thu 29/10/2020

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Adam Kay, Bloomsbury Theatre review - festive tales from the NHS coalface

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ABBA: Super Troupers The Exhibition, O2 - one for the supergroup's completists

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Andy Parsons, Stamford Corn Exchange review - politics and the art of persuasion

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Jack Whitehall, O2 Arena - a mix of posh and puerile

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Ivo Graham: The Game of Life, Soho Theatre review - privilege and parenting

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Stewart Lee: Tornado/Snowflake, Leicester Square Theatre review - snark to Sharknado

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Jack Dee, Gordon Craig Theatre, Stevenage review - now he really is a grumpy old man

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Jonathan Pie, Eventim Apollo review - spoof reporter in coruscating form

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Lou Sanders, Soho Theatre review - feminism and dodgy massages

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God's Dice, Soho Theatre review - overlong and overblown

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Ben Elton, Tunbridge Wells Assembly Hall review - magnificent return to stand-up

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Lenny Henry, Watford Colosseum review - enjoyable evening with genial host

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Hannah Gadsby, Royal Festival Hall review - simply magnificent

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The Watsons, Menier Chocolate Factory review - Laura Wade's inventive new play

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Eddie Izzard, Brighton Dome review - splendidly surreal storytelling

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Ed Byrne, Berry Theatre, Hedge End review - musing on middle-age angst

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latest in today

The Sister, ITV review - half-baked dramatisation of esteeme...

Neil Cross’s novel Burial was hailed for its skilful plotting and insightful characterisations, as well as its macabre atmosphere....

theartsdesk on Vinyl 60: Acid Pauli, Mercury Rev, Cabbage, K...

Due to COVID-related nonsense too tedious to relate, this month’s theartsdesk on...

Pavel Kolesnikov, Wigmore Hall review - the stuff of dreams

To plan a programme around The Tempest, its symbolism and the idea of evanescence, the fragility of the human condition, is one...

Gigantic Cinema: A Weather Anthology review - wild writing t...

Among the French composer Claude Debussy’s greatest and characteristically subtle innovations was to put the titles at the end of his pieces. He...

Philharmonia, Rouvali, RFH review – wide range of American v...

There’s an old rule in the theatre that you don’t have to go on if there are more people on stage than in the audience. Last night I counted less...

The Undoing, Sky Atlantic review - trouble in paradise for g...

Plenty of pedigree wattage has been packed into this slickly addictive new HBO drama (showing on...

Northern Chords Festival, Church of St James and St Basil, N...

Whatever happens next – and even in Tier 3 the Royal Liverpool Phlharmonic goes on playing to carefully distanced audiences – this will be...

Blu-ray: Lynn + Lucy

If you’re after a relaxing Sunday watch, Fyzal...