fri 31/10/2025

Guy Oddy

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Articles By Guy Oddy

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppies are back on patrol

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Solar Eyes, Hare & Hounds, Birmingham review - local lads lay down some new tunes for a home crowd

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The Lemonheads' 'Love Chant' is a fine return to form

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Soulwax’s 'All Systems Are Lying' lays down some tasty yet gritty electro-pop

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Album: Solar Eyes - Live Freaky! Die Freaky!

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Album: The Divine Comedy - Rainy Sunday Afternoon

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Supersonic Festival 2025, Birmingham review - a deep dive into the spectacularly weird and very wonderful

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Album: The Hives - The Hives Forever, Forever The Hives

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Gibby Haynes, O2 Academy 2, Birmingham review - ex-Butthole Surfer goes School of Rock

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Album: Adrian Sherwood - The Collapse of Everything

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Album: Rise Against - Ricochet

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Album: Alice Cooper - The Revenge of Alice Cooper

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Album: The Near Jazz Experience - Tritone

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Album: Yungblud - Idols

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Album: The Young Gods - Appear Disappear

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Album: Neil Young & the Chrome Hearts - Talkin' to the Trees

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Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Cat Burns finds 'How to Be Human' but maybe not he...

25 year old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer. Her songs...

Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...

It’s back to the beginning for the latest Dylan Bootleg

The youthful subject of A Complete Unknown, which closes with him "going electric" at Newport as the culmination of a rainbow arc that...

Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...

theartsdesk Q&A: director Kelly Reichardt on 'The M...

Kelly Reichardt has a thing about losers. You often see them in her films. It's the failure of American individualism that concerns her...

Emma Doran, Leicester Square Theatre review - domestic life...

The Irish diaspora in London were out in force for Emma Doran’s appearance at Leicester Square Theatre. Her online work and her...