Netflix
Stranger Things 3, Netflix review - bigger, dumber, betterTuesday, 09 July 2019
It sometimes feels like an age between Stranger Things seasons. Blame Netflix. The binge-watching trend that it helped solidify means that most people consume all eight hours of content in a single weekend. It comes and goes in a flash. But don’t... Read more... |
Bob Dylan Special - theartsdesk Q&A: Scarlet RiveraTuesday, 11 June 2019
As Martin Scorsese’s new feature film, Rolling Thunder Revue: A Bob Dylan Story, hits Netflix and cinemas, and a new 14 CD boxed set enters the official Bootleg Series, theartsdesk talks exclusively to Scarlet Rivera, the violinist on Desire and the... Read more... |
Armistead Maupin's Tales of the City, Netflix, review - sex and dope soap is back in San FranciscoFriday, 07 June 2019
It helps to be of a certain vintage to appreciate the first impact of Tales of the City. Armistead Maupin’s column, begun in the San Francisco Chronicle in 1978 as a frank and joyous portrayal of gay culture, became a series of half a dozen cult... Read more... |
Triple Frontier, Netflix review - war-on-drugs thriller suffers identity crisisFriday, 15 March 2019
Flying boldly against the #MeToo grain, Triple Frontier is a rather old-fashioned story of male buddyhood and the disappointments of encroaching middle age. The protagonists are five Special Forces veterans, brought together by private security... Read more... |
After Life, Netflix, review - Ricky Gervais's grief emojiFriday, 08 March 2019
The limitless goodwill generated by The Office earned Ricky Gervais the right to do and say as he pleased. Thus, hosting the Golden Globes, he was toweringly rude to Hollywood royalty. In Extras he gleefully portrayed celebrities as vain and ghastly... Read more... |
Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV showWednesday, 09 January 2019
Apparently it took some time before the cream of the French acting profession could be persuaded to take part in a TV drama that shed a sardonic light on the relationship between actors and their agents – or maybe it was their agents who harboured... Read more... |
Best of 2018: TVThursday, 27 December 2018
Bruce Springsteen once sang about there being "57 channels and nothin' on". Those were the days. Now we have so much to watch (including Netflix's Springsteen on Broadway) that all the world's remaining elephants couldn't remember them all.But... Read more... |
Watership Down, BBC One review - run rabbit runSunday, 23 December 2018
The author of the original Watership Down novel, Richard Adams, used to insist that it was “just a story about rabbits”, but its eco-friendly theme and warnings about the destruction of the natural environment were impossible to miss. In the 46... Read more... |
The Last Kingdom, Series 3, Netflix review - idylls of the kingFriday, 23 November 2018
Destiny is all. The first two series of The Last Kingdom debuted on BBC Two, but for series three it has been fully embraced by Netflix. Global domination surely looms, since these latest exploits of Uhtred, the warrior who was born a Saxon but... Read more... |
Disenchantment, Netflix review - Matt Groening show has promise after poor startFriday, 17 August 2018
It’s an event that only comes around once a generation: a new Matt Groening TV series. The Simpsons is rightly regarded as one of the greatest shows ever made. It changed the face of American television, and 10 years later was followed Futurama, a... Read more... |
Annihilation, Netflix review - not quite a sci-fi masterpieceThursday, 15 March 2018
Mild controversy hovers over the new film by Alex Garland, the novelist-turned-screenwriter-turned-director. Garland’s 2015 directing debut, Ex Machina, was a slow-burning hit which found favour with critics and film festival juries. This follow-up... Read more... |
Godless, Netflix review – a proper wild west rideThursday, 23 November 2017
There’s a storm heading to La Belle, the small forgotten town in the heart of the American West. As black clouds flash above the prairie, the injured body of Roy Goode (Jack O’Connell) falls at the door of widowed rancher Alice Fletcher (Michelle... Read more... |
- 1 of 2
- ››
