thu 11/09/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Dick and Dom in da Bungalow, Touring review - Bogies, bottoms and other childish fun

Tuesday, 25 April 2023 Read more...

Emmanuel Sonubi, ArtsDepot review - confessions of a former bouncer

Monday, 17 April 2023 Read more...

Vardy v Rooney: The Wagatha Christie Trial, Ambassadors Theatre review - courtroom drama hits the back of the net

Thursday, 13 April 2023 Read more...

Chris Rock, Netflix special review - no holds barred on the Oscars slap

Friday, 17 March 2023 Read more...

Crybabies, Soho Theatre review - sharp sci-fi spoof

Thursday, 09 March 2023 Read more...

Bridget Christie, The Haymarket, Basingstoke review - making the menopause funny

Tuesday, 07 March 2023 Read more...

Ricky Gervais, BIC review - nudging the boundaries again

Monday, 27 February 2023 Read more...

What's Love Got to Do With It? review - Jemima Khan's feelgood romcom

Monday, 27 February 2023 Read more...

'Weird Al' Yankovic, London Palladium review - deep dive into his original songs

Tuesday, 21 February 2023 Read more...

Catherine Cohen, Brighton Komedia review - songs and New York sass

Thursday, 09 February 2023 Read more...

Puss in Boots: The Last Wish review - thrilling adventure with Antonio Banderas

Saturday, 04 February 2023 Read more...

Lucy Porter, Cambridge Junction review - making light of a midlife crisis

Monday, 23 January 2023 Read more...

Best of 2022: Comedy

Friday, 30 December 2022 Read more...

Christmas shows 2022 round-up - panto is properly back

Friday, 23 December 2022 Read more...

Mother Goose, Duke of York's Theatre review - Ian McKellen returns as the Dame

Thursday, 22 December 2022 Read more...

10 Questions for comedian Alex Edelman

Monday, 19 December 2022 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Cow | Deer, Royal Court review – paradox-rich account of non...

I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the...

Album: Baxter Dury - Allbarone

Quite why Baxter Dury isn't already a national treasure is a mystery to me. Not for his nepo connections but...

Lammermuir Festival 2025 review - music with soul from the h...

One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a...

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

A lot is going on during Yasmine Hamdan’s third solo album. Despite all ten songs of I Remember I Forget بنسى وبتذكر drawing from the...

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Ora...

My final visit to the Proms for this year was a Sunday double-...

Honey Don’t! review - film noir in the bright sun

The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms...

Blu-ray: The Sweeney - Series One

You’ll have absorbed key strands of The Sweeney‘s DNA even if you’ve never watched an episode, ITV’s groundbreaking police drama having...

theartsdesk on Vinyl 92: Marianne Faithful, Crayola Lectern,...

VINYL OF THE MONTH

Black Lips Season of the Peach (Fire)

...

Blondshell, Queen Margaret Union, Glasgow review - woozy roc...

There is such nonchalance with Sabrina Teitelbaum that even her appeals to the crowd appeared laid-back. At points during her set the Los Angeles...