fri 06/12/2024

New York

The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to me

Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the 1920s, but a New York teenager with dyslexia and ADHD who keeps getting expelled from school. He’s a bit of a...

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The Purists, Kiln Theatre review - warm, witty, thoughtful and un-woke

Watching Dan McCabe’s 2019 play, older folk might be reminded of the Bonzo Dog Doo-Dah Band’s indelible lyrics, “Can blue men sing the whites, or are they hypocrites…?” The Purists moves the question into the 21st century in a teasing but very...

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Album: FaithNYC - Love is a Wish Away

FaithNYC is a vehicle for the singer and songwriter Felice Rosser, an original rooted in reggae,soul, punk and the New York downtown avant-garde. She once played in an all-woman reggae band, Sistren, and was a close friend of Jean-Michel Basquiat....

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[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfully

Not just a backstage musical, a backroom musical!In the 70s, Follies and A Chorus Line took us into the rehearsal room giving us a chance to look under the bonnet to see the cogs of the Musical Theatre machine bump and grind as a show gets on its...

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The Room Next Door review - Almodóvar out of his comfort zone

Towards the end of the last century, the Spanish director Pedro Almodóvar made a run of screwball comedies, starting with Women on the Verge of a Nervous Breakdown (1988) and Tie Me Up! Tie Me Down! (1989), and ending with All About My Mother (...

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The Lehman Trilogy, Gillian Lynne Theatre review - three brothers, two crashes, one American Dream

Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and...

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Megalopolis review - magic from cinema's dawn

“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating...

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Moby, O2 review - ebullient night of rave'n'rock'n'Johnny Cash

Sometimes a gig suddenly and completely elevates. Such is the case tonight when Moby, on his first UK tour in 12 years, plays “Extreme Ways”, his 2002 anthem for hedonism and its desperate consequences. What has been an adequately entertaining night...

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Album: Laurie Anderson - Amelia

Laurie Anderson is what Leonardo da Vinci would have hailed as una donna universale: inspired by science and technology, she's wide-ranging artist, a writer, film-maker, and explorer. She has a remarkable gift for story-telling, and her latest...

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Fire in my mouth, Philharmonia, NYCOS, Alsop, Edinburgh International Festival 2024 review - total work of art for our times

Commissioned by the New York Philharmonic and premiered in 2018, Julia Wolfe’s Fire in my mouth is a multi-sensory oratorio written to commemorate the 146 workers who perished in a factory fire in what was the deadliest industrial disaster in New...

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A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathos

A Chorus Line reigned supreme on Broadway from 1975 to 1990, a bold, bare-bones piece that for once put musical theatre’s hoofers in the spotlight. “As welcome as a rainbow after a thunderstorm” was Clive Barnes’s summation in the New York Times.It...

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Album: Meshell Ndegeocello - No More Water: The Gospel of James Baldwin

Meshell Ndegeocello's groundbreaking new album No More Water: The Gospel of James Baldwin takes you on a musical journey which defies categorisation.Eight years in the making and set for release on 2 August – Baldwin's centennial – the album’s...

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