mon 20/05/2019

New Music Interviews

10 Questions for Courtney Pine: 'How do you express rage?'

Matthew Wright

Over 30 years after he made his debut as a solo artist, woodwind multi-instrumentalist Courtney Pine is still Britain’s most prominent and influential jazz musician. He had a crucial role in reviving interest in jazz in the 1980s and 1990s, and has been an important role model for black British musicians.

Read more...

10 Questions for Musician Jeremy Cunningham of The Levellers

Thomas H Green

Jeremy Cunningham (b.1965) is bass player and a founding member of The Levellers, as well as being a visual artist in his own right. During the 1990s The Levellers, and most especially their 1991 album Levelling the Land, became a phenomenon. The group were punk-influenced folk-rockers whose songs were often polemic...

Read more...

Joan As Police Woman: 'I was going to die if I didn't have some way to express myself' - interview

Russ Coffey

Joan Wasser – aka Joan as Police Woman – is known as a sophisticated songwriter and a pretty groovy person. But most of all it’s her gorgeously warm voice that's earned her a cult following.

Read more...

10 Questions for Musician Malcolm Middleton

Thomas H Green

Malcolm Middleton (b.1973) is a Scottish singer-songwriter whose music has a devoted fanbase. Instead of the faux-vulnerable, non-specific, sub-Jeff Buckley flannel touted by many of his contemporaries and younger peers, Middleton’s work is grounded in the physical grit of the everyday, boasting...

Read more...

Anna von Hausswolff: 'Forget about space and time, it's eternal and mysterious' - interview

Kieron Tyler

Considering the coal-dark nature of her music, it was unsurprising Sweden's Anna von Hausswolff was dressed entirely in black while meeting up at London’s Rough Trade East shop to talk about her new album Dead Magic. Less foreseeable was her sunny disposition and willingness to veer off topic.

Read more...

Tony Banks: ‘You either do it by diplomacy or you do it by violence’ - interview

Adam Sweeting

In a career that began in 1967 and may yet have further life in it, Genesis have sold 150 million albums (and possibly more), and in their original incarnation with Peter Gabriel as vocalist were an influential force in the development of progressive rock.

Read more...

theartsdesk Q&A: Musician Mark E Smith

Tim Cumming

Since releasing their first record, Bingo Masters Breakout, Mark E Smith (b 1957) has led The Fall through some of rock music’s most extreme and enthralling terrain, cutting a lyrical and musical swathe that few other artists can match. An outsider, self-confessed renegade, and microphone-destroying magus, Smith has seen dozens if not hundreds of musicians pass through the ranks of The Fall over the last 34 years.

Read more...

theartsdesk Q&A: Vocalist Cécile McLorin Salvant

peter Quinn

The vocalist Cécile McLorin Salvant first came to the attention of the jazz scene when she won the prestigious Thelonious Monk International Jazz competition in 2010. In 2013, her Mack Avenue Records debut WomanChild garnered a Grammy nomination. Two years later, she picked up her first Grammy Award when her follow-up release For One To Love won Best Jazz Vocal Album.

Read more...

theartsdesk Q&A: Musician Nick Mulvey

Thomas H Green

Nick Mulvey (b.1984) is a singer-songwriter who draws from a refreshing and unexpected palette of global roots music, modernist classical and electronica.

Read more...

theartsdesk Q&A: Homer Flynn, spokesman for The Residents

Kieron Tyler

An encounter with Homer Flynn is disconcerting as the extent of his involvement in The Residents is unclear. He acknowledges that he speaks for the eyeball-headed quartet whose identities are unknown. As he talks, it's clear he has intimate knowledge of their creative process, their motivations and what they think. He discusses them as “they”. Occasionally the word “we” is used.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Game of Thrones, Sky Atlantic, Series 8 Finale review – who...

WARNING - CONTAINS SPOILERS! And so it’s over. Eight years of thrilling, fantastical, often emotionally devastating, in some senses ground-...

Anish Kapoor, Lisson Gallery review - naïve vulgarity and ot...

There's children screaming in a nearby playground. Their voices rise and fall, swell and drop. Interspersed silences fill with the sound of...

Sting and Shaggy, Roundhouse review - wilfully uncool and ir...

Musical odd couples don't come much stranger than Sting and Shaggy. Last night, at the...

La Damnation de Faust, Glyndebourne review – bleak and compe...

Mid-career, moving ever further away from composing for concert platform and church towards the stage,...

Gentleman Jack, BBC One review - the revolutionary life of A...

In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new...

Cannes 2019: Too Old to Die Young - nightmarish LA noir

This year, Cannes has been adamantly defending traditional...

Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festiva...

Much of Rokia Traoré’s set on Saturday night comprised folk songs about...

What We Do In the Shadows, BBC Two review - black comedy vam...

This is a toothsome treat for Sunday nights and one of those rare occasions when the...

Al Murray as the Pub Landlord, Embassy Theatre Skegness revi...

Al Murray's Pub Landlord character has been around since the mid-1990s. As such, it's a wonder that Murray has managed to reinvent the embittered...