wed 07/12/2022

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Album: Laura Veirs - Found Light

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Music Reissues Weekly: Ferkat Al Ard - Oghneya

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Album: Gwenno - Tresor

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Music Reissues Weekly: Whatever You Want - Bob Crewe's 60s Soul Sounds

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Blk Jks, Moth Club review - Johannesburg’s art-rockers are more straightforward live than on album

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Music Reissues Weekly: Ban the Bomb - Music of the Aldermaston Anti-Nuclear Marches

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Music Reissues Weekly: Barney Wilen - Zodiac

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Album: Shearwater - The Great Awakening

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Music Reissues Weekly: In A Rocking Mood - Beverley’s Rock Steady 1966-1968

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Album: Wren Hinds - A Child's Chant for a New Millennium

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theartsdesk in Bergen: Nattjazz, Nutshell review - Norway makes the case that musical genres are obsolete

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Music Reissues Weekly: John Barry - The More Things Change

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Album: Yama Warashi - Crispy Moon

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Music Reissues Weekly: Patty Waters - You Loved Me

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Tallies, Old Blue Last review - Canadian quintet rejuvenates indie prototypes

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Music Reissues Weekly: 999 - A Punk Rock Anthology

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George & Tammy, Paramount+ review - alcohol, violence an...

Some may consider country music to be corny, sentimental...

Hex, National Theatre review - 12 months after being sent to...

Hovering way, way above us, three aptly named high fairies, in voluminous chiffon, open a show that may not be airy in the metaphorical...

Ruination, Linbury Theatre review - Medea gets a makeover

At a time when every other theatre is offering an alternative Christmas show, what to make of the Royal Opera House’s first collaboration with...

Album: Backstreet Boys - A Very Backstreet Christmas

Good things don’t tend to come in slews. Slews seem to be reserved, pretty much exclusively, for the bad stuff: legal issues, school shootings,...

Orlando, Garrick Theatre review - Emma Corrin is incandescen...

Identity is thorny business. This was the parting thought of Anna X, the play that marked Emma Corrin’s West End debut in the summer of...

Blu-ray: The Cat and the Canary (1939) / The Ghost Breakers...

Paramount added a late “old dark house” mystery comedy to Hollywood’s annus mirabilis of 1939 by teaming Bob Hope with...

Mahler’s Ninth Symphony, LPO, Jurowski, RFH review - a perfo...

This greatest of symphonies starts with what’s plausibly described as arrhythmia of the heart, so it shouldn’t have been surprising to find my own...

Three Minutes: A Lengthening review - superb portrait of a v...

We hear the projector whirr as the mute 16mm film flows through the sprockets and on to the screen. For three minutes and a little longer we watch...