sat 25/05/2024

David Kettle

Articles By David Kettle

Edinburgh Fringe 2019 reviews: Deer Woman / Pathetic Fallacy / Blind Date

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Edinburgh Fringe 2019 review: Birth

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Edinburgh Fringe 2019 review: Crocodile Fever

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Edinburgh International Festival 2019 review: La reprise

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Edinburgh Festival 2019 review: Rich Kids - A History of Shopping Malls in Tehran

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Edinburgh Festival 2019 reviews: Below the Blanket / Samson Young: Real Music

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Edinburgh Festival 2019 reviews: Enough / Spliced

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Local Hero, Royal Lyceum Theatre, Edinburgh - captivating musical with a harder edge

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Possum review - mind-infecting homage to 1970s horror

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Donkeyote review - a quiet revelation

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Science Fair review - big on ambition, light on rigour

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Twelfth Night, Royal Lyceum Theatre, Edinburgh - a touch too sweet

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Lammermuir Festival 2018 review - a bigger buzz

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The Prisoner, National Theatre review - Peter Brook's latest falls sadly flat

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Edinburgh Festival 2018 reviews: Home / The Prisoner

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Edinburgh Festival 2018 review: Benedetti, Baltimore SO, Alsop - puzzlingly tame

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Punt and Dennis, Marlowe Theatre Canterbury review - satire...

Ten years after their last tour Steve Punt and High Dennis are back on the road with We Are Not a Robot. It comes after their long-...

Furiosa: A Mad Max Saga review - just as mad without Max

In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller...

The Beach Boys, Disney+ review - heroes and villains and goo...

It was – let’s see – 63 years ago today that Brian Wilson taught the band to play. Fabled for their resplendent harmonies and ecstatic hymning of...

Album: Twenty One Pilots - Clancy

If there is one positive of the past decade, it must be the growing openness with...

Richard III, Shakespeare's Globe review - Michelle Terr...

There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances...

Kolesnikov, Wigmore Hall review - celestial navigation throu...

Like his baggy white suit, pitched somewhere between Liberace and Colonel Sanders, Pavel Kolesnikov’s playing was spotless at the...

Between Riverside and Crazy, Hampstead Theatre review - race...

It’s often said that contemporary American playwrights are too polite, too afraid of giving offence. But this accusation can’t be levelled at...

Album: Isobel Campbell - Bow to Love

Isobel Campbell has maintained a consistent career on the fringes of popular music for three decades. She's made a home in the area where...

'I think of her as a proto-punk': documentarist Sv...

Anita Pallenberg was a vital presence in the Stones’ most vital years. Her bright eyes and hungry mouth betrayed a ferocious appetite for pleasure...