sun 20/07/2025

New Music Reviews

Music Reissues Weekly: Mike Taylor - Pendulum, Trio

Kieron Tyler

Wheels of Fire was Cream’s third album. Issued in the US in June 1968 and in the UK two months later, it was a double LP. One record was of live recordings, the other of studio material. Of the nine tracks on the latter, three were co-written by the band’s drummer Ginger Baker – who wrote the lyrics – and British jazz pianist/composer Mike Taylor.

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Youssou N'Dour and Super Étoile de Dakar, Roundhouse review - the best of Africa

mark Kidel

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile and richly-textured tenor that doesn’t show the sign (at 65) of growing old and tired.

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Billie Eilish, O2 review - power, authenticity and deep connection

Katie Colombus

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul, smiles at you like she knows your secrets, and shouts “I love you” like she means it. “You are seen, you are safe,” she tells us. We believe her. And judging by the thousands of utterly hysterical fans, heaving and shaking with sobs amidst their singing – mostly clad in jorts, sports vests and ties – the feeling is mutual.

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Music Reissues Weekly: Beggars Arkive - Gary Numan's 1979 John Peel session

Kieron Tyler

Tubeway Army’s “Are ‘Friends’ Electric” hit the top of the UK single’s chart in the last week of June 1979. It stayed there for four weeks. Its parent album, Replicas, lodged itself in the Top 75 for 31 weeks. In April, just as Replicas was out, Tubeway Army began recording demos for the next album: the band which had been assembled for the task debuted on BBC2’s The Old Grey Whistle Test on 22 May.

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The Estonian Song and Dance Celebration 2025 review - the mass expression of freedom

Kieron Tyler

The branch of the fast-food chain Hesburger in downtown Tallinn shopping centre Solaris is busy. Nothing unusual as it’s located by the entrance to a multi-screen cinema. Double cheeseburgers and fries are going over the counter. Less typically, two-thirds of the people here are wearing traditional Estonian clothing. Men and boys with knee britches. Woman and girls in embroidered outfits with hats.

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Album: Gwenno - Utopia

Kieron Tyler

Stylistically, Utopia wears multiple faces. Opening cut “London 1757” drifts by like a twig floating upon an unhurried stream. Next, “Dancing on Volcanoes” swings, employs a staccato guitar and suggests a late-Sunday afternoon dance floor. The kind of scene embraced by a post-comedown crowd. Further in, “Ghost of You” has a soul ballad edge; Randy Crawford were her background in Broadcast-inclined, indie-experimenta.

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Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, summer phenomenon

Katie Colombus

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina” stateside, the army of fans clad in pink cowboy hats, bloomers and kiss transfers streaming into Hyde Park would seem to suggest so.

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Music Reissues Weekly: Motörhead - The Manticore Tapes

Kieron Tyler

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its individual members, the best-known signees to the imprint were Italian prog-rockers PFM and former King Crimson member Pete Sinfield. Despite this new album’s title, Motörhead were not with Manticore.

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Glastonbury Festival 2025: Five Somerset summer days of music, controversy and beautiful mayhem

Caspar Gomez

MONDAY 30th JUNE 2025

“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by dark brown rings. He looks peaky.

“Why?” I enquire. Sweat nodules down my face, my body, everywhere. So saline-intense it leaves powdery white steaks.

“My eyes,” he replies, “They’re wobbling about.”

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Album: Brìghde Chaimbeul - Sunwise

Kieron Tyler

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small pipes – a form of bagpipes – this is in due course supplemented by a series of individual notes played in clusters. What’s heard symbolises the arrival of winter and the activities of Cailleach Bheurr who, in Celtic folklore, wanders moors and summons the elements to conceal any greenery, so winter’s blanket is absolute.

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