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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Pierre Novellie, Soho Theatre review - turning a heckle into a show

Tuesday, 02 April 2024 Read more...

Catherine Bohart, Soho Theatre review - girlfriends, gossip and gay parenthood

Saturday, 09 March 2024 Read more...

Miles Jupp, Cambridge Arts Theatre review - life's vicissitudes turned into laughs

Tuesday, 05 March 2024 Read more...

Andy Parsons, Touring review - reasons to be cheerful...

Wednesday, 28 February 2024 Read more...

Paul Foot, Soho Theatre review - how to discover the meaning of life

Monday, 19 February 2024 Read more...

Jessica Fostekew, Soho Theatre review - age is just a number

Tuesday, 13 February 2024 Read more...

Tatty Macleod, Soho Theatre review - cross-Channel relations

Thursday, 11 January 2024 Read more...

Best of 2023: Comedy

Saturday, 30 December 2023 Read more...

Reuben Kaye, Purcell Room review - Australian gives powerhouse performance

Friday, 22 December 2023 Read more...

Lucy Beaumont, Touring review - Hull’s finest goes on the road

Friday, 10 November 2023 Read more...

Michael McIntyre, Brighton Centre review - observational everyman

Monday, 30 October 2023 Read more...

John Robins, touring - high anxiety can be funny

Friday, 20 October 2023 Read more...

The Miracle Club review - unchallenging but enjoyable Irish drama

Friday, 13 October 2023 Read more...

The Foreigners' Panto, BOLD Theatre review - no laughing matter

Tuesday, 10 October 2023 Read more...

Peter Kay, O2 Arena review - comeback show is worth the wait

Monday, 18 September 2023 Read more...

Kate Berlant Is KATE, Soho Theatre review - glorious spoof of actory types

Tuesday, 12 September 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...