fri 23/02/2024

David Kettle

Articles By David Kettle

Ragnarok, Traverse Theatre, Edinburgh review - moving miniature apocalypse

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Many Good Men, Tynecastle Stadium, Edinburgh review - daring but flawed provocation

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Jekyll and Hyde, Lyceum Theatre Edinburgh review - audacious contemporary resonances

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Same Team, Traverse Theatre Edinburgh review - shamelessly unseasonal Christmas cheer

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FLIP!, Summerhall Edinburgh review - sassy, satirical parable

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Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincing

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Group Portrait in a Summer Landscape, Lyceum Theatre, Edinburgh review - a maze of ideas

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Edinburgh Fringe 2023 reviews: CHOO CHOO! / Blood of the Lamb

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Edinburgh Fringe 2023 reviews: Distant Memories of the Near Future / Soldiers of Tomorrow

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Edinburgh Fringe 2023 reviews: Dark Noon / Concerned Others

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Edinburgh Fringe 2023 reviews: The Insider / Sensuous Governing

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Dimanche, Edinburgh International Festival 2023 review - troubling and bewildering

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Edinburgh Fringe 2023 reviews: Maureen / Common Dissonance

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Edinburgh Fringe 2023 reviews: PLEASE LEAVE (a message) / Shadow Kingdom

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Edinburgh Fringe 2023 reviews: Without Sin / An Alternative Helpline for the End of the World / Two Strangers Walk into a Bar...

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Edinburgh Fringe 2023 reviews: The Grand Old Opera House Hotel / YOU ARE GOING TO DIE

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Marx in London, Scottish Opera review - the humour of histor...

 An opera about a day in the life of Karl Marx doesn’t...

Hir, Park Theatre review - incendiary production for Taylor...

In 2017, two years after Hir premiered, Taylor Mac was awarded a “Genius Grant” and nominated for a Pulitzer Prize for drama....

Memory review - love, dementia and truth

Procul Harum’s “A Whiter Shade of Pale” is given a new lease on life in...

Samuel Takes a Break... in Male Dungeon No. 5 after a long b...

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you...

King Lear, Almeida Theatre review - Danny Sapani dazzles in...

Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another...

Bill Bailey: Thoughtifier, Brighton Centre review - offbeat...

I first saw Bill Bailey at least 30 years ago in the cabaret tent at...

Hadestown, Lyric Theatre review - soul-stirring musical glor...

Doom and gloom, we are told, may have abounded in the classical underworld, but Hadestown suggests otherwise. Returning to...

Tom Chatfield: Wise Animals review - on the changing world

Consider a chimp peeling a stick which it will poke into a termite nest. It strikes us as a human gesture. Our primate cousin is fashioning a tool...

Album: Aziza Brahim - Mawja

Glitterbeat is home to a wildly eclectic and reliably brilliant world of...

An Enemy of the People, Duke of York's Theatre - perfor...

Real life is a helluva lot scarier right now than you might guess from the performative theatrics on display in the new...