mon 16/09/2024

Gary Naylor

Articles By Gary Naylor

The Band Back Together, Arcola Theatre review - three is a dangerous number

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Kim's Convenience, Riverside Studios review - KC and the sunshine vibe

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Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show

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The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellent

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Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiere

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Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

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The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production

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The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punch

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Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversary

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Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull show

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Next to Normal, Wyndham's Theatre review - rock musical on the trauma of mental illness

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Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punch

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Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered

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Multiple Casualty Incident, The Yard Theatre review - NGO medics in training have problems of their own

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Spirited Away, London Coliseum review - spectacular re-imagining of beloved film

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Testmatch, Orange Tree Theatre review - Raj rage, old and new, flares in cricket dramedy

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latest in today

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice - but is that the person or the...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...

The Real Ones, Bush Theatre review - engrossing, enjoyable a...

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...

Prom 71, Seong-Jin Cho review - refined Romantic journeys

Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...

Frang, LSO, Pappano, Barbican review - a concerto performanc...

Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...

The Perfect Couple, Netflix review - an inconvenient death r...

Based on the novel by Elin Hilderbrand, The Perfect...