thu 18/04/2024

Helen Hawkins

Articles By Helen Hawkins

Dance for Ukraine Gala, London Palladium review - a second rich helping of international dancers

Read more...

Nelken: A Piece by Pina Bausch, Sadler's Wells review - welcome return for an indelible classic

Read more...

The New Look, AppleTV+ review - lavish period drama with more width than depth

Read more...

The Picture of Dorian Gray, Theatre Royal Haymarket review - inventive rollercoaster of a revamp

Read more...

The Taste of Things review - a gentle love letter to haute cuisine

Read more...

Fascinating Aida, London Palladium review - celebrating 40 glorious years of filth and defiance

Read more...

Frank Skinner: 30 Years of Dirt, Gielgud Theatre review - a mature master of class-A smut

Read more...

A Mirror, Trafalgar Theatre review - puzzle play with an empty core

Read more...

The King and I, Dominion Theatre review - welcome return for the Rodgers and Hammerstein classic

Read more...

Northanger Abbey, Orange Tree Theatre review - larky retelling of Austen’s satire with a poignant core

Read more...

All of Us Strangers review - a haunting story about the power of love, masterfully told

Read more...

The Holdovers review - a perfectly formed comedy that wears its perfection lightly

Read more...

The Boys in the Boat review - a Boy’s Own true story told in formulaic style

Read more...

Mr Bates vs The Post Office, ITV1 review - a star-packed account of an incendiary story

Read more...

This Much I Know, Hampstead Theatre review - an intellectual game with a slight emotional payload

Read more...

Edward Scissorhands, Sadler's Wells review - a true Christmas treat, witty and beguiling

Read more...

Pages

latest in today

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...