London
Cornelia Parker, Tate Britain review – divine intelligenceMonday, 23 May 2022
Cornelia Parker’s early installations are as fresh and as thought provoking as when they were made. Her Tate Britain retrospective opens with Thirty Pieces of Silver (pictured below left: Detail). It’s more than 30 years since she ran over a... Read more... |
Lotus Beauty, Hampstead Theatre Downstairs review – uneasy mix of comedy and tragedyMonday, 23 May 2022
Theatre is slowly recovering from the effects of the pandemic, and many shows which were cancelled because of the first lockdown are now finally getting a staging. The latest is Satinder Chohan’s Lotus Beauty, her loving portrait of a Punjabi family... Read more... |
My Fair Lady, London Coliseum review - tasteful revival powered by stirring performancesSaturday, 21 May 2022
First staged in 2018, Bartlett Sher’s Lincoln Center Theater production of My Fair Lady is London’s latest import from Broadway, coming here hot on the heels of Oklahoma!. In returning to the city where its story is set, Lerner and... Read more... |
Berrut, ECO, Guzzo, Cadogan Hall review - Schubert with a smileThursday, 19 May 2022
I came for the Schubert and it didn’t disappoint. Which was good, as the Mozart and Stravinsky did, a little. I came to know Schubert’s Fifth Symphony only relatively recently, fell in love with it instantly and, with the zeal of a convert, love it... Read more... |
Walter Sickert, Tate Britain review - all the world's a stageThursday, 12 May 2022
Who was Walter Sickert and what made him tick? The best way to address the question is to make a beeline for the final room of his Tate Britain retrospective. It’s hung with an impressive array of his last and most colourful paintings. Based on... Read more... |
The Misfortune of the English, Orange Tree Theatre review - don't fret, boys, it's only deathFriday, 06 May 2022
“We all make history, one way or another.” But some of us make more history than others, and a group of 27 English schoolboys who got lost in Southern Germany in 1936 haven’t made much, unfortunately. Scottish playwright Pamela Carter has brushed... Read more... |
Ten Percent, Amazon Prime review - a hit and miss British makeover of the French comedy 'Call My Agent'Thursday, 28 April 2022
When the English-language version of Dix Pour Cent (aka Call My Agent!) was announced, my cafe au lait went down the wrong way. The French TV comedy about machinations at a top-flight Parisian talent agency is a miraculous mix of insouciant charm,... Read more... |
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Royal Court review - Black joy, pain, and beautyTuesday, 19 April 2022
The title is so long that the Royal Court’s neon red lettering only renders the first three words, followed by a telling ellipsis. But lyrical new play For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy lives up to its weighty... Read more... |
The Split, Series 3, BBC One review - the Defoes are back, more conflicted than everTuesday, 05 April 2022
After two years away, Abi Morgan’s acclaimed legal drama/juicy soap The Split returns for its third series, reuniting us with the closely knit, or, you might say, incestuous, law firm of Noble Hale Defoe.Ruth Defoe (Deborah Findlay) and her... Read more... |
First Person: playwright Chinonyerem Odimba on birthing her potent and timely new showWednesday, 30 March 2022
People often ask how long a play takes to make its way out of you. And it’s always a valid question because no matter how beautiful, soft, joyful, or short a play is, there is a wrestling match that takes place between the idea lodging itself... Read more... |
Bridgerton, Season 2, Netflix review - power politics and love triangles as Regency fantasy returnsSaturday, 26 March 2022
The first series of Bridgerton (Netflix) became a ratings-blasting sensation because of the way it thrust a boldly multiracial cast into the midst of a Regency costume drama, and because of the camera-hogging presence of Regé-Jean Page as the... Read more... |
Ferrández, RPO, Petrenko, RFH review - music defying oppressionFriday, 25 March 2022
This concert started with a heartfelt and moving speech from the Festival Hall podium by Vasily Petrenko, half-Ukrainian, brought up in St Petersburg. “What could I have done? What could we all have done? I have no answers.” The only answer he... Read more... |
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