tue 28/09/2021

Netflix

Clickbait, Netflix review - fiendishly cunning thriller keeps everybody guessing

It seems Covid-19 may not be the only plague threatening mankind. The virus is nowhere to be seen in Netflix’s grippingly twisty mystery Clickbait, but it’s the use and abuse of social media that drives its tale of malice, murder and deception.The...

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Hit & Run, Netflix review - Lior Raz excels as a hard man on a hazardous mission

Lior Raz is Israel’s very own man with a very particular set of skills. However, unlike the looming 6ft 4in Liam Neeson who plays Bryan Mills in the Taken films, Raz is stocky, shaven-headed and clocks in at a mere 5ft 7in.He’s not your standard off...

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Bo Burnham: Inside, Netflix review - a masterpiece about lockdown angst

Some people perfected their banana loaf or sourdough bread during lockdown. Others tried to learn a new language or how to play an instrument. Bo Burnham produced this masterpiece.He is listed as the sole performer, writer, camera operator, editor...

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Sex/Life, Netflix review - Mills & Boon for the YouPorn era?

Has Netflix succeeded in reshaping Mills & Boon for the YouPorn era? Though situated in a contemporary New York where empowered women run investment companies, earn doctorates in psychology from Columbia University, and deliver forceful lectures...

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Lupin, Part 2, Netflix review - master of disguise versus racists and lies

Lupin isn’t really about the fictional character it’s named after (the gentleman thief Arsène Lupin, created in 1905 by French writer Maurice Leblanc), but about Assane Diop, who’s an obsessive fan of the Lupin novels. He’s also a gentleman thief...

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Ferry review - the making of a Dutch gangster

Success for the Belgian-Dutch crime series Undercover has led Netflix to produce an origin story for the show’s drug lord character Ferry Bouman (Frank Lammers). While this may be a dream come true for a portion of the show’s diehard fans, this...

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Milestone review - parable of an aging trucker

Watching Milestone, a new Netflix original directed by Ivan Ayr, I was reminded of the films of the great Iranian director Abbas Kiarostami. This story about an aging truck driver facing redundancy whilst grieving for his wife attempts the still...

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Night in Paradise review - lukewarm bloodbath

Since launching his directing career in 2011 with The Showdown, Park Hoon-jung has established himself as a promising devotee of the bloody gangster genre. The pandemic may have slowed the South Korean director’s momentum, as the producers were...

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Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified...

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The One, Netflix review - the downside of scientific matchmaking

Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book. The basic premise – that a corporation has invented a method of DNA testing which can match...

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Malcolm & Marie review - actorly grandstanding in beautiful black and white

Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the...

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theartsdesk Q&A: actor Polly Walker on 'Bridgerton' and the new breed of period drama

Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. We meet Lady Featherington as she's forcing one of her daughters into a tiny corset, muttering about how...

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