thu 15/11/2018

New York

First Person Plural: the Calidore String Quartet on music for their torn nation

Classical musicians spend much of their lives inhabiting the realms of the past. To effectively practise and perform the music of Bach, Brahms, Beethoven and countless others, performers must combine research and personal intuition to time travel...

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More Blood, More Tracks review - Bob Dylan opens up

You get plenty of Dylan for your buck these days, with the Mondo Scripto exhibition currently at the Halcyon Gallery in London, and a totemic and arrestingly beautiful set of Jerry Schatzberg's photographs of mid-Sixties Dylan in all his fuzzy glory...

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Classical CDs Weekly: Handel, Schmelzer, Tesla Quartet

 Abbandonata: Handel Italian Cantatas Carolyn Sampson (soprano), The King’s Consort/Robert King (Vivat)The young Handel’s desire to be an opera composer prompted him to spend the years 1706-1710 in Italy. He was already a superb academician and...

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Company, Gielgud Theatre review - here's to a sensational musical rebirth

The most thrilling revivals interrogate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical comedy Company makes a bold,...

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The Inheritance, Noël Coward Theatre review - tangled knot of gay fairy-tale and reality

Its roots are in an emotional truth: Matthew Lopez saw the film, then read the book, of Howards End when he was 15 and 11 years later came across Maurice. He joined the dots between an apparent period-piece offering timeless wisdom about the human...

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They Might Be Giants, Barbican review - genuine, authentic humour

The songs of They Might Be Giants have an irresistible way of combining the playful, the childlike and the absurd. The band’s major label debut album, Flood from 1990, which was most people’s entry point into their music, is full of quick-witted...

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Kusama - Infinity review - amazing tale of survival against the odds

Wearing a red dress covered in black polka dots and a bright red wig, Japanese artist Yayoi Kusama sits drawing, a look of intense concentration on her face. It takes her three days, she says, to finish one of these huge repeating patterns (main...

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Skate Kitchen review - sisterhood in the skate park

“Let’s get a clip, Long Island.” One New York skateboarder encourages another, who’s from the ‘burbs, to show off ollies, pop shuvits and kick-flips for a YouTube video. But hang on: “There are too many penises in the way.” This is a posse of young...

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Never Here review - conceptual art may damage your health

Beware the hidden powers of the cellphone. When in Never Here New York conceptual artist Miranda Fall (Mireille Enos) finds a stranger’s phone, she uses it as the basis for her next art show, tracking down and interviewing the owner’s contacts,...

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'It’s more fun to dance in a tutu': Tory Dobrin of Les Ballets Trockadero de Monte Carlo

Forty years on from its beginnings as part of New York's gay lib movement, Les Ballets Trockadero de Monte Carlo is playing to a global, largely straight audience. As the company launches a major UK tour, starting this week at the Peacock Theatre in...

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DVD/Blu-ray: The Producers

Few things divide opinion as much as comedy, and we’ve all had the experience of sitting through a film stony-faced while all around collapse with mirth. What tickles you? Erudite Wildean wordplay, or the simple joys of watching a fat bloke fall...

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Prom 57, On the Town, LSO, Wilson review - symphonic dances and sassy vocals

1944 was one hell of a year for Bernstein the composer, with a perfect ballet and a near-perfect musical sharing a general theme of three sailors loose in New York, but nothing else, in their boisterous originality. Perhaps their only equal among...

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