tue 08/10/2024

#MeToo

Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull show

In the 1960s, Cilla Black was rescued from hat check duties at The Cavern and made a star. In the 1980s, Rick Astley was whisked away from tea-making at the Stock-Aitken-Waterman studios to launch, 30 years later. a billion RickRolls. In the 2020s,...

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The Jetty, BBC One review - lowlife in a Northern town

Jenna Coleman seems to pick her roles with care, whether it’s Queen Victoria, the girlfriend of mass murderer Charles Sobhraj in The Serpent, or “occult detective” Johanna Constantine in The Sandman, but her antennae may have been a bit awry when...

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Multiple Casualty Incident, The Yard Theatre review - NGO medics in training have problems of their own

We open on one of those grim, grim training rooms that all offices have – the apologetic sofa, the single electric kettle, the instant coffee. The lighting is too harsh, the chairs too hard, the atmosphere already post-lunch on Wednesday and it...

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Album: EMEL - MRA

At a time when conflicts in the Middle East are reaching fever pitch, Emel Mathlouthi represents hope. Her new album MRA, is titled for the Arabic word for “woman” and was created entirely by women, as in, every single person involved with it at any...

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Aci by the River, London Handel Festival, Trinity Buoy Wharf Lighthouse review - myths for the #MeToo age

“Site-specific” performance locations rarely come more atmospheric, or evocative, than this one. Beyond the East India Dock basin, with the hedgehog-backed dome of the O2 looming just across the Thames on a gusty spring evening, a cavernous “chain...

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Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling staging

Transgression was so deliciously enticing. Back in the Eighties when I saw Les Liaisons Dangereuses in the West End on three occasions, life was simpler – or so us straight white men flattered ourselves to believe. Consent was for unproblematic...

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Double Feature, Hampstead Theatre review - with directors like these, who needs enemies

It’s awards season in the film world, which means that we’re currently swamped by hyperbolic shows of love and respect – actors and their directors gushing about how each could simply never have reached their creative heights without the other. Of...

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The Hills of California, Harold Pinter Theatre - ladies' night for Jez Butterworth

Art makes for unexpected bedfellows, and so it proves in Jez Butterworth's moving if meandering The Hills of California. Butterworth's first play in seven years owes a lot more to as unexpected a source as the musical Gypsy than it does to such...

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Albums of the Year 2023: Kesha - Gag Order

Some years there’s no obvious Album of the Year. 2023 is not such a year. Any one of five albums could have been my choice. I chose Kesha from that esteemed selection because her fifth album bombed commercially, and I want to BIG IT RIGHT UP.The...

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The Time Traveller's Wife, Apollo Theatre review - blockbuster 2003 novel does not quite land as blockbuster 2023 musical

You really don’t want to pick up The Time Traveller’s Wife in a game of charades. Half the clock would be run down just showing that it’s a novel, a film, a TV series and a musical. That spawning of spin-offs over the last two decades is a testament...

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Nineteen Gardens, Hampstead Theatre Downstairs review - intriguing, beautifully observed two-hander tilts power this way and that

A middle-aged man, expensively dressed and possessed of that very specific confidence that only comes from a certain kind of education, a certain kind of professional success, a certain kind of entitlement, talks to a younger woman. Despite the fact...

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Lyonesse, Harold Pinter Theatre review - a step backwards for #MeToo

Penelope Skinner’s new play is one of the most eccentric things I’ve seen in a long time. It’s undoubtedly entertaining, with an engagingly bonkers attempt by Kristin Scott Thomas to navigate an almost impossible role, perched between victim,...

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