London
Mary Chapin Carpenter, Barbican, review - a three-decade retrospectiveWednesday, 16 May 2018
Mary Chapin Carpenter lives these days in the Blue Ridge Mountains of Virginia, where she sits at the kitchen table in her farmhouse and writes songs. “I have a couple of cats and dogs and I’m the hermit who lives down the road,” she explained to a... Read more... |
Patrick Melrose, Sky Atlantic review - an olympiad of substance abuseMonday, 14 May 2018
Edward St Aubyn’s Patrick Melrose novels have been admired for their prose style, scathing wit and pitiless depiction of a rotting aristocracy. Benedict Cumberbatch claims that Hamlet and Melrose were the two roles he was desperate to play, and now... Read more... |
Anna Meredith, Southbank Sinfonia, QEH review - triumphant genre-busting treatMonday, 30 April 2018
I’m not sure what exactly this event was – orchestral concert, electronic dance music gig or multimedia extravaganza – but however you define it, I loved every mad minute. Anna Meredith (b 1978) is one of the most successful contemporary classical... Read more... |
Martin Gayford: Modernists & Mavericks review - people, places and paintSunday, 22 April 2018
Back in the early Sixties Lucian Freud was living in Clarendon Crescent, a condemned row of houses in Paddington which were gradually being demolished around him. The neighbourhood was uncompromisingly working class and to his glee his neighbours... Read more... |
Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’Wednesday, 18 April 2018
When doctors told Doreen Lawrence her son had died she thought, "That’s not true." Spending time with his body in the hospital, aside from a cut on his cheek, it seemed to her he was sleeping. The death of a child will always be strange, and in the... Read more... |
Chicago, Phoenix Theatre review - baggy revival picks up later paceFriday, 13 April 2018
Chicago has been on, in one form or another, for a very long time. The original Broadway production in the Seventies ran for 936 performances; the 1997 London revival was the longest-running American musical in West End history; and it feels like... Read more... |
Deep State, Fox review - secrets, lies and spiesFriday, 06 April 2018
Fox is very keen to stress that Deep State is the first original production by its Europe & Africa division, the most obvious sign of which is that none of it was shot in New York or LA. But it has clearly been designed as a sleek international... Read more... |
Michael Rakowitz: The Invisible Enemy Should Not Exist, Fourth Plinth review - London's new guardianSaturday, 31 March 2018
Fifteen years ago on a cold grey Saturday in mid-February, Trafalgar Square was filled with people marching to Hyde Park in opposition to the proposed invasion of Iraq. A million people gathered in London. Three times that number turned out in Rome... Read more... |
Soprano Ruby Hughes on Handel's last prima donnaSaturday, 31 March 2018
Who was Giulia Frasi? This is so often the response I get when I mention the name of this Italian singer who came to London and became Handel’s last prima donna during the final decade of his life and, consequently, the supreme soprano of English... Read more... |
Classical CDs Weekly: Lūcija Garūta, Dag Wirén, Ruby HughesSaturday, 31 March 2018
Lūcija Garūta: Music for Piano Reinis Zariņš (piano), Liepāja Symphony Orchestra/Atvars Lakstīgala (LMIC/SKANI)The Latvian composer Lūcija Garūta (1902-1977) reached maturity in the early days of Latvian independence, a supremely talented... Read more... |
The Marriage of Figaro, English National Opera review - sassy, probing and splendidly castFriday, 30 March 2018
One year to Brexit, a seemingly endless winter chill and Londoners need soul food, badly. I prescribe an evening of total immersion in The Marriage of Figaro. ENO’s second revival of Fiona Shaw’s sassy, probing production (with revival director... Read more... |
In the Long Run, Sky 1 review - bright start for multiracial comedyFriday, 30 March 2018
It’s quite bold to create a multiracial comedy set in Hackney in the early Eighties, a not especially amusing period of riots, the Falklands War and Thatcherism. Happily, Hackney boy Idris Elba has managed it with a wry eye and a light comic touch.... Read more... |
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