fri 15/01/2021

Netflix

Pieces of a Woman review - a home birth ends in tragedy

This is not a film to watch if you’re pregnant. One of the first scenes, a 24-minute continuous take of a home birth that ends in tragedy, is extraordinarily powerful and painful to watch – almost unbearable sometimes – and Vanessa Kirby as...

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Best of 2020: TV

Okay, so some people taught themselves the violin or wrote a novel, but under this year’s circumstances, it was inevitable that television (terrestrial, cable, online or otherwise) was going to clean up. With large chunks of the population forced to...

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Bridgerton, Netflix review - bodice-ripper cliches recycled in Regency romp

At first glance you might mistake Bridgerton (Netflix) for the latest effusion from the pen of Lord Fellowes, since it conforms so closely to the Fellowesian pattern of manners, money and mores among the English aristocracy. Even the title sounds...

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Natalie Palamides: Nate: A One Man Show, Netflix review - deep dive into toxic masculinity still has power

Edgy comedy runs the risk of discomfiting the audience so much that they can't relax and enjoy the show. But Natalie Palamides, appearing as Nate, her alter ego, in Nate: A One Man Show on Netflix, pulls it off, and then some.The show, which has a...

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Hillbilly Elegy review - misery in the heartland

Published in June 2016, J.D. Vance’s memoir Hillbilly Elegy became a best-seller around the time of that November’s presidential election as people sought to understand why working class whites in the American heartland supported Donald Trump en...

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Sarah Cooper: Everything's Fine, Netflix review - star-studded special for Trump lip-syncer

When the world was in lockdown and performers turned to TikTok to keep in touch with their fans, Sarah Cooper started using the online platform for short videos where she lip-synced Donald Trump's speeches, and they quickly went global. Not many...

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The Crown, Season 4, Netflix review - royalty rocked by personal and political turbulence

Pre-release excitement about the fourth coming of The Crown (Netflix) has centred on Emma Corrin’s portrayal of Princess Diana, still big box-office 23 years after her death. There’s no denying that Corrin has risen heroically to the challenge of...

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The Queen's Gambit, Netflix review - chess prodigy's story makes brilliant television

It’s surprising, perhaps, that the dramatic potential of chess hasn’t been more widely exploited. There was a nail-biting tournament in From Russia with Love, while the knight’s chequerboard struggle with Death was the centrepiece of Ingmar Bergman’...

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Rebecca review - mishap at Manderley

When it was announced that Ben Wheatley would be directing a new version of Rebecca, his fans must have wondered what kind of exciting damage he would do to the neo-Gothic template of Daphne du Maurier’s 1938 novel – and how he might spin the...

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Emily in Paris, Netflix review - addictive escapism in the City of Light

Is Emily in Paris “the dumbest thing on Netflix right now?” or a sugar-rush of escapism in the midst of our global pandemic misery? “We need things to make us smile,” commented one Parisian viewer. “In the time of Covid,we don’t need more to stress...

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David Attenborough: A Life On Our Planet review - is the end nigh?

At 93-years-old and with a career that spans nearly 60 years, David Attenborough has spent a lifetime transporting audiences from the comfort of their sofas to the dazzling, often bewildering, majesty of the natural world. Now, he offers what he...

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Enola Holmes review – a new Sherlock-related franchise is afoot

It’s no secret that Arthur Conan Doyle’s most famous creation lays claim to more appearances on screen than any other fictional character. Over the past several decades, we’ve seen Sherlock as a pugilist action-hero, a modern-day sleuth, and in a...

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