mon 16/12/2019

Netflix

The Crown, Series 3, Netflix review - if you want binge TV, there's none finer

Although it conforms to a realistic chronology of events, this third season of Peter Morgan’s remarkable voyage around the House of Windsor (on Netflix) has the feel of a sequence of standalone dramas, linked together by its interrelated characters...

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The Laundromat review – The Panama Papers as root canal

With The Laundromat Steven Soderbergh is trying to do for the Panama Papers what The Big Short did for the 2008 financial crash, namely offer an entertaining mix of explanation, exposé, black comedy and righteous anger. Sadly, it...

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Stranger Things 3, Netflix review - bigger, dumber, better

It sometimes feels like an age between Stranger Things seasons. Blame Netflix. The binge-watching trend that it helped solidify means that most people consume all eight hours of content in a single weekend. It comes and goes in a flash. But don’t...

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Bob Dylan Special - theartsdesk Q&A: Scarlet Rivera

As Martin Scorsese’s new feature film, Rolling Thunder Revue: A Bob Dylan Story, hits Netflix and cinemas, and a new 14 CD boxed set enters the official Bootleg Series, theartsdesk talks exclusively to Scarlet Rivera, the violinist on Desire and the...

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Armistead Maupin's Tales of the City, Netflix, review - sex and dope soap is back in San Francisco

It helps to be of a certain vintage to appreciate the first impact of Tales of the City. Armistead Maupin’s column, begun in the San Francisco Chronicle in 1978 as a frank and joyous portrayal of gay culture, became a series of half a dozen cult...

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Triple Frontier, Netflix review - war-on-drugs thriller suffers identity crisis

Flying boldly against the #MeToo grain, Triple Frontier is a rather old-fashioned story of male buddyhood and the disappointments of encroaching middle age. The protagonists are five Special Forces veterans, brought together by private security...

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After Life, Netflix, review - Ricky Gervais's grief emoji

The limitless goodwill generated by The Office earned Ricky Gervais the right to do and say as he pleased. Thus, hosting the Golden Globes, he was toweringly rude to Hollywood royalty. In Extras he gleefully portrayed celebrities as vain and ghastly...

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Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV show

Apparently it took some time before the cream of the French acting profession could be persuaded to take part in a TV drama that shed a sardonic light on the relationship between actors and their agents – or maybe it was their agents who harboured...

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Best of 2018: TV

Bruce Springsteen once sang about there being "57 channels and nothin' on". Those were the days. Now we have so much to watch (including Netflix's Springsteen on Broadway) that all the world's remaining elephants couldn't remember them all.But...

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Watership Down, BBC One review - run rabbit run

The author of the original Watership Down novel, Richard Adams, used to insist that it was “just a story about rabbits”, but its eco-friendly theme and warnings about the destruction of the natural environment were impossible to miss. In the 46...

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The Last Kingdom, Series 3, Netflix review - idylls of the king

Destiny is all. The first two series of The Last Kingdom debuted on BBC Two, but for series three it has been fully embraced by Netflix. Global domination surely looms, since these latest exploits of Uhtred, the warrior who was born a Saxon but...

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Disenchantment, Netflix review - Matt Groening show has promise after poor start

It’s an event that only comes around once a generation: a new Matt Groening TV series. The Simpsons is rightly regarded as one of the greatest shows ever made. It changed the face of American television, and 10 years later was followed Futurama, a...

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