thu 09/04/2020

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Count Arthur Strong, Leeds City Varieties review - stargazing and mangled syntax

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Brydon, Mack and Mitchell, Portsmouth Guildhall review - family-friendly fun

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Sofie Hagen, Soho Theatre review - sex weekend in Swansea, anyone?

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The Capture, BBC One review - gripping drama about the surveillance society

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High Society: Cannabis Café, Channel 4 review - pointless investigation into drug-taking

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Bartholomew Fair, Sam Wanamaker Playhouse review - Jonson's chaotic slice of 17th-century life

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Fleabag, Wyndham's Theatre review - superb swansong for modern classic

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Sink or Swim, Channel 4 review - the Channel awaits for these celebrities

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The Affair series 5, Sky Atlantic review - a new cast member adds intrigue

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Edinburgh Fringe 2019 reviews: Jordan Brookes/ Catherine Cohen

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Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham

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Edinburgh Fringe 2019 reviews: Alun Cochrane/ Sarah Keyworth/ Glenn Moore/ Sophie Duker

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Edinburgh Fringe 2019 reviews: Catherine Bohart / Matt Parker / Nigel Ng / Zoë Coombs Marr

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Edinburgh Fringe 2019 reviews: Phil Wang/ London Hughes/ Jack Gleadow/ Mr. Thing

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Edinburgh Fringe 2019 reviews: Joanne McNally/ The Crown Dual/ Maisie Adam/ James McNicholas/ Titania McGrath

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Edinburgh Fringe reviews 2019: On the Other Hand, We're Happy / Daughterhood / The Shark Is Broken

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latest in today

The Beast review - bad cop blues

“They say we all have a beast locked up inside of us,” a character observes early in this...

Gators, Tramp Productions online review – the glittering dar...

She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are way out of control. She knows that the natural...

ZZ Top: That Little Ol' Band From Texas, Netflix review...

ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that...

Remembering John Prine, one of the great American singer-son...

John Prine, who has died at the age of 73 from a Covid 19-...

Wonderland, Hampstead Theatre online review - a major play a...

The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily...

Joe Boyd's Recording Heaven

When it comes to making records, I love deadlines. Embarking on an open-ended project, particularly with the infinite number of overdubs made...

The Rake's Progress, Complicité online review - well-pr...

One way to look at Stravinsky's celebrated collaboration...

Mark Townsend: No Return review - a masterclass in journalis...

When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to...

Return to Belsen, ITV review - Jonathan Dimbleby retraces hi...

When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April...

The Iron Mask review - preposterous multi-national fantasy

Director Oleg Stepchenko’s follow-up to his 2014...