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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Edinburgh Fringe 2023 reviews: Olga Koch / Bill O'Neill / Mary O'Connell

Friday, 18 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Darran Griffiths / Louise Atkinson / Louise Young

Wednesday, 16 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Tennessee, Rose / The Ballad of Truman Capote

Tuesday, 15 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

Monday, 14 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Rob Auton / Laura Davis / Matt Forde

Saturday, 12 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Groomed / Let the Bodies Pile

Friday, 11 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Amos Gill/ Lorna Rose Treen/ Crizards

Thursday, 10 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Krystal Evans / William Thompson / Alison Spittle

Wednesday, 09 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Ania Magliano / Elliot Steel / Alexandra Haddow

Tuesday, 08 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Ed Byrne / Fiona Allen / Kieran Hodgson

Monday, 07 August 2023 Read more...

Urooj Ashfaq, Soho Theatre review - assured UK debut by Mumbai stand-up

Tuesday, 01 August 2023 Read more...

Josh Pugh Live at Birmingham Town Hall review - observational gags with a touch of the surreal

Wednesday, 26 July 2023 Read more...

Amy Schumer, Netflix Special review - New York smarts about being a fortysomething

Friday, 30 June 2023 Read more...

John Kearns, Brighton Komedia review - Van Gogh, joining the circus and pooey nappies

Monday, 29 May 2023 Read more...

Phil Wang, RFH review - smut and smarts

Tuesday, 23 May 2023 Read more...

Hannah Gadsby, Netflix special review - shaggy dog story of marital bliss

Tuesday, 16 May 2023 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Cow | Deer, Royal Court review – paradox-rich account of non...

I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the...

Album: Baxter Dury - Allbarone

Quite why Baxter Dury isn't already a national treasure is a mystery to me. Not for his nepo connections but...

Lammermuir Festival 2025 review - music with soul from the h...

One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a...

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

A lot is going on during Yasmine Hamdan’s third solo album. Despite all ten songs of I Remember I Forget بنسى وبتذكر drawing from the...

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Ora...

My final visit to the Proms for this year was a Sunday double-...

Honey Don’t! review - film noir in the bright sun

The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms...

Blu-ray: The Sweeney - Series One

You’ll have absorbed key strands of The Sweeney‘s DNA even if you’ve never watched an episode, ITV’s groundbreaking police drama having...

theartsdesk on Vinyl 92: Marianne Faithful, Crayola Lectern,...

VINYL OF THE MONTH

Black Lips Season of the Peach (Fire)

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Blondshell, Queen Margaret Union, Glasgow review - woozy roc...

There is such nonchalance with Sabrina Teitelbaum that even her appeals to the crowd appeared laid-back. At points during her set the Los Angeles...