wed 05/10/2022

screenwriting

Chivalry, Channel 4 review - Steve Coogan and Sarah Solemani's sharp Hollywood satire

It was inevitable that someone would soon tackle the question of how does Hollywood start behaving in the post-MeToo world, but few would have put money on a comedy drama starring Steve Coogan, the creator of Alan Partridge. But here it is, a whip-...

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The Matrix Resurrections review - reboot or remix?

Back in 1999, The Matrix offered something revolutionary. With a heady brew of William Gibson-influenced cyberpunk, Platonic philosophy and Prada, it proved that blockbusters could be both smart and action-packed. Remember those days? Two...

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Best of 2020: Film

It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of...

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theartsdesk Q&A: screenwriter Jed Mercurio

So you want to be a TV screenwriter? You might do a lot worse than to sign up for Jed Mercurio's new online course at BBC Maestro, where over 28 lessons he explores the pitfalls and hurdles of a screenwriter's life, from the nuts and bolts of...

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Filmmaker Bassam Tariq: 'Great cinema doesn't need to be perfect - embrace the imperfections'

After Bassam Tariq's feature debut These Birds Walk was released at SXSW 2013, things seemed to slow down. The documentary about a runaway boy in Pakistan garnered strong reviews, but soon Tariq was working in a New York butchers pondering his...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in...

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I'm Thinking of Ending Things review - only disconnect

I’m Thinking of Ending Things ends in a giddying gusher of weirdness, the steady drip of earlier oddness finally bursting its narrative banks, till a horror scene becomes a Gene Kelly ballet, and an Oklahoma! tune is sung in bitter valediction by a...

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theartsdesk Q&A: filmmaker Mike Hodges

Mike Hodges arrived in cinema through television, including a stint on the rightly revered Granada Television current affairs series World in Action. He burst on to the big screen in 1971 with the gritty and witty crime thriller Get Carter, which...

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The King of Staten Island review - Apatow's best work in a decade

The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/...

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Women Make Film: Part Two review - two steps forward, one step back

The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and...

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Khaled Nurul Hakim: The Book of Naseeb review – a bold debut

A small-time heroin dealer harbours idealistic dreams of building a hospital “to help da limmless in Peshawar and Kabul”. This is the premise of The Book of Naseeb, the debut novel from Khaled Nurul Hakim. Perhaps audaciously billed as a “degraded...

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The Host review - implausible suspense thriller

A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't...

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