Comedy Reviews
Kerry Godliman, Touring review - affable and down-to-earth humourFriday, 20 October 2017
Kerry Godliman is such an affable and down-to-earth onstage presence that when she talks about whether she should move now that her area has upped and come – you can tell by the local baker making sourdough loaves – you think how much her neighbours would miss her. Read more... |
Mat Ewins, Soho Theatre review - multimedia show with twists in the taleMonday, 16 October 2017
Mat Ewins comes on stage with a bullet belt slung across his chest. Indiana Jones he ain't, but what follows is a spoof on that film genre, a convoluted narrative that makes little sense but has a large degree of bombast as the show's title, Mat Ewins: Presents Adventureman 7 – the Return of Adventureman, suggests. Read more... |
Ahir Shah, Soho Theatre - a bravura response to Brexit voteWednesday, 27 September 2017
There were a lot of shocked and disappointed people after the EU referendum last year and several comics have used the result to fashion some good comedy, delivering state-of-the-nation material in their shows. For Ahir Shah, though, the more he thought about the result, the more he took it personally. Read more... |
Mae Martin, Soho Theatre review - life is a drugTuesday, 19 September 2017
She’s only 30, but Mae Martin has been at this comedy lark for a long time. Read more... |
Edinburgh Festival and Fringe 2017 reviews round-upMonday, 21 August 2017
Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far. STANDUP Athenu Kugblenu, Underbelly Med Quad ★★★ Strong debut hour of political and identity comedy |
Edinburgh Fringe 2017 reviews: Ingrid Oliver / Darren Harriott / Jayde AdamsMonday, 21 August 2017
Ingrid Oliver ★★★★ Read more... |
Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell / Ivo Graham / Athena KugblenuThursday, 17 August 2017
Hannah Gadsby ★★★★ This is Hannah Gadsby's last show, she tells us. Not because she has stopped being funny (she most definitely hasn't, as the laugh count in this show attests), but because making comedy out of her life experience has become toxic for her. Read more... |
Edinburgh Fringe 2017 reviews: Tom Allen / Cally Beaton / Lauren Pattison / TrumpageddonTuesday, 15 August 2017
Tom Allen ★★★★ |
Edinburgh Fringe 2017 reviews: Kiri Pritchard-McLean / Dad's Army Radio Hour / Elliot SteelMonday, 14 August 2017
Kiri Pritchard-McLean ★★★★ Appropriate Adult has an unlikely subject for comedy – Kiri Pritchard-McLean's work with vulnerable teenagers. But it proves rich territory as she recounts her relationship with one in particular, 15-year-old “Harriet”. Don't worry, it doesn't pose an ethical issue, as the comic, rather than the child, is the butt of the jokes – of which there are plenty. Read more... |
Edinburgh Fringe 2017 reviews: Tiff Stevenson / Jarlath Regan / Urzila CarlsonThursday, 10 August 2017
Tiff Stevenson ★★★★ Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Los Angeles Master Chorale, Gershon, Sellars, Barbican revie...
By some strange alignment of the stars, Peter Sellars’s staged version of Orlando di Lasso’s...
Rocketman review - fabulous musically but a tad miserable to...
Rocketman opens with its hero in flamboyant stage costume stomping into a drab group therapy session. Pulling the sparkling horns off his...
Oh Sees, Tramshed, Cardiff review - breakneck wig outs
Oh Sees have long been touted of as the perfect festival band. Their racuous, high-tempo rock'n'roll always riles up the drunken swathes, even if...
Four Quartets, Barbican Theatre review - ultimate stage poet...
The first surprise is that this hasn’t been done before. The poems that comprise TS Eliot’s...
Cannes 2019: Parasite review - hilarious and horrifying
Like Snowpiercer before it, Bong Joon-ho’s rage-fuelled ...
Emily Atack, Clapham Grand review - I'm a Celebrity......
Most people know Emily Atack from The Inbetweeners, where she played Charlotte, the object of Will's desire. More recently, she found new...
Rokia Traoré: Dream Mandé: Djata, Brighton Festival 2019 rev...
Rokia Traoré’s passage through this year’s Brighton Festival has been central, binding it to her Malian identity in a series of gigs....
Igor Levit, Wigmore Hall review – full-spectrum Bach from a...
You seldom hear a Champions League-level roar of approval at the Wigmore Hall. Last night, though, Igor Levit drew a throaty collective bark of...
Cannes 2019: Once Upon a Time... In Hollywood review - sun-s...
Moments before Quentin Tarantino’s blistering, outrageous work screened at...