London
Reissue CDs Weekly: Music is the Most Beautiful Language in the WorldSunday, 13 January 2019
The title comes from a slogan used in a 1920s newspaper ad for Weinberg’s, a gramophone, record and sheet music shop in Brick Lane. Readers saw the words in Yiddish though. Brick Lane was central to London’s Jewish East End and those who lived in... Read more... |
On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'rollFriday, 11 January 2019
On Drums was inhabited by a parade of fine-looking young and middle aged multi-ethnic anglophone drummers, all introduced by Stewart Copeland, the American drummer of the Police. In vintage film and contemporary interviews his chosen musicians... Read more... |
The Dead Room, BBC Four review - ghosts at the microphoneTuesday, 25 December 2018
Fired by the spirit of the MR James ghost stories which used to be a Christmas staple on the BBC, Mark Gatiss conceived this amusing bonne bouche as both a seasonal chiller and a nod to the ghost of broadcasting past. In passing, he also managed to... Read more... |
DVD/Blu-ray: Postcards from LondonWednesday, 19 December 2018
Postcards from London is a surprise. You will certainly come away from Steve McLean’s highly stylised film with a new concept of what being an “art lover” can involve, while his subject matter is considerably more specialised, not least in the... Read more... |
Disobedience review - tough loveFriday, 30 November 2018
Lesbian love in a closeted Orthodox Jewish North London community suggests a place of barriers and secrets. In adapting Naomi Alderman’s novel Disobedience for producer-star Rachel Weisz, the Chilean-Argentine director Sebastián Lelio might as well... Read more... |
Dramatic Exchanges review - a brilliant slice of theatre historySunday, 11 November 2018
Dramatic Exchanges is a dazzling array of correspondence, stretching over more than a century, between National Theatre people. It’s a chronologically arranged anthology that acts as a history of the institution, from its appearance as an idea... Read more... |
White Teeth, Kiln Theatre review - tuneless hymn to Kilburn High RoadWednesday, 07 November 2018
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith's classic White Teeth as part of the Kiln's opening season. The bestselling 2000 debut novel is set in Willesden, Kilburn and thereabouts so it's a good... Read more... |
DVD: Anchor & HopeTuesday, 06 November 2018
There’s a lovely feel of folk freedom to Carlos Marques-Marcet’s second film, which sees the Spanish writer-director setting up creative shop resoundingly in London – or rather, on the waters of the city’s canals that provide the backdrop for Anchor... Read more... |
Dmitri Ensemble, Ross, St John's Smith Square review - impressive minimalism for stringsMonday, 29 October 2018
The latest instalment of the Americana ’18 series at St John’s Smith Square last Friday saw the Dmitri Ensemble and conductor Graham Ross present a survey of American minimalist music for string ensemble. In a brilliantly conceived programme, the... Read more... |
Informer, BBC One review - keeping tabs on terrorWednesday, 17 October 2018
Thanks heavens not all police officers spend their time trying to find “hate crime” on Twitter, or not going to the assistance of colleagues in peril. Take Gabe Waters, for instance, the central character in BBC One’s new undercover-policier.Gabe (... Read more... |
Barneys, Books and Bust Ups, BBC Four review - the Booker Prize at 50Tuesday, 16 October 2018
You had to keep your eyes skinned. Was that Iris Murdoch or AS Byatt, Kingsley Amis or John Banville, Margaret Atwood or Val McDermid – maybe, even, Joanna Lumley? Tables as far as the eye can see, dressed with white tablecloths and crowded with... Read more... |
Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return homeTuesday, 09 October 2018
What better way to celebrate a homecoming than with a party? That is the capacious-hearted thinking behind this new musical version of Twelfth Night, which additionally marks Kwame Kwei-Armah's debut production at the helm of that undeniable dynamo... Read more... |
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