Kieron Tyler
Articles By Kieron Tyler
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The Dambusters, Channel 5 review - yet another telling of th...
The story of the raid on dams in Germany's Ruhr Valley by...
Album: Yungblud - Weird!
Doncaster musician Dominic Harrison – Yungblud – appeared a couple of years ago, a self-proclaimed...
Falling review - Viggo Mortensen's powerful directorial...
“California is for cocksuckers and flag-burners. Did they know you were a fag in the army?” Willis (Lance Henriksen; best known as Bishop in ...
Not-quite-solitude on the 34th floor: violinist Maxine Kwok...
2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the...
County Lines review - a scary descent into drug-dealer purga...
This debut feature by writer/director Henry...
Natalie Palamides: Nate: A One Man Show, Netflix review - de...
Edgy comedy runs the risk of discomfiting the...
Album: High Contrast - Notes From the Underground
Dance music has a notably different relationship to...
Zanele Muholi, Tate Modern review - photography as protest
Hail the Dark Lioness (Somnyama Ngonyama in Zulu) is a powerful celebration of...
Mank review – David Fincher’s brilliant, bitter-sweet paean...
For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw...
Mary Chapin Carpenter, One Night Lonely livestream review -...
Mary Chapin Carpenter’s Songs from Home has been an anchor-point almost since the beginning of lockdown for many people, all of us invited into...