Netflix
Man vs Bee, Netflix review - or should it be Bee vs Bean?Thursday, 30 June 2022
Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a new job as a house-sitter for a disdainful and ridiculously wealthy couple, Nina and Christian Kolstad... Read more... |
Borgen: Power and Glory, Netflix review - Birgitte Nyborg is back, more fascinating than everFriday, 10 June 2022
Has there ever been a smarter television series than DR’s Borgen? It’s regularly compared to The West Wing for its twisty interrogation of government shenanigans – and certainly it pays to get to grips with the coalition-driven political scene at... Read more... |
Ricky Gervais, SuperNature, Netflix review - a provocateur at workWednesday, 08 June 2022
Irony can be a trump card for a provocative comic such as Ricky Gervais, and he plays it right at the top of his SuperNature, an updated version of a show he started touring in 2019, which was rudely interrupted by the pandemic and is now his latest... Read more... |
Anatomy of a Scandal, Netflix review - sex, sexism and the abuse of powerFriday, 15 April 2022
British political life in the Boris Johnson era routinely seems stranger than fiction, and this adaptation of Sarah Vaughan’s novel about a Flashman-style Tory MP should delight all those who view Westminster as a sewer of privilege, corruption and... Read more... |
Bridgerton, Season 2, Netflix review - power politics and love triangles as Regency fantasy returnsSaturday, 26 March 2022
The first series of Bridgerton (Netflix) became a ratings-blasting sensation because of the way it thrust a boldly multiracial cast into the midst of a Regency costume drama, and because of the camera-hogging presence of Regé-Jean Page as the... Read more... |
The Last Kingdom, Season 5, Netflix review - Danes-and-Saxons saga hurtles towards an epic climaxMonday, 21 March 2022
Two years ago, the fourth season of The Last Kingdom (Netflix) found the Saxon saga not quite hitting peak form, possibly reeling from the fallout of the haunting death of King Alfred (David Dawson). Happily, any doubts are blown away with the... Read more... |
Drive to Survive, Season 4, Netflix review - bitter rivalries on and off the trackSaturday, 12 March 2022
Netflix’s fly-on-the-pitwall series has rapidly established itself as a vital ingredient in the tapestry of Formula One coverage, and is credited with giving the sport a huge boost in visibility and popularity, not least in the USA. This fourth... Read more... |
Ozark, Series 4 Part 1, Netflix review - the Macbeths of the southern lakes in even deeper watersSaturday, 29 January 2022
They’re back, the Lord and Lady Macbeth of the Ozark District, otherwise sleek-seeming middle class Chicagoans Marty and Wendy Byrde. And thanks to the super-subtle performances of Jason Bateman and Laura Linney, we hate them more than ever – except... Read more... |
Russell Howard, Netflix special review - joyous return to live performanceThursday, 20 January 2022
In 2019, Russell Howard was all set to celebrate his 20th year in comedy by going on a world tour. Covid put paid to that, so it was with some genuine celebration that he was able to return to the stage with Lubricant, his second Netflix special,... Read more... |
Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville ChamberlainTuesday, 18 January 2022
The name of Neville Chamberlain and the term “appeasement” have become indelibly linked, thanks to his efforts to accommodate Adolf Hitler’s bellicose ambitions in the run-up to what became World War Two.This film version of Robert Harris’s novel... Read more... |
Hellbound, Netflix review - supernatural assassins usher in an age of terrorFriday, 03 December 2021
Netflix is sometimes criticised for bringing too much of everything to its online feast, but the way it’s opening up previously under-exposed territories is becoming seriously impressive. Suddenly, South Korea is beginning to look like a powerhouse... Read more... |
The Power of the Dog review - of rawhide and rosesWednesday, 01 December 2021
The archetypal fascinating male in Jane Campion’s films – whether his allure for a woman owes to his earthy virility or emotional sensitivity, his animal appeal or his soul – has a malign other.That’s true of The Piano (1993), In the Cut (2003) and... Read more... |
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