tue 13/04/2021

Netflix

Night in Paradise review - lukewarm bloodbath

Since launching his directing career in 2011 with The Showdown, Park Hoon-jung has established himself as a promising devotee of the bloody gangster genre. The pandemic may have slowed the South Korean director’s momentum, as the producers were...

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Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified...

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The One, Netflix review - the downside of scientific matchmaking

Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book. The basic premise – that a corporation has invented a method of DNA testing which can match...

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Malcolm & Marie review - actorly grandstanding in beautiful black and white

Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the...

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theartsdesk Q&A: actor Polly Walker on 'Bridgerton' and the new breed of period drama

Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. We meet Lady Featherington as she's forcing one of her daughters into a tiny corset, muttering about how...

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Call My Agent!, Series 4, Netflix review - the final bow for the Parisian showbiz saga?

Sad to report, this fourth series of Call My Agent! (Netflix) will be the final outing for this caustically addictive saga of actors and their agents. The show’s unique trademark has been its success in attracting an impressive roster of A-list...

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Pieces of a Woman review - a home birth ends in tragedy

This is not a film to watch if you’re pregnant. One of the first scenes, a 24-minute continuous take of a home birth that ends in tragedy, is extraordinarily powerful and painful to watch – almost unbearable sometimes – and Vanessa Kirby as...

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Best of 2020: TV

Okay, so some people taught themselves the violin or wrote a novel, but under this year’s circumstances, it was inevitable that television (terrestrial, cable, online or otherwise) was going to clean up. With large chunks of the population forced to...

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Bridgerton, Netflix review - bodice-ripper cliches recycled in Regency romp

At first glance you might mistake Bridgerton (Netflix) for the latest effusion from the pen of Lord Fellowes, since it conforms so closely to the Fellowesian pattern of manners, money and mores among the English aristocracy. Even the title sounds...

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Natalie Palamides: Nate: A One Man Show, Netflix review - deep dive into toxic masculinity still has power

Edgy comedy runs the risk of discomfiting the audience so much that they can't relax and enjoy the show. But Natalie Palamides, appearing as Nate, her alter ego, in Nate: A One Man Show on Netflix, pulls it off, and then some.The show, which has a...

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Hillbilly Elegy review - misery in the heartland

Published in June 2016, J.D. Vance’s memoir Hillbilly Elegy became a best-seller around the time of that November’s presidential election as people sought to understand why working class whites in the American heartland supported Donald Trump en...

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Sarah Cooper: Everything's Fine, Netflix review - star-studded special for Trump lip-syncer

When the world was in lockdown and performers turned to TikTok to keep in touch with their fans, Sarah Cooper started using the online platform for short videos where she lip-synced Donald Trump's speeches, and they quickly went global. Not many...

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