New Music Reviews
Music Reissues Weekly: Why Don’t You Smile Now - Lou Reed at Pickwick Records 1964-65Sunday, 29 September 2024
The Velvet Underground first played before an audience on 11 December 1965. A year earlier, their two founder members Lou Reed and John Cale were beginning a period of schlepping around New York and New Jersey as supposed members of an equally dubious band called The Primitives. The job was to promote a single titled “The Ostrich,” just issued under that name. Read more... |
Elvis Costello and Steve Nieve, Bristol Beacon review - so much more than a retread of the master's hitsMonday, 23 September 2024
Apart from being one of Britain’s greatest songsmiths of the past 50 years, Elvis Costello – from the early adoption of the rock’n’roll King’s first name – has produced a form of naked self-expression, blurred by intricately-tailored pretence. Though this is “art”, never artifice. Read more... |
Frank Carter & the Sex Pistols, O2 Academy, Birmingham review - Reloaded Pistols are a shot in the armMonday, 23 September 2024
Somewhat amusingly, the sign outside Birmingham’s O2 Academy on Saturday stated that the evening’s entertainment was to be provided by “Frank Carter and Members of the Sex Pistols”. In a way, it was a bit misleading, suggesting that the original and greatest British punk band was going to be backing a relative newcomer rather than that they were touring with a new front man and, no doubt was more driven by John Lydon’s lawyer than what was going to happen on stage. Read more... |
Album: Alan Sparhawk - White Roses, My GodMonday, 23 September 2024
White Roses, My God isn’t a Low album. It couldn’t be. Mimi Parker, Alan Sparhawk’s wife and partner in Low, died in November 2022. And despite Low’s many musical twists and turns, Sparhawk’s public return to music sounds nothing like any of Low’s outings across their 13 studio albums, the first of which was issued in 1994. Read more... |
Music Reissues Weekly: New Jill SwingSunday, 22 September 2024
As the name of a music genre, new jack swing was coined in an issue of the Village Voice dated 18 October 1987. Writer Barry Michael Cooper was profiling producer, songwriter and member of the R&B trio Guy, Teddy Riley when he created a tag exemplifying the mix of R&B and hip-hop which had hit super-big in 1986 with Janet Jackson’s Jimmy Jam and Terry Lewis-produced Control. Riley was on the same wavelength, and Cooper recognised a groundswell. Read more... |
Moby, O2 review - ebullient night of rave'n'rock'n'Johnny CashFriday, 20 September 2024
Sometimes a gig suddenly and completely elevates. Such is the case tonight when Moby, on his first UK tour in 12 years, plays “Extreme Ways”, his 2002 anthem for hedonism and its desperate consequences. What has been an adequately entertaining night blossoms into something more riveting. The 20,000-strong O2 crowd, previously mostly seated, rise en masse, move and sing along. The place is a-buzz. Read more... |
Here comes the flood: Bob Dylan's 1974 Live RecordingsWednesday, 18 September 2024
Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half century old, the 27 CDs of 431 performances, 417 of them previously unreleased, of Dylan and The Band’s 1974 arena tour of the US, is a set that challenges the listeners’ staying power perhaps more than it celebrates an epochal tour. Read more... |
Music Reissues Weekly: Sean Buckley & The BreadcrumbsSunday, 15 September 2024
Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive releases have prevented their name from vanishing. Read more... |
Album: Juniore - Trois, Deux, UnMonday, 09 September 2024
Although it takes seconds to discern that Juniore are French, a core inspiration appears to be the echoing surf-pop instrumentals of Californian studio band The Marketts, whose 1963 single "Out of Limits" became their most well-known track. Add in – exemplified by Trois, Deux, Un’s fifth and sixth tracks “Amour fou” and “Grand voyageur” – the languid atmosphere of the early Françoise Hardy and the result is a form of Gallic retro-futurist garage-pop. Read more... |
Music Reissues Weekly: Lee 'Scratch' Perry and Friends - People Funny Boy: The Upsetter Singles 1968-1969Sunday, 08 September 2024
After the March 1969 UK release of the “Return of Django” single, prospective performers of the song could buy it transcribed as sheet music. On the record, the credit was “Upsetters.” For the sheet music, with its photo of a single person, the credit was “Lee Perry, leader of The Upsetters” (pictured below left). Close to a year on from becoming an independent operator, Perry was already singled-out as the music’s principal aspect. A Phil Spector analogue. Read more... |
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