mon 11/08/2025

Comedy Reviews

'We are bowled over!' Thank you for your messages of love and support

Tom Birchenough

We are bowled over! 

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Edinburgh Fringe 2025 reviews - Desiree Burch / Andy Parsons

Veronica Lee

Desiree Burch, Monkey Barrel ★★★★

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Edinburgh Fringe 2025 reviews - Lily Phillips / Ayoade Bamgboye

Veronica Lee

Lily Phillips, Monkey Barrel ★★★★

Lily Phillips is keen to tell us at the top of her show that she’s not that Lily Phillips. There’s no OnlyFans content in Crying but, dealing as it does with her experience of having a baby, it’s graphic in a different way. So strap in.

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Edinburgh Fringe 2025 reviews - Jacob Nussey / Phil Green

Veronica Lee

Jacob Nussey, Pleasance Courtyard ★ 

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Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Veronica Lee

Rob Auton, Assembly Roxy  

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Edinburgh Fringe 2025 reviews - Monstering the Rocketman by Henry Naylor / Alex Berr

Veronica Lee

Monstering the Rocketman by Henry Naylor, Pleasance Dome

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Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher Macarthur-Boyd

Veronica Lee

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as fat as she used to be. And that’s the premise of BIG, in which she describes why she has been overweight since she was eight years old and what led to the recent weight loss – “about an XL Bully’s-worth”.

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Edinburgh Fringe 2025 reviews - Rhys Darby / Alex Stringer

Veronica Lee

Rhys Darby, Pleasance Courtyard ★★★★

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Eddie Pepitone, Special review - return of the curmudgeon

Veronica Lee

There aren’t many comics like Eddie Pepitone any more – the veteran comic’s shtick harks to back an earlier age, pre-suitable for TV and Netflix specials. As the New Yorker says drily in his latest special, The Collapse, he was never going to be considered as a host of either a reality programme full of beautiful people or a smarmy late-night chat show.

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Summer Laugh review - five comics gear up for the Fringe

Veronica Lee

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply their wares at the world’s biggest arts festival, the costs they have to bear – among them venue charges, accommodation and marketing – don’t come cheap, and are growing year on year. Many people attending the Fringe are unaware of its financial eco-system – but the majority of performers there are self-funding.

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