiful shells. Glyndebourne’s...
Guy Oddy
Wednesday, 11 September 2024
It has to be hoped that Stuart Staples’ songs for Tindersticks aren’t a reflection of his actual life experiences. No-one...
Jenny Gilbert
Tuesday, 10 September 2024
The Mad Hatter gets it about right when he tells Alice: “You’re entirely bonkers… but all the best people are.” Kate Prince...
Alexandra Coghlan
Tuesday, 10 September 2024
Later this autumn Richard Eyre’s La Traviata celebrates its 30th birthday. Not bad going for the director’s first ever foray...
Harry Thorfinn-George
Tuesday, 10 September 2024
A woman sits at her computer. She copy-pastes an address into a search engine. She goes to street view. She zooms in. Click...
Helen Hawkins
Tuesday, 10 September 2024
Like the BBC’s documentary series The Yorkshire Ripper Files before it, the French six-part drama Sambre on BBC Four is more...
James Saynor
Tuesday, 10 September 2024
Sometimes love never dies and the dead never rot. A lot of water has flowed down the River Styx since Tim Burton’s first...
Graham Rickson
Tuesday, 10 September 2024
Once regarded as highly as Kurosawa and Ozu, Japanese director Mikio Naruse’s star has fallen in recent decades, with few of...

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★★★★★ FLOATING CLOUDS Mikio Naruse's downbeat love story returns in a gleaming new print

★★★★ PROM 68, A MIDSUMMER NIGHT'S DREAM, GARSINGTON OPERA Strong cast and top orchestra project as best they can in a fine company's first Proms visit

★★★ BEETLEJUICE BEETLEJUICE A lively resurrection

★★★★★ PROMS 63-65, CHORAL DAY From Harris to Handel/Mozart via Alabama, with love

 THE SILVER CORD, FINBOROUGH Narcissism up-close and disturbingly relevant 

★★★★ BALLET NIGHTS #006, CADOGAN HALL A mixed bag of excellence

★★★ LA TRAVIATA, ROYAL OPERA Richard Eyre's classic production looks great but lacks fizz

★★★★ THE MAD HATTER'S TEA PARTY, ZOONATION, LINBURY THEATRE  A joyous celebration of differentness

★★★ KAOS, NETFLIX Playing fast and profuse with the Greek myths

disc of the day

Album: Floating Points - Cascade

High energy techno and rave from the synth craftsman needs your best speakers

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

The Perfect Couple, Netflix review - an inconvenient death ruins lavish Nantucket wedding

Liev Schreiber steals the show in adaptation of Elin Hilderbrand's novel

Kaos, Netflix review - playing fast and profuse with the Greek myths

A rainbow of acting talent, but too many ideas thrown into the labyrinth

film

Lee review - shaky biopic of an iconic photographer

Kate Winslet brings her long-nurtured Lee Miller passion project to the screen

Reawakening review - a prodigal daughter returns, or does she?

Virginia Gilbert's gripping drama stars Jared Harris and Juliet Stevenson

Red Rooms review - the darkest of webs

Writer-director Pascal Plante has a cult hit on his hands with this skilful cyber-thriller

new music

Album: Floating Points - Cascade

High energy techno and rave from the synth craftsman needs your best speakers

Album: Snow Patrol - The Forest is the Path

Struggling to find the good in this hugely successful band's lovelorn stadium plod

Album: Tindersticks - Soft Tissue

More poetic heartbreak from Stuart Staples' mob

classical

Prom 71, Seong-Jin Cho review - refined Romantic journeys

Taste and grace from the Korean prize-winner

Frang, LSO, Pappano, Barbican review - a concerto performance to treasure

Outstanding Elgar and full orchestral throttle in Holst

LSO, Pappano, Barbican review - singular adventures for a new era

A quick-change MacMillan premiere finds correspondences in singular Sibelius

opera

Prom 68, A Midsummer Night's Dream, Garsington Opera review - eerie beauty sometimes faintly glittering

Strong cast and top orchestra project as best they can in a fine company's first Proms visit

La traviata, Royal Opera review - a charismatic soprano in a serviceable revival

Richard Eyre's classic production looks great but lacks fizz

Prom 52, Carmen, Glyndebourne Festival review - fine-tuning a masterpiece

No loss of vivid focus as the Albert Hall becomes Bar Lillas Pastia

theatre

The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring
Waleed Akhtar’s new play is about platonic love in a contemporary context
Our Country's Good, Lyric Hammersmith review - lively but patchy revival
Timberlake Wertenbaker's updated version takes particular aim at colonialism
Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show
Marlow and Moss are back with deeply personal exploration of how lives are lived today

dance

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre review - a joyous celebration of differentness

Kate Prince's hip hop take on Lewis Carroll is energetic, charming and moving by turns

Ballet Nights #006, Cadogan Hall review - a mixed bag of excellence

Gala enterprise, 12 months on, will be a stayer if it keeps up this level of excitement

theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia

Bolshoi superstar who made her name in London returns with a new generation

comedy

Adam Sandler, Netflix Special - songs, silliness and deconstructing stand-up

The comic and director Josh Sadie have fun with the form

Blu-ray: Laurel and Hardy - The Silent Years

Always watchable, occasionally hysterical collection of silent shorts

Edinburgh Fringe 2024 review: Joe Kent-Walters

Spoof of old-school entertainment

Books

Ellen McWilliams: Resting Places - On Wounds, War and the Irish Revolution review - finding art in the inarticulable

A violent history finds a home in this impressionistic blend of literary criticism and memoir

Claire Messud: This Strange Eventful History review - home is where the heart was

A brutally honest and epic narrative follows a family doomed to wander the earth

visual arts

Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history

Dunked in the sea to give them a patina of age, sculptures that feel timeless

Bill Viola (1951-2024) - a personal tribute

Video art and the transcendent

latest comments

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