Netflix
Locke & Key, Netflix review - comic book adaptation struggles to find its focusMonday, 24 February 2020
The comic book of Locke and Key, written by Joe Hill (son of horror writer Stephen King) and illustrated by Gabriel Rodriguez, was first published in 2008, and its mix of multi-generational family drama and supernatural creepiness made it a cult hit... Read more... |
The Stranger, Netflix review - strong cast grapples with labyrinthine plottingSaturday, 15 February 2020
This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many... Read more... |
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high... Read more... |
Messiah, Netflix review - con-artist or the Second Coming?Wednesday, 15 January 2020
It’s an intriguing question. If a new Messiah appeared today, what kind of reception could he (if it was a he) expect? Possibly something similar to the one which greeted Jesus, according to Netflix’s new series Messiah.Created by Michael Petroni,... Read more... |
Uncut Gems review - relentless tale of gambling and the diamond tradeFriday, 10 January 2020
The Safdie brothers, Josh and Benny, once programmed a season of films entitled Emotional Sloppy Manic Cinema, and if sloppy is subtracted from that description, it’s a pretty accurate summation of their work here in Uncut Gems. This is edge-of-the-... Read more... |
The Crown, Series 3, Netflix review - if you want binge TV, there's none finerMonday, 18 November 2019
Although it conforms to a realistic chronology of events, this third season of Peter Morgan’s remarkable voyage around the House of Windsor (on Netflix) has the feel of a sequence of standalone dramas, linked together by its interrelated characters... Read more... |
The Laundromat review – The Panama Papers as root canalWednesday, 25 September 2019
With The Laundromat Steven Soderbergh is trying to do for the Panama Papers what The Big Short did for the 2008 financial crash, namely offer an entertaining mix of explanation, exposé, black comedy and righteous anger. Sadly, it... Read more... |
Stranger Things 3, Netflix review - bigger, dumber, betterTuesday, 09 July 2019
It sometimes feels like an age between Stranger Things seasons. Blame Netflix. The binge-watching trend that it helped solidify means that most people consume all eight hours of content in a single weekend. It comes and goes in a flash. But don’t... Read more... |
Bob Dylan Special - theartsdesk Q&A: Scarlet RiveraTuesday, 11 June 2019
As Martin Scorsese’s new feature film, Rolling Thunder Revue: A Bob Dylan Story, hits Netflix and cinemas, and a new 14 CD boxed set enters the official Bootleg Series, theartsdesk talks exclusively to Scarlet Rivera, the violinist on Desire and the... Read more... |
Armistead Maupin's Tales of the City, Netflix, review - sex and dope soap is back in San FranciscoFriday, 07 June 2019
It helps to be of a certain vintage to appreciate the first impact of Tales of the City. Armistead Maupin’s column, begun in the San Francisco Chronicle in 1978 as a frank and joyous portrayal of gay culture, became a series of half a dozen cult... Read more... |
Triple Frontier, Netflix review - war-on-drugs thriller suffers identity crisisFriday, 15 March 2019
Flying boldly against the #MeToo grain, Triple Frontier is a rather old-fashioned story of male buddyhood and the disappointments of encroaching middle age. The protagonists are five Special Forces veterans, brought together by private security... Read more... |
After Life, Netflix, review - Ricky Gervais's grief emojiFriday, 08 March 2019
The limitless goodwill generated by The Office earned Ricky Gervais the right to do and say as he pleased. Thus, hosting the Golden Globes, he was toweringly rude to Hollywood royalty. In Extras he gleefully portrayed celebrities as vain and ghastly... Read more... |
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