thu 30/05/2024

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Stranger In Town - A Del Shannon Compendium

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Music Reissues Weekly: Dave Brubeck Quartet - Debut In The Netherlands 1958

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Marina Allen, Cafe Oto Review - east London substitutes for 1970s Los Angeles

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Music Reissues Weekly: Modern Eon - Fiction Tales

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Album: Amber Arcades - Barefoot On Diamond Road

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Music Reissues Weekly: The Senders - All Killer No Filler

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Northern Winter Beat 2023 review - Panda Bear, Sonic Boom and Širom amongst the highlights in Denmark’s north

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Album: Robert Forster - The Candle and the Flame

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Music Reissues Weekly: Padang Moonrise - The Birth of the Modern Indonesian Recording Industry

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Music Reissues Weekly: Bob Stanley / Pete Wiggs Present Winter of Discontent

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Album: Ghost Woman - Anne, If

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Music Reissues Weekly: Rustic Hinge and the Provincial Swimmers

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Music Reissues Weekly: George Martin - A Painter In Sound

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Album: Juni Habel - Carvings

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Music Reissues Weekly: Guerrilla Girlsǃ - She-Punks & Beyond 1975-2016

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Albums of the Year 2022: Dina Ögon - Dina Ögon

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Tokyo Vice, Series 2, BBC iPlayer review - an exciting ride...

It’s entirely fitting that Jake Adelstein should have a poster for All the President’s Men on the wall of his Tokyo apartment, since it...

Beth Gibbons, Salle Pleyel, Paris review - a triumph of inti...

Beth Gibbons, once the voice of Portishead, and later a wonderful solo singer and songwriter, hasn’t been on stage for a long while. She makes the...

Tosca, Opera Holland Park review - passion and populism

Set in a tensely polarised Roman neighbourhood, with an election in the offing and radicals scrapping with reactionaries under poster-plastered...

St Martin's Voices, Earis, St Martin-in-the-Fields revi...

The concert offering at St-Martin-in-the-Fields has transformed in recent years, under Director of Music Andrew Earis. There is still a decent...

The Harmony Test, Hampstead Theatre review - pregnancy and p...

“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have been plenty of laughs, and some much more awkward...

The Lovely Eggs, XOYO, Birmingham review - Lancashire duo br...

When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday...

Album: Bat For Lashes - The Dream of Delphi

Natasha Khan’s musical career has always explored the artier end of...

Bluets, Royal Court review - more grey than ultramarine

When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie...

Sheffield Chamber Music Festival 2024 review - curator Steve...

“Saint-Saëns: The Renaissance Man” proclaimed the big screen at the first remarkable programme I attended within the 2024 Sheffield Chamber Music...