Comedy Reviews
Best of 2024: ComedyMonday, 30 December 2024
Looking back over the past 12 months, it struck me how it has been the shows fashioned from personal stories that have stayed with me. It wasn't simply that the comics could make very good jokes about their travails or embarrassments, but that the material had a strong ring of authenticity. There's nothing wrong with delivering other people's gags (plenty of top-flight performers do it, of course) but when it rings true, it's somehow funnier. Read more... |
Jamie Foxx, Netflix Special review - doctors and divine interventionFriday, 27 December 2024
In April 2023 the actor and comic Jamie Foxx had a stroke and was lucky to survive. In his latest Netflix Special, What Had Happened Was... he tells us about it, and his recovery. It's fitting, he tells us, that the show was recorded in Atlanta, just 400 yards away from the hospital he was taken to by his sister, who knew something was seriously wrong. Read more... |
Ricky Gervais, Touring review - new show, not-so new gagsThursday, 05 December 2024
Ricky Gervais begins by bringing us up to date with the latest “outrage” he has caused; two Netflix specials, SuperNature and Armageddon, upset some people, he tells us, thus giving them even more attention than they might otherwise have had. So now with Mortality he's probably going to upset some more, thus making the Netflix special that will follow its lengthy tour (ending in November next year) even more successful. “Stupid cunts.” Read more... |
Kemah Bob, Soho Theatre review - Thailand, massage and mental healthWednesday, 20 November 2024
Kemah Bob is a regular on television and radio panel shows and well established on the comedy circuit, but Miss Fortunate is her full-length debut. And what a debut; a personal story – ostensibly about the holiday from hell – that manages to riff on mental health, sexual adventure and cultural assumptions. And be funny. Read more... |
Natalie Palamides: Weer, Soho Theatre review - a romcom of two halvesTuesday, 12 November 2024
Natalie Palamides doesn't do things by halves. Actually, the Los Angeles-based clown does just that in her inventive new show Weer – a hit at the Traverse Theatre at this year's Edinburgh Fringe – in which she plays the male and female partners in a fractious relationship. Simultaneously. Read more... |
Kiri Pritchard-McLean, Brighton Dome review - a foster carer's taleMonday, 28 October 2024
Kiri Pritchard-McLean has spoken on stage before about her interest in helping young people – including in her 2017 show, Appropriate Adult, in which she talked about being a mentor to a vulnerable youngster. In Peacock, her latest touring show which I saw as part of the inaugural Brighton Dome Comedy Festival, she talks about how she and her partner, Dan, came to be foster carers. Read more... |
Rose Matafeo, Arcola Theatre review - Starstruck star muses on loveMonday, 14 October 2024
Rose Matafeo knows how to make an entrance, as she enters the stage with a choreographed dance. She's useless at ending things, she says – shows, relationships – so she's going to start On and On and On with something memorable. She doesn't need to, as this affable Kiwi has the audience hooked straight away in her first stand-up since her success with romcom Starstruck, 2018's Horndog and her appearance in 2019 edition of Taskmaster. Read more... |
Ellen DeGeneres, Netflix Special review - no mea culpa and few jokesTuesday, 08 October 2024
Hard to imagine it now, but just a few years ago Ellen DeGeneres was one of America’s biggest daytime TV stars; her chatshow The Ellen DeGeneres Show attracted Hollywood stars and politicians and she was paid millions for it. But then, in 2022, it was cancelled amid accusations there was a toxic atmosphere on set created by senior members of her team. This is the context of For Your Approval, which the comic says is her last stand-up appearance. Read more... |
Joe Rogan, Netflix Special review - US podcaster leaves the controversy - and the jokes - at homeSaturday, 28 September 2024
Before Joe Rogan gained fame for his podcast The Joe Rogan Experience, he has been, variously, a comic, presenter of goofball television shows and an analyst of UTC bouts. Now with his Netflix Special he’s returning to his first occupation, as a stand-up. It was recorded at the Majestic Theatre in San Antonio, Texas. Read more... |
Zoë Coombs Marr, Soho Theatre review - stock checks and spreadsheetsFriday, 20 September 2024
You have to admire the ambition of a show called Every Single Thing in My Whole Entire Life, the latest from Zoë Coombs Marr, which she performed at this year’s Edinburgh Fringe and is now in its Soho Theatre residency. It’s an hour that takes on some big themes – sexuality, mental health, the state of comedy – while digging down into her life as she reaches 40, and has done something of a stock check. Read more... |
Pages
latest in today
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Having carved a swathe of terror and destruction through the Axis forces in North Africa, the SAS return for a second series (again written by...
As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I...
In an ideal world an end-of-year roundup would applaud only new ventures – fresh productions that you may curse for having missed but whose...
Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...
Young eldritch junkie Nick Cave would have struggled to predict his maturity as a font of wry and sacred wisdom, or the fathomless loss he...
Maybe it was the timing, even though most of the action takes place in bright sunlight...
“O stay and hear,” sings Twelfth Night’s jester Feste in his song “O mistress mine”, “your true love’s coming,/ That can sing both high...
Looking back over the past 12 months, it struck me how it has been the shows fashioned from personal stories that have stayed with me. It wasn't...