sat 13/09/2025

Helen Hawkins

Articles By Helen Hawkins

I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed

Read more...

The Paper, Sky Max review - a spinoff of the US Office worth waiting 20 years for

Read more...

Interview, Riverside Studios review - old media vs new in sparky scrap between generations

Read more...

Little Trouble Girls review - masterful debut breathes new life into a girl's sexual awakening

Read more...

Materialists review - a misfiring romcom or an undercooked satire?

Read more...

Eight Postcards from Utopia review - ads from the era when 1990s Romania embraced capitalism

Read more...

Every Brilliant Thing, @sohoplace review - return of the comedy about suicide that lifts the spirits

Read more...

Peaky Blinders: The Redemption of Thomas Shelby, Rambert, Sadler's Wells review - exciting dancing, if you can see it

Read more...

Good Night, Oscar, Barbican review - sad story of a Hollywood great's meltdown, with a dazzling turn by Sean Hayes

Read more...

The Daughter of Time, Charing Cross Theatre review - unfocused version of novel that cleared Richard III

Read more...

Giselle, National Ballet of Japan review - return of a classic, refreshed and impeccably danced

Read more...

That Bastard, Puccini!, Park Theatre review - inventive comic staging of the battle of the Bohèmes

Read more...

Till the Stars Come Down, Theatre Royal Haymarket review - a family hilariously and tragically at war

Read more...

Too Much, Netflix - a romcom that's oversexed, and over here

Read more...

The Other Way Around review - teasing Spanish study of a breakup with unexpected depth

Read more...

Quadrophenia, Sadler's Wells review - missed opportunity to give new stage life to a Who classic

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...

Album: Motion City Soundtrack - The Same Old Wasted Wonderfu...

Everyone’s favourite angsty pop-punk nerds are back, balancing new with nostalgia and synths with guitars, this is exactly what fans have been...

Cow | Deer, Royal Court review - paradox-rich account of non...

I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the...

Album: Baxter Dury - Allbarone

Quite why Baxter Dury isn't already a national treasure is a mystery to me. Not for his nepo connections but...

Lammermuir Festival 2025 review - music with soul from the h...

One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a...

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

A lot is going on during Yasmine Hamdan’s third solo album. Despite all ten songs of I Remember I Forget بنسى وبتذكر drawing from the...