London
Bernard Hughes
To St James’s Piccadilly to hear the young pianist Misha Kaploukhii give an impressive performance of Beethoven’s Fourth Piano Concerto, accompanied by the Greenwich Chamber Orchestra. Kaploukhii is a rising star, a postgraduate at the Royal College of Music where he recently won the Concerto Competition, and I enjoyed his reading of a favourite concerto of mine.And although he isn’t yet the finished article – as I’m sure he himself would admit – he is certainly a pianist I will be keeping my eye on. The Fourth Concerto starts with a Beethovenian novelty, the piano alone playing a chordal Read more ...
Matt Wolf
Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere, the play's linearity a decided jolt after the more jagged new writing in which this venue has specialised of late.Returning to the Almeida for the first time in over 25 years, the director Michael Grandage brings a shimmering melancholy to a theatrical bildungsroman that plunges us headlong into the often terrifying hedonism of the 1980s. Jack Holden's astute adaptation keeps pace with the societal savagery of the novel, but not before reminding us that Read more ...
joe.muggs
Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer. Her songs have a rare ability to present the most fundamental of youthful relationship ups and downs as fresh and real. They also make more modern expressions of hope and solidarity around sexuality and neurodivergence escape the twee, flowery framing of live-laugh-love Mum’s-on-Facebook-again posting.Maybe most important of all, sings in her own accent with her own mannerisms, with a rich tone. All of which makes me want to like her second album Read more ...
Adam Sweeting
The return of this entertaining political drama is always welcome, though its soap-tinged mix of transatlantic politics and volatile personal relationships is beginning to look a little too genteel for our current age of ever-worsening crises.In the real world we have Trump on the rampage, the Middle East liable to blow at any moment and China surreptitiously taking over the world, but somehow The Diplomat is still fussing over the terrorist attack on a British aircraft carrier, HMS Courageous, that happened way back at the beginning of Season One. Delightfully, the show never stops believing Read more ...
Gilbert & George, 21st Century Pictures, Hayward Gallery review - brash, bright and not so beautiful
Sarah Kent
There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore. Trawling the streets of East London, where they’ve lived since the 1960s, the artist duo chronicled the poverty and squalor of their neighbourhood in large photographic panels that feature the angry, the debased and the destitute.Scrawled on decaying walls, the racist, sexist and homophobic slogans they recorded on their wanderings, create an atmosphere of dread – of impending and actual violence. The streets were mean and, especially as gay men, Read more ...
Bernard Hughes
Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula at the Barbican last night, with three pieces written since 2000 offset by just one familiar item, Sibelius’s Third Symphony. The result was invigorating, challenging – and very enjoyable.The presiding artistic mind was that of Thomas Adès, featuring both as conductor and composer. His passion for the music he had chosen shone through, overcoming the rough-and-readiness of his baton technique, and his enthusiasm brought forth a range of sounds from the orchestra Read more ...
Thomas H. Green
Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness, classical composition, private education, master’s degrees in music? No? Might as well stop reading then. That’s where they’re from. Let's have a valid debate somewhere else about the arts shutting out those with less money. Right now, though, The Last Dinner Party are fab live, look great, and, in From the Pyre, deliver a worthy follow-up to their vibrant debut.They’re preposterous, of course, but wonderfully so, their music Chantilly-laced through with Read more ...
Gary Naylor
The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National Theatre some 20 minutes walk away along the Thames. There’s not quite Elizabethan levels of discomfort to endure, so no plague – well, not if you’ve had your jabs. It’s quite fun to roll with the open air vibe and wooden benches with poles in your eyeline like a Victorian football stadium or stand in the pit, looking up, like Baldrick in Season One. But does it need to be quite as much of an ordeal as my visit to the Troilus and Cressida Thursday matinee Read more ...
Gary Naylor
If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in the back office had also heard of him, as tickets are priced up to and beyond £100 for a 100 minutes all-through, 10-years-old three-hander that would sit comfortably at the Arcola at less than half that price. It was telling that there were a fair few seats unoccupied at the matinee I attended.Rant over … but seriously guys, Theatre gets a bad rap on prices, often unfairly, and this doesn’t help. But if it definitely can’t justify £100 a pop, can it justify its lead-in price point, a Read more ...
Gary Naylor
In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience. Somewhat to my suprise, up went my hand. In the cold winter of 1981/82, I lived in a house in Finchley. One morning, it had snowed overnight (I had barely seen a fall stick properly before) and, looking out of the French doors of the living room, I could see fresh human footprints leading from the tree at the bottom of the garden all the way up to those doors. There they stopped. Abruptly.The doors were locked off, ingress to the house impossible. So, too, Read more ...
Bernard Hughes
Echo Vocal Ensemble have their genesis in Genesis. Sarah Latto’s group were initially formed by a cohort of the Genesis Sixteen young artists’ programme – and she has turned them into one of the most innovative vocal groups around. The programme at Union Chapel on Sunday night was a good example of their approach, with eclectic repertoire, new commissions, improvisation, a smattering of classics – and a loose-limbed dancer adding a visual element.The conceit of the programme was the progression from dusk to night. We started at 6pm, to catch the last light of the day, and ending with the Read more ...
Sarah Kent
Tate Britain’s Lee Miller retrospective begins with a soft focus picture of her by New York photographer Arnold Genthe dated 1927, when she was working as a fashion model. The image is so hazy that she appears as dreamlike and insubstantial as a wraith.It exemplifies one of the hallmarks of a good model – the ability to become a screen that invites projection, rather than expressing your own personality. And in shot after shot for British and American Vogue, Miller remains an enigma – impassive and searingly beautiful. Would the exhibition bring her into sharper focus, as I hoped, or would Read more ...