wed 16/07/2025

Comedy Reviews

Six Chick Flicks, Leicester Square Theatre review - funny, frenetic and feminist spoof

Veronica Lee

Spoofing movies or movie genres has been done before, but Six Chick Flicks goes the extra mile. It's a funny, frenetic and feminist take-down of the kind of movies that are aimed at woman, but pretty much always written and/or directed by men.

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Pierre Novellie, Soho Theatre review - turning a heckle into a show

Veronica Lee

Pierre Novellie opens his show by telling how his latest show, Why Are You Laughing?, came into being. It started, he says, when he was heckled at a previous show by someone shouting out: “I have Asperger's and I think you have it too.” It's an arresting start but Novellie doesn't mention it again until the final section of the show.

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Catherine Bohart, Soho Theatre review - girlfriends, gossip and gay parenthood

Veronica Lee

Catherine Bohart opens by telling us that we're seeing her at the beginning of a long tour – before her energy flags, she says. It's difficult to believe, however, that the Irishwoman ever performs at anything less than full throttle, and so it proves here with Again, With Feelings, a show about where her life is at the moment.

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Miles Jupp, Cambridge Arts Theatre review - life's vicissitudes turned into laughs

Veronica Lee

It takes a talented comic to turn a horrible life experience into comedy, but Miles Jupp is nothing if not talented. Add in a bit of self-depreciation, a smidgen of philosophical musing and a dollop of ruderies about bodily functions and you have On I Bang, which charts the comic's diagnosis with – and, thankfully, recovery from – a benign brain tumour.

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Andy Parsons, Touring review - reasons to be cheerful...

Veronica Lee

In the middle of another age of austerity, a climate crisis and seemingly intractable international conflicts, it's cheering that a comic should tour with a show called Bafflingly Optimistic. Even more so when that comedian is Andy Parsons, whose sardonic humour – much of it about the British and Britishness – could never be described as rose-tinted.

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Bill Bailey: Thoughtifier, Brighton Centre review - offbeat adventures with a whirling, erudite mind

Thomas H Green

I first saw Bill Bailey at least 30 years ago in the cabaret tent at Glastonbury Festival, the audience lying on hessian matting, a fug of hash smoke in the air. He seemed one of us, a bug-eyed, Tolkien-prog hippy with a stoned sense of humour and charged musical chops.

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Paul Foot, Soho Theatre review - how to discover the meaning of life

Veronica Lee

It's probably fair to say that Paul Foot is an acquired taste for some; his absurdist, poetic comedy isn't for everyone but he has built a strong and loyal following without the help of television exposure. And now in Dissolve, which debuted at the 2023 Edinburgh Fringe, his comedy takes a more personal turn as he describes the mental health problems that have dogged him for decades.

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Jessica Fostekew, Soho Theatre review - age is just a number

Veronica Lee

Jessica Fostekew is ageing fast. Actually, she's not, but having recently reached 40 she says that's how she feels. And for an hour she describes to us the signs, from despising litterbugs to gaining a political viewpoint that may not chime with her peers.

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Fascinating Aida, London Palladium review - celebrating 40 glorious years of filth and defiance

Helen Hawkins

You don’t expect a couple of septuagenarian contraltos, aided by a spring chicken of a soprano in her fifties, to sing naughty ditties about jacksies and titties. Then again, if you are a Fascinating Aida fan, you do. 

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Frank Skinner: 30 Years of Dirt, Gielgud Theatre review - a mature master of class-A smut

Helen Hawkins

As the man himself says, he was awarded an MBE last year, despite the dirt, for services to comedy – though which services weren’t specified… On paper that isn’t a remotely risqué remark, but Skinner can milk innuendo from anything that comes out of his mouth.

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