mon 02/06/2025

Helen Hawkins

Articles By Helen Hawkins

Guards at the Taj, Orange Tree Theatre review - miniature marvel with rich resonances

Read more...

Industry, BBC One review - bold, addictive saga about corporate culture now

Read more...

Encounters, Royal Ballet review - exciting mixed bill with a gem of a premiere

Read more...

Emilia Perez review - Audiard's beguiling musical tribute to Mexico's women

Read more...

The Fear of 13, Donmar Warehouse review - powerful analysis of a gross injustice

Read more...

The Duchess [of Malfi], Trafalgar Theatre review - actors imprisoned by confused time travelling

Read more...

What We Talk About When We Talk About Anne Frank, Marylebone Theatre review - explosive play for today

Read more...

The Crime Is Mine review - entertaining froth from a crack cast

Read more...

Disclaimer, Apple TV+ review - a misfiring revenge saga from Alfonso Cuarón

Read more...

Gigi and Dar, Arcola Theatre review - a war-game of two halves

Read more...

Bellringers, Hampstead Theatre review - mordant comedy about the end of the world

Read more...

Ludwig, BBC One review - entertaining spin on the brainy detective formula

Read more...

Lear, Barbican Theatre review - a very stormy saga, Korean-style

Read more...

The Cabinet Minister, Menier Chocolate Factory review - sparkling tour de force of a farce

Read more...

A Face in the Crowd, Young Vic review - lame rehash of a 1950s film satire

Read more...

The Outrun review - Saoirse Ronan is astonishing as an alcoholic fighting for recovery

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...

The Ballad of Wallis Island review - the healing power of th...

I think The Ballad of Wallis Island is the best...

Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...

Elephant, Menier Chocolate Factory review - subtle, humorous...

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...

Album: Nick Mulvey - Dark Harvest Pt.1

Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare...