sun 24/11/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Kemah Bob, Soho Theatre review - Thailand, massage and mental health

Read more...

Natalie Palamides: Weer, Soho Theatre review - a romcom of two halves

Read more...

Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale

Read more...

Rose Matafeo, Arcola Theatre review - Starstruck star muses on love

Read more...

Ellen DeGeneres, Netflix Special review - no mea culpa and few jokes

Read more...

Joe Rogan, Netflix Special review - US podcaster leaves the controversy - and the jokes - at home

Read more...

Zoë Coombs Marr, Soho Theatre review - stock checks and spreadsheets

Read more...

Adam Sandler, Netflix Special - songs, silliness and deconstructing stand-up

Read more...

Edinburgh Fringe 2024 review: Joe Kent-Walters

Read more...

Edinburgh Fringe 2024: Edinburgh Comedy Awards winners

Read more...

Edinburgh Fringe 2024 reviews: Grace Mulvey / John Tothill

Read more...

Edinburgh Fringe 2024 reviews: Adam Riches: Jimmy / TERF

Read more...

Edinburgh Fringe 2024 reviews: Sheeps / Mhairi Black

Read more...

Edinburgh Fringe 2024 reviews: Stevie Martin / Colin Hoult

Read more...

Edinburgh Fringe 2024 reviews: Chris Grace / Ania Magliano / Elvis McGonagall

Read more...

Edinburgh Fringe 2024 reviews: Emma Sidi Is Sue Gray / Sam Lake

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: Stefan Gnyś - Horizoning

For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...

Wicked review - overly busy if beautifully sung cliffhanger

"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan re...

London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The ...

Snow Leopard review - clunky visual effects mar a director...

Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of...

King James, Hampstead Theatre review - UK premiere drains a...

Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not...

Album: Kim Deal - Nobody Loves You More

The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without...

Kavakos, Philharmonia, Blomstedt, RFH review - a supreme val...

From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he sat on a piano stool...

Hannah Scott, Worthing Pavilion Theatre Atrium review - fill...

London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the...