sun 22/12/2024

mental health

Kemah Bob, Soho Theatre review - Thailand, massage and mental health

Kemah Bob is a regular on television and radio panel shows and well established on the comedy circuit, but Miss Fortunate is her full-length debut. And what a debut; a personal story – ostensibly about the holiday from hell – that manages to riff on...

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Burnt Up Love, Finborough Theatre review - scorching new play

Mac is in prison for a long stretch. He is calm, contemplative almost, understands how to do his time and has only one rule – nobody, cellmate or guard, can touch the photo of his daughter, then three years old, attached to his wall. Though he...

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How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs...

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Smile 2 review - worthy follow up to runaway hit

No film tackles the knotty topic of inherited mental illness with as much gleeful abandon as Smile. Mental health has been a popular subtext in contemporary horror for the past decade, but Parker Finn's Smile felt refreshing in how unsubtle it was....

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Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 years

Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids...

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Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorous

There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career...

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The Band Back Together, Arcola Theatre review - three is a dangerous number

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that the person or the performance? When Ellie walks in, he leaps up like a cat on a hot tin roof, nervous as a kitten, and we know –...

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Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories underpinned by a psychological connection, but also on the collective level, belief rising on a tide of shared emotions....

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The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellent

One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten plays that work, right here, right now. He’s struck gold again with The Silver Cord, presenting its first London production for...

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Edinburgh Fringe 2024 reviews: L'Addition / Long Distance / The Sun, the Mountain and Me

L’Addition, Summerhall ★★★★ Bert and Nasi – or, more fully, writers/directors/actors Bertrand Lesca and Nasi Voutsas – are virtually Fringe royalty, having carved out a niche in recent years with playful, provocative shows that question...

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Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

Pete Waterman, responsible (some might prefer the word guilty) for more than 100 Top 40 hits, said that a pop song is the hardest thing to write. Boy meets girl; boy loses girl; boy gets girl back – all wrapped up in three minutes. Benedict Lombe’s...

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Edinburgh Fringe 2024 reviews: In Two Minds / My English Persian Kitchen

In Two Minds, Traverse Theatre ★★★★ Mother is finally getting her kitchen extension. It’s a lot of work, though, and it’ll take several weeks. So she’ll have to move in – temporarily – with her Daughter, in her city studio flat, while the work...

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