Comedy Reviews
Russell Howard, Netflix special review - joyous return to live performanceThursday, 20 January 2022
In 2019, Russell Howard was all set to celebrate his 20th year in comedy by going on a world tour. Read more... |
One-Woman Show review - Liz Kingsman's spot-on spoofWednesday, 12 January 2022
Imitation is the sincerest form of flattery, they say. I'm not sure One-Woman Show, written and performed by comic, writer and actor Liz Kingsman, is an imitation of a solo show that catapulted another female actor-writer to worldwide fame, but it's imitation-adjacent in a spot-on spoof kind of way. Read more... |
Best of 2021: ComedyWednesday, 29 December 2021
Everybody in the comedy industry started out with so much hope that, finally, things could get back to normal in 2021 – and for a while they did, and there were some gems as live comedy returned to clubs and theatres. Read more... |
Shagged. Married. Annoyed. Live, O2 Arena review - popular podcast lost in translationTuesday, 07 December 2021
The lengthy ovation Chris and Rosie Ramsey received when they walked on stage at the O2 showed there was a lot of love in the room, and why wouldn't there be? The married couple's podcast Shagged. Married. Annoyed. has clocked up 144 episodes and built a large and loyal following, and now here they were doing the show live. Read more... |
The Good Life, Richmond Theatre review - popular sitcom gets its own origin storyMonday, 29 November 2021
"Off-grid" wasn't a thing in the mid-'70s. Sure, people planted a few potatoes in the garden and pottered about a bit in an allotment, but nobody went the whole hog. The rat race was certainly a thing though, a fertile seam for comedies like The Fall and Rise of Reginald Perrin. Read more... |
Alfie Brown, Soho Theatre review - a contrarian on great formFriday, 19 November 2021
Well, this is a first: a comedy show with footnotes. Alfie Brown tells us at the top of the hour that he'll be stepping out of his routines from time to time to explain why the gag he's about to tell, or has just told, isn't offensive. It's a clever touch, one of several in Sensitive Man. Read more... |
Ahir Shah, Soho Theatre review - lockdown laid bareFriday, 12 November 2021
During lockdown most of us were caught in a Groundhog Day existence of sleep, eat, exercise with Joe Wicks, take part in a Zoom quiz, bake banana bread, repeat – or variations on that theme. So a comic doing a show talking about his lockdown experience is taking a risk that it might not be the most scintillating hour – and so it proves with Ahir Shah's Dress. Read more... |
Milk and Gall, Theatre 503 review - motherhood in the age of TrumpThursday, 11 November 2021
Tuesday, 8 November 2016. Vera is in a New York hospital room giving birth to a son. On anxiously checked phones, the votes are piling up for Hillary, but the states are piling up for Trump. Vera’s world will never be the same again. Read more... |
Iliza Shlesinger, Eventim Apollo review - feminism, the internet - and brasFriday, 05 November 2021
Iliza Shlesinger is an American writer, performer and presenter whose film work includes roles in Pieces of a Woman and Good on Paper, the latter which she also wrote and produced. She's also an established stand-up comic, with five Netflix specials to her name. For her latest stand-up show, Back in Action, she was on a fleeting visit to London as part of an international 70-date tour, delayed by COVID, before she performs some dates in the US. Read more... |
Dave Chappelle: The Closer, Netflix review - race and class examinedWednesday, 20 October 2021
Say what you like about Dave Chappelle, but if nothing else he's an equal-opportunities offender, as his latest Netflix special, The Closer, proves. The last of his six specials for the network, all of which have drawn criticism – as well as plaudits – for his uncompromising “I tell it as I see it” material has again provoked ire in some quarters. Read more... |
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A Christmas Carol, The Old Vic review - older, wiser, and ye...
Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...
Boat Story, BBC One review - once upon a time in Yorkshire
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Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...
John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience,...
Mark Rothko, Fondation Louis Vuitton, Paris review - a show...
The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition...
Blu-ray: King and Country
British anti-war films inspired by “the war that” failed “to end all wars” include Oh! What a Lovely War, The Return of the Soldier...
The Witches, National Theatre review - fun and lively but wh...
The National Theatre these days seems to be...
The Dante Project, Royal Ballet review - brave but flawed ta...
Singular in its variousness, this is a three-act ballet that need some unpicking. No wonder those hooked on first acquaintance in 2021, like t...
CMAT, Barrowland Ballroom, Glasgow review - an evening of ex...
There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an...
MacMillan's Christmas Oratorio, Lois, Williams, RSNO, M...
It is not every day that a new choral work by a living composer can confidently be labelled a masterpiece. Yet this is what we have here. James...
Oh What A Lovely War, Southwark Playhouse review - 60 years...
In Annus Mirabilis, Philip Larkin wrote,
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