tue 04/11/2025

Tom Birchenough

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Articles By Tom Birchenough

'We are bowled over!' Thank you for your messages of love and support

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Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force

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The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama

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Crossing review - a richly human journey of discovery

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Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado

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Something in the Air, Jermyn Street Theatre review - evocative London mood music

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Meeting Gorbachev review - Werner Herzog offers a swansong tribute

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Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

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Jitney, Old Vic review - a directorial delight

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Lava, Soho Theatre review - silences, secrets and lies

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'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

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The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

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Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig

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Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

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A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production

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'Night, Mother, Hampstead Theatre review - despair in sotto-voce

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latest in today

'We are bowled over!' Thank you for your messages... ...
Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...

Mr Scorsese, Apple TV review - perfectly pitched documentary...

This five-parter by Rebecca Miller is essential viewing for any...

Madama Butterfly, Irish National Opera review - visual and v...

Emotional truth backed up by musical sophistication is what saves Puccini’s drama about a geisha deserted by an American officer from mawkishness...

Hallé John Adams festival, Bridgewater Hall / RNCM, Manchest...

Am I dreaming? Did I really see a living composer of...

'Vicious Delicious' is a tasty, burlesque-rockin...

Three of last year’s finest singles were by Luvcat, a classy-but-naughty Eartha Kitt-style bad girl steeped in burlesque-rock’n’roll spirit. In...

theartsdesk at Wexford Festival Opera 2025 - two strong prod...

A drawback of choosing relatively or very obscure operas, as they've been mostly doing in Wexford Festival since 1951, is that the audiences...

Bach's B minor Mass, Irish Baroque Orchestra, Whelan, C...

The greatest procession of mass movements ever composed merits the best line-up of soloists, both vocal and instrumental, as well as the perfect...