thu 03/07/2025

Gary Naylor

Articles By Gary Naylor

The Good Person of Szechwan, Lyric Hammersmith review - wild ride in hyperreality slides by

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Ain't Too Proud, Prince Edward Theatre review - Temptations musical is none too tempting

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Betty Blue Eyes, Union Theatre review - musical revival pigs out on nostalgia

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Berlusconi, Southwark Playhouse Elephant review - curious new musical satire

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Under the Black Rock, Arcola Theatre review - political thriller turns soapy

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Oklahoma!, Wyndham's Theatre review - radical reimagining adds plenty but achieves less

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Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woes

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Sylvia, Old Vic review - great leads, rambling story

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Smoke, Southwark Playhouse review - dazzling Strindberg update

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Titus Andronicus, Sam Wanamaker Playhouse review - notorious play hits and misses

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Noises Off, Phoenix Theatre review - much revived classic farce gains in poignancy

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Allegiance, Charing Cross Theatre review - George Takei's childhood story makes a heartfelt musical

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A Streetcar Named Desire, Almeida Theatre review - Patsy Ferran rises above fussy staging

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Watch on the Rhine, Donmar Warehouse review - Lillian Hellman's 1940 play is still asking awkward questions

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Dolly Parton's Smoky Mountain Christmas Carol, Queen Elizabeth Hall review - Scrooge goes to Tennessee

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Hex, National Theatre review - 12 months after being sent to sleep by Covid, Rufus Norris's show is back

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Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...