London
Iphigenia in Splott, Lyric Hammersmith review - raises as many questions as answersSaturday, 01 October 2022
It’s hard to keep up with what terms are in vogue amongst those who insist on classifying and vilifying young people, but one that you don’t hear so often these days is NEET (Not in Education, Employment or Training). Back in 2015 when Gary Owen's... Read more... |
The Crucible, National Theatre review - visually stunning revival of Miller's classic dramaSaturday, 01 October 2022
How can this beauty arise from such ugliness? The Crucible, Arthur Miller’s 1953 drama about the Salem witch trials of 1692, is rife with unwavering prejudices, selfish slander, and sickening motives. But under Lyndsey Turner’s aesthetically... Read more... |
Clutch, Bush Theatre review - new comedy-drama passes its testThursday, 22 September 2022
Max is big and black and Tyler is slight and (very) white, an odd couple trapped in a dual-control car as Max barks out his instructions and Tyler prepares for his driving test. If their relationship is to get started, like the clutch of the... Read more... |
The P Word, Bush Theatre review - persecution and prideSaturday, 17 September 2022
Britain is a divided nation, but one of the divisions that we don’t hear that much about is that between Pakistani gay men. Written by Waleed Akhtar (who also stars in this impressively heartfelt two-hander), The P Word is about the differences in... Read more... |
The Clinic, Almeida Theatre review - race and the status quoWednesday, 14 September 2022
As Dipa Baruwa-Etti’s latest play, The Clinic, reminds us, the Tory party has a strong showing of Black MPs – Badenoch, Cleverly, Kwarteng. It was finished long before the latest Cabinet appointments, but presciently picked those three names, all... Read more... |
See How They Run review - a whodunit pastiche set in Fifties LondonFriday, 09 September 2022
A starry cast headed by Saoirse Ronan and Sam Rockwell doesn’t quite manage to bring this lavish, light-hearted period pastiche to life, though it looks good – nice cars, lovely costumes, a quasi-Wes Anderson vibe – and there are mild chuckles... Read more... |
Ride, Charing Cross Theatre review - A true story of female empowermentThursday, 01 September 2022
Who tells your story? Something of a theme in new musicals since Hamilton posed the question in those long ago pre-Covid, pre-inflation days. In Ride, the once famous cyclist who had hardly ever ridden a bike, Annie Londonderry, circumvents the... Read more... |
Prom 52, Kuusisto, Finnish RSO, Collon review - fairytales, folksongs and a soaring larkSaturday, 27 August 2022
Schoolteachers know – even if only the very best can put it into practice – that faced with a noisy classroom you shouldn’t raise your voice, but rather speak quietly. Over recent Proms seasons audience coughing has reached extreme levels, so the... Read more... |
Treason The Musical In Concert, Theatre Royal Drury Lane review - plenty of musical gunpowder but not enough plotThursday, 25 August 2022
A semi-staged concert performance of a musical is a little like a third trimester ultrasound scan. You should see the anatomy in development, the shape of what is to come and, most importantly, discern a heart beating at its centre. But you can’t... Read more... |
All of Us, National Theatre review - revelatory, but problematicWednesday, 10 August 2022
Has the pandemic made us more angry? Although Francesca Martinez’s debut play, which is at the National Theatre, was programmed before COVID, its belated opening has not dampened the playwright’s fiery criticism of the effects of Tory government... Read more... |
Tasting Notes, Southwark Playhouse review - whining in the wine barSaturday, 30 July 2022
LJ's dream has come true - she has her very own wine bar. Unfortunately for us, it turns into a bit of a nightmare.This new musical open on a nostalgic 70s vibe. Tables and chairs fill almost all of Southwark Playhouse's smaller space, a set that... Read more... |
Sister Act the Musical, Eventim Apollo review - the West End meets the WestwayThursday, 28 July 2022
If jukebox shows occupy one end of the musical theatre spectrum and Stephen Sondheim's masterpieces the other, Sister Act The Musical is somewhere in-between.We get songs we know (Alan Menken's score, heard first on the West End and then, in 2011,... Read more... |
- 1 of 95
- ››
