sat 25/10/2025

David Kettle

Articles By David Kettle

Local Hero, Royal Lyceum Theatre, Edinburgh - captivating musical with a harder edge

Read more...

Possum review - mind-infecting homage to 1970s horror

Read more...

Donkeyote review - a quiet revelation

Read more...

Science Fair review - big on ambition, light on rigour

Read more...

Twelfth Night, Royal Lyceum Theatre, Edinburgh - a touch too sweet

Read more...

Lammermuir Festival 2018 review - a bigger buzz

Read more...

The Prisoner, National Theatre review - Peter Brook's latest falls sadly flat

Read more...

Edinburgh Festival 2018 reviews: Home / The Prisoner

Read more...

Edinburgh Festival 2018 review: Benedetti, Baltimore SO, Alsop - puzzlingly tame

Read more...

Edinburgh Festival 2018 review: Aimard, SCO, Pintscher - psychedelic visions

Read more...

Edinburgh Festival 2018 reviews: La maladie de la mort / The End of Eddy

Read more...

Edinburgh Festival 2018 reviews: Orpheus / Bottom / Backup

Read more...

Edinburgh Festival 2018 reviews: Nigel Slater's Toast / Status

Read more...

Edinburgh Festival 2018 reviews: Daughter / Huff / First Snow/Première Neige

Read more...

Edinburgh Festival 2018 review: Zimerman, LSO, Rattle - fizzing chemistry

Read more...

Edinburgh Festival 2018 reviews: Underground Railroad Game / On the Exhale

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

Fevereaten sees gothic punk-metallers Witch Fever revel in a...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Demi Lovato's ninth album, 'It's Not That Dee...

Demi Lovato is impressive on many fronts. She’s a Noughties Disney...

The Unbelievers, Royal Court Theatre - grimly compelling, po...

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said...