London
The Pitchfork Disney, King's Head Theatre review - blazing with dark energyThursday, 04 September 2025
Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s sensibility, a drama that had a direct influence on Sarah Kane, Mark Ravenhill and Jez Butterworth, and... Read more... |
BBC Proms: Moore, LSO, Bancroft review - the freshness of morning wind and brassSunday, 31 August 2025
11am concerts do take some getting used to. The BBC Proms season has no fewer than seven of them this year, three on Saturdays and four on Sundays. And yet, strangely, for this programme, mainly consisting of works for concert band, it did genuinely... Read more... |
Album: Blood Orange - Essex HoneySaturday, 23 August 2025
The more time goes by, the more it seems like Dev Hynes might be the antidote to what Guy Debord called “the society of the spectacle”. As is documented in the fantastic recent book Songs in the Key of MP3, Hynes is representative of a type of... Read more... |
Album: Wolf Alice - ClearingFriday, 22 August 2025
Wolf Alice are a band who consistently over-deliver. Their presentation is so staid, their cited influences so safe (The Beatles! Blur!), their politics so “bad things are bad, m’kay?”, that they give every impression they’re going to be bland and... Read more... |
Album: Mansur Brown - RihlaSaturday, 02 August 2025
I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let alone that it would be from groovy young Brit jazz players. But so it goes. Last week I interviewed the... Read more... |
Top Hat, Chichester Festival Theatre review - top spectacle but book tails offFriday, 01 August 2025
After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive nature of really strong books in stage musicals, not quite as straightforward as meets the eye.More of that later and, let... Read more... |
The Daughter of Time, Charing Cross Theatre review - unfocused version of novel that cleared Richard IIIThursday, 31 July 2025
Following confirmation that he was the owner of the bones found in a Leicester car park in 2012, Richard III has never been a hotter, or cooler, subject. So his fans will welcome a new play, based on an old book, about the misrepresentation of his... Read more... |
Maiden Voyage, Southwark Playhouse review - new musical runs agroundWednesday, 30 July 2025
As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark Playhouse to launch a new musical that tells the tale of The Maiden. That was the boat, built and sailed by Tracy Edwards... Read more... |
Brixton Calling, Southwark Playhouse review - life-affirming entertainment, both then and nowTuesday, 29 July 2025
What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really strong story stand on its own two feet. Like a late one at the Brixton Academy itself, this is a helluva night out.... Read more... |
Inter Alia, National Theatre review - dazzling performance, questionable writingMonday, 28 July 2025
Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal, the Hollywood superstar has chosen Inter-Alia, Suzie Miller’s follow up to her smash hit Prima Facie... Read more... |
theartsdesk Q&A: writer and actor Mark Gatiss on 'Bookish'Tuesday, 22 July 2025
Having played Sherlock Holmes’s politically involved older brother Mycroft in the BBC’s hit crime series Sherlock, Mark Gatiss may not be an obvious candidate to now follow in the footsteps of the famous detective. But with his new murder ... Read more... |
Don't Rock the Boat, The Mill at Sonning review - all aboard for some old-school comedy mishapsTuesday, 22 July 2025
Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema. Its extraordinary locations, caught just before London’s Docklands were transformed forever, speaks to a past world. But the... Read more... |
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