Thomas H. Green
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The opening track is Hoyt Axton’s “Evangelina.” After first appearing on the 1976 album Fearless it was re-recorded and issued as a flop UK…
Time is a terrifying force in Romeo & Juliet, and Robert Icke's headlong production never lets playgoers forget that fact. Returning to…
Just a year after the first series, Your Friends & Neighbours returns to titillate and amuse us with the escapades of the moneyed but…
Science on stage is quite the thing at the moment with a revival of Michael Frayn’s Copenhagen opening at Hampstead Theatre next week and…
Mountain Call from ECM – it consists of recordings made in Prague in very different contexts and settings between 2003 and 2010 – is a…
If ever there was a piece that epitomised the view that villains are infinitely more fun than heroes, it would be Pierre Choderlos de…
There was something incongruous about seeing Basement Jaxx in a venue best known for regularly playing host to the likes of Scotland’s…
About a dacade ago and then again last year, Seattle’s proto-grungers, Melvins and Birmingham’s grindcore originators, Napalm Death hit the…
François Ozon’s film of Albert Camus's The Stranger, one of the most iconic works of French existential literature, is as well-paced and…