Kieron Tyler
Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).
Articles By Kieron Tyler
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
The Bombing of Pan Am 103, BBC One review - new dramatisatio...
The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...
Album: Robert Forster - Strawberries
“Tell me what you see” invites Robert Forster during “Tell it Back to me.” The album’s eight songs do not, however, necessarily say what Forster...
Music Reissues Weekly: Chapterhouse - White House Demos
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...
Songlines Encounters, Kings Place review - West African and...
Songlines Encounters is your round-the-world ticket to great...
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...
Magic Farm review - numpties from the Nineties
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...
The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...