tue 19/02/2019

France

Trifonov, LSO, Rattle, Barbican review - Russian style with French chic (and cheek)

The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way. Russian Wunderkind pianist bags a sackful of competition trophies (Rubinstein, Tchaikovsky prizes; Gramophone Awards). Early recitals and...

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Das Boot, Sky Atlantic review - menacing drama on land and sea

Wolfgang Petersen’s film Das Boot is now nearly 40 years old, but in this new TV sequel time has moved forward a mere nine months from the original story, into the autumn of 1942. Whether it’s still springtime for Hitler is moot, but the U-boat...

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Les Misérables, BBC One, series finale review - more moving than revealing

It took the best part of six episodes, but we got there in the end: the reason David Oyelowo accepted the confusingly underwritten part of Inspector Javert in BBC One’s adaptation of Les Misérables was finally revealed. His pursuit of an ex-convict...

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theartsdesk Q&A: Composer Michel Legrand

“I want to be a man without any past,” said Michel Legrand, who has died at the age of 86. He had perhaps the longest past in showbiz. Orchestrator, pianist, conductor, composer of countless soundtracks, who else has collaborated as widely - with...

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An Impossible Love review - toxic romance across the years

This is a love that begins sweetly, turns terrible, and is told with unflinching directness. Directed by Catherine Corsini, An Impossible Love is based on a novel by Christine Angot (known in France, and increasingly elsewhere, for her powerful...

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Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptation

There’s no singing, no Hugh Jackman and no Anne Hathaway, and the dolorous tone of Andrew Davies’s new adaptation of Victor Hugo’s sprawling novel is established in the opening scene. It’s the aftermath of the battle of Waterloo in 1815, and the...

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The Sound of Movie Musicals with Neil Brand, BBC Four review - genius of song and dance

The movie musical: money making or true art – or both? This was a programme to sing along to, in the company of Judy Garland and Gene Kelly, Elvis Presley and Cliff Richard. In this second instalment of Neil Brand’s brilliant three-part history, he...

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Laurent Cantet: 'Young people have different preoccupations nowadays' – interview

Like Ken Loach and the Dardennes brothers, Laurent Cantet is a filmmaker with a keen interest in social issues and themes, often using non-professional actors and a naturalistic approach, but perfectly willing to inject a little plot contrivance to...

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They Shall Not Grow Old, BBC Two review - Peter Jackson's Great War finale

Peter Jackson has form when it comes to re-examining cinema history. In 1995 he made Forgotten Silver, a documentary about Colin McKenzie, a New Zealand filmmaker who not only made the first sound recordings but also invented the tracking shot and...

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DVD: Reinventing Marvin

You have to turn to the brief interview with director Anne Fontaine that is the sole extra on this DVD release to discover the real source of her film Reinventing Marvin. Though Fontaine and Pierre Trividic’s screenplay is credited as original, it...

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The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art

If you're going to write a play that traffics in bafflement, it's not a bad idea to have on hand one of the most beady-eyed actresses around. That would be Dame Eileen Atkins, whose keen-eyed intelligence cuts a swathe through the deliberate...

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Katya Apekisheva, Charles Owen, Kings Place review - one plus one equals a hundred

We could probably spend all day pondering what makes a great musical partnership. Is it long experience, special sensitivity, a shared sense of humour? We’d get nowhere, though because there is, genuinely, something about it that can't be explained...

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