The Last Dinner Party's 'From the Pyre' is as enjoyable as it is over-the-top | reviews, news & interviews
The Last Dinner Party's 'From the Pyre' is as enjoyable as it is over-the-top
The Last Dinner Party's 'From the Pyre' is as enjoyable as it is over-the-top
Musically sophisticated five-piece ramp up the excesses but remain contagiously pop

Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness, classical composition, private education, master’s degrees in music? No? Might as well stop reading then. That’s where they’re from. Let's have a valid debate somewhere else about the arts shutting out those with less money.
They’re preposterous, of course, but wonderfully so, their music Chantilly-laced through with the excesses of Sparks and Queen. But they’re no pastiche. They bring their own Bat For Lashes-meets-Kate Bush extravagance to the party. That, alongside strident musical skill and an ambition that struts to the borders of prog but is too pop-baroque to cross. Indeed, From the Pyre is even more over-the-top than its predecessor.
Where "Nothing Matters" was the whopper from Prelude to Ecstasy, the lead single and stand-out singalong this time is the Bobbie Gentry-murder-blues pomp of “This is the Killer Speaking”. Other big bold ones include the rockin’ “Agnus Dei” (“Here comes the apocalypse/And I can’t get enough of it”) and the operatic honky-tonk of “Inferno” (I’m watching The Real Housewives/And crawling up the walls”).
Throughout, Emily Roberts plays guitar to match any Seventies fret-wrangling hero, but the five-piece aren’t overconcerned with off-the-shelf riffs’n’tunes. From the piano-led, gnomic, lost love paean “Sail Away” to “Count the Ways”, in which singer Abigail Morris channels a mad-woman-in-the-attic while her band become Electric Light Orchestra, the album leaps entertainingly all over the place.
Sometimes their excesses miss the mark, as on the choral overdrive of “Woman is a Tree”, but mostly, as theatrical and overboard as it is, From the Pyre is pumped full of catchy bits, literary show-off lyrics, vamping melodrama, and instrumental originality. Unbeholden to the usual, it’s both outrageous and a breath of fresh air.
Below: Watch the video for "This is the Killer Speaking" by The Last Dinner Party
rating
Buy
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music











Add comment