fri 22/03/2019

2000s

Jesus Hopped the 'A' Train, Young Vic review - shards of power amidst much that is overwrought

An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train, back in London for the first major production since the late Philip Seymour Hoffman brought his acclaimed...

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theartsdesk on Vinyl 47: The Beta Band, Ry Cooder, The Cardigans, Sgt. Pepper goes jazz and more

Let’s cut straight to the chase. Here are reviews of 48 records, running riot across genre boundaries and categorizations, from preposterous pop metal to woodland-themed classical piano pieces. It’s the wildest vinyl ride in review-land, an...

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CD: Ladytron - Ladytron

When Ladytron appeared in 1999, at a time when electronic music was glutted with pop-trance, Mitsubishis and superclubs, they drew instead directly on the post-punk synth-pop explosion of 20 years before, The Human League and the like. While all...

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The Music of Harry Potter, CBSO, Seal, Symphony Hall, Birmingham review - orchestral wizardry

Imagine an orchestral concert made up exclusively of contemporary works by living composers: a programme in which every note was written within the last two decades. Imagine not only that this concert is sufficiently popular to fill a 2,000-seat...

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CD: Hawkwind - Road to Utopia

Implausible times call for implausible music, and it doesn't come much more unlikely than this. Hawkwind, the die-hard troupers of gnarly cosmic squatter drug-rock, have re-recorded highlights from their catalogue, arranged and produced by Mike Batt...

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Jake Shears, Concorde 2, Brighton review - a blitz of glitz

One of the biggest crowd roars of the night comes right at the start when Jake Shears runs onstage. He is wearing a grey top hat, a white tail-jacket with glittered lapel-edging, silver glittery trousers, a tight black sequinned vest top, and a bow...

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CD: Jake Shears - Jake Shears

There are two schools of thought on the Scissor Sisters. One was that they were vapid, over-cheery retro-pop of the worst order. The other is that they were an extension of New York’s ever-mischievous underground in all its underground LGBT+ disco...

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Annie Ernaux: The Years, review - time’s flow

“When you were our age, how did you imagine your life? What did you hope for?” It is a video of a classroom south-east of the Périphérique separating Paris from the working-class suburbs. The students are mostly girls between fifteen and sixteen and...

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Berlin Philharmonic, Rattle, RFH review - everything but inscape

Questions of interpretation apart, Simon Rattle has yet again proved the great connecter, this time in concerts separated by just over a month. Having set his seal on his new, galvanizing partnership with the London Symphony Orchestra by asserting,...

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Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interview

Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases. Indeed his most recent projects, following his return to public life after treatment for throat cancer...

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4.48 Psychosis, Royal Opera, Lyric Hammersmith review - despairing truth in song and speech

Depression, with or without psychotic episodes, is a rare subject for drama or music theatre - and with good reason: the sheer unrelenting monotony of anguish and self-absorption is hard to reproduce within a concentrated time-span. So we still...

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CD: The Longcut - Arrows

Manchester trio The Longcut’s latest album, their third, comes nearly a decade after their last one, but is rife with ideas and energy as if it's still riding the crest of their initial success. Their M.O. is twofold, either shoegaze-ish, jangle-...

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