New Music Reviews
Albums of the Year 2024: Mercury Rev - Born HorsesFriday, 20 December 2024
Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through journeying into inner space, much of what’s described – the album’s words are largely spoken – is allegorical, coming across as beatnik-style reportage documenting a form of psychedelic experience. Read more... |
Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño MaríaThursday, 19 December 2024
My Spotify Wrapped this year is somewhat at odds with my Album of 2024. My ‘Van Life Folie Americana’ phase of Spring (presumably due to the actual VW trip to the Costa Brava at Easter) followed by my ‘Cinnamon Softcore Art Deco’ moment in early Summer – which I largely owe to Lana del Rey live at Reading Festival prep, has been trumped by an underdog that should Spotify have picked up on, would have read something like ‘Eclectic, unhinged, Buenos Aires basement rave’ chapter. Read more... |
Albums of the Year 2024: Kenny Barron - Beyond This PlaceMonday, 16 December 2024
Kenny Barron’s Beyond This Place is glorious. Whereas I’ve found some of the more talked-about albums of 2024 either been uneven or unfocused – as if attracting debate is more important than just setting out to make a great album – everything just works so well here. Read more... |
Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969Sunday, 15 December 2024
Vanilla Fudge could provoke a strong reaction. Writing about them in 1982, Tom Hibbert – then best-known for his contributions to Smash Hits – said of their February 1968 second album, The Beat Goes On, that “on one side of the bombastic concept LP, Vanilla Fudge summed up the history of music from Mozart, through Cole Porter and Elvis, to The Beatles concluding that it was all worthless.” Read more... |
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brothers refuse to join the heritage industryThursday, 12 December 2024
The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up camp in the heritage music industry just yet. This was emphatically stressed this week, as they hit the stage of Birmingham’s O2 Institute and ploughed straight into a fierce “JAMCOD”, the lead single off their recent Glasgow Eyes album – and proclaiming “the monkey’s organ grinder isn’t grinding anymore”. Read more... |
Album: Ajukaja & Mart Avi - Death of MusicThursday, 12 December 2024
Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts Mart Avi over its pulsing five minutes. “Fight the music” he declares. The word “execution” crops up. There is reference to a “rope ladder.” The specific meaning of this torrent of imagery is unclear. Nonetheless, it is certain the untrammelled outpouring confirms Avi’s total surrender to the music. Read more... |
Vampire Weekend, OVO Hydro, Glasgow review - a mixture of brilliance and self-indulgenceTuesday, 10 December 2024
When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them, obscuring their backdrop. By the time this marathon set ended two and a half hours later, they’d more than doubled in number and had made full use of their surroundings, a shift which summed up a constantly changing, often contradictory show. Read more... |
Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delightMonday, 09 December 2024
On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by Julia Holter. Read more... |
Music Reissues Weekly: John Leyton - Lone Rider The Holloway Road Sessions 1960-1962Sunday, 08 December 2024
For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe Meek, but Leyton's first two 45s – August 1960’s “Tell Laura I Love Her” and October 1960's “The Girl on the Floor Above” – didn’t made waves. The next one – July 1961’s “Johnny Remember Me” – was it, the hit, the chart topper. Read more... |
Katy J Pearson, Saint Luke's and the Winged Ox, Glasgow review - warm-hearted songs to banish the coldThursday, 05 December 2024
'Tis the season for all manner of bugs, colds and illnesses. One had befallen Katy J Pearson, who struck an apologetic note after the night’s first number to say she had been unwell all day and was going to do her best to get through the gig. That added an unexpected element to proceedings, namely by creating the potential for the whole show to come to a sudden halt at any point. Read more... |
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