sat 25/10/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Evie Sands - I Can’t Let Go

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Music Reissues Weekly: Marc and the Mambas - Three Black Nights Of Little Black Bites

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Music Reissues Weekly: The Earlies - These Were The Earlies

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Slovenian avant-folk outfit Širom’s 'In the Wind of Night, Hard-Fallen Incantations Whisper' opens the door to inner space

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Music Reissues Weekly: The Peanut Butter Conspiracy - The Most Up Till Now

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Album: Night Tapes - portals//polarities

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Music Reissues Weekly: Sly and the Family Stone - The First Family: Live At Winchester Cathedral 1967

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Brìghde Chaimbeul, Round Chapel review - enchantment in East London

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Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Edition

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Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

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Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Years at 45 RPM

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Album: Saint Etienne - International

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Music Reissues Weekly: The Outer Limits - Just One More Chance

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Album: Benedicte Maurseth - Mirra

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Music Reissues Weekly: The Beatles - What's The New, Mary Jane

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Album: Eve Adams - American Dust

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Demi Lovato's ninth album, 'It's Not That Dee...

Demi Lovato is impressive on many fronts. She’s a Noughties Disney...

The Unbelievers, Royal Court Theatre - grimly compelling, po...

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said...

Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review...

It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...