thu 17/04/2025

Comedy Reviews

A Christmas Carol-ish, Soho Theatre review - Mr Swallow causes havoc again

Veronica Lee

At this time of year you can't move for productions of A Christmas Carol, Dickens' seasonal morality tale. Some are brilliant, some so-so, but this one by the power-crazed impresario Mr Swallow, whose ambition always exceeds his talent, is a joy.

Read more...

Tom Ward, Brighton Komedia review - offbeat observational gags

Veronica Lee

Tom Ward does his audience research at the top of the show, asking fairly mundane questions about their ages and where they live before he poses an unexpectedly pointed “Who is in an open relationship?” It's the beat before “They're aware of...” that makes it a killer joke.

Read more...

Sara Pascoe, Assembly Hall, Tunbridge Wells review - motherhood and the perils of fame

Veronica Lee

Sara Pascoe comes on stage to tell us there has been a small wardrobe malfunction. She's made an effort and is wearing something glitzy, but it restricts her movement in one direction and gives too much in another. Should she go and change into something comfortable but a bit grungy?

Read more...

Jerry Sadowitz, Eventim Apollo review - brilliantly dark

Veronica Lee

If anyone in the audience at the Eventim Apollo was expecting Jerry Sadowitz to rein things in after the spot of bother he ran into at the Edinburgh Fringe in August, then they were quickly disabused.

Read more...

Helen Bauer, Soho Theatre review - rollicking show about how to be a modern woman

Veronica Lee

Confidence, says Helen Bauer, is a good thing. As a woman who casts herself as the leading lady in any situation, including funerals, she has oodles of it – as well as bucketloads of energy in a show that starts with a declaration of intent: “I'm going through a very confident phase and I think you should be there for me.” The audience is on board straight away, such is the force field she exerts from the moment she walks on stage.

Read more...

Dave Gorman, Touring - comic in skittish mood

Veronica Lee

Although PowerPoint has been around since 1987, and several comics have incorporated it into their shows, it's Dave Gorman who remains king of the form.

Read more...

Dara Ó Briain, Touring review - a comic on tip-top form

Veronica Lee

Some people learned how to make sourdough bread during the pandemic lockdown, while others discovered the joy of Zoom quizzes. Dara Ó Briain, on the other hand, wrote this brilliant show, So... Where Were We?, his most personal yet.

Read more...

Harry Hill, touring review - uneven madcap show

Veronica Lee

It has been a long time since Harry Hill went on tour – 2013 – so one can assume that many of the youngsters in the multi-generational audience hadn't seen him perform live before, but were there because they know him from his deliriously funny television work, much of it available online. I hope they weren't disappointed – but I suspect, judging by the lack of laughter around me, that at least some were.

Read more...

Kim Noble, Soho Theatre review - final part of trilogy about loneliness

Veronica Lee

A dead pigeon. A dead squirrel. A dead fox. Lots of maggots – very much alive. I might be describing your worst nightmare (throw in a rat or two and it would be very close to mine) but this array of wildlife forms an important part in Kim Noble's latest show, Lullaby for Scavengers. I warn you, it takes a strong stomach to sit through it – and I have to confess I had to shield my eyes at several points. The show comes with a content warning for a reason.

Read more...

Rob Rouse, Rewind the Fringe review - unstructured but gleeful fun

Veronica Lee

It's a pleasure to see Rob Rouse back doing standup, as these days he's as well known for his acting – he plays the idiot savant Bottom in BBC's Upstart Crow, the theatre version of which is opening shortly in the West End after its 2020 premiere run was truncated by Covid.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

All the Happy Things, Soho Theatre review - deep feelings, b...

The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...

London Choral Sinfonia, Waldron, Smith Square Hall review -...

The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...

Album: Mark Morton - Without the Pain

Mark Morton is best known as a guitarist with US...

The Forsythe Programme, English National Ballet review - bra...

It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...

Manic Street Preachers, Barrowland, Glasgow review - elder s...

As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was prominently displayed on...

DVD/Blu-ray: In a Year of 13 Moons

A longshot of transgender Elvira (Volker Spengler) circled by gay men, assignation turning to assault as dawn mist rises from Frankfurt’s Main...

Your Friends & Neighbors, Apple TV+ review - in every dr...

It had begun to seem that Jon Hamm, whatever other roles he might appear in, was destined to be forever remembered exclusively as Mad Men...

Goldberg Variations, Ólafsson, Wigmore Hall review - Bach in...

Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg Variations left a few features...

Shanghai Dolls, Kiln Theatre review - fascinating slice of h...

The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls, but...