sat 01/04/2023

India Lewis

Articles By India Lewis

Margaret Atwood: Old Babes in the Wood review - bookending the short story

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Nicole Flattery: Nothing Special review - returning to the Factory

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Jockstrap, Heaven review - ecstasy in underground bass

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Eliza Carthy and The Restitution, Barbican review - folk at its finest

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Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophile

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Wet Leg, O2 Forum Kentish Town review - eclectic glee from an emerging band

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Annie Proulx: Fen, Bog & Swamp review - defending the wetlands' bounty

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Cormac McCarthy: The Passenger review - abstruse, descriptive, digressive

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Mariana Enriquez: Our Share of Night review - delving into a violent, erotic world

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Olivier Guez: The Disappearance of Josef Mengele review - the Nazi who was never found

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Jessie Burton: The House of Fortune review - a muted, sensitive sequel

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Katya Adaui: Here Be Icebergs review - odd relations

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10 Questions for musician and DJ Pete Tong

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Sarah Moss: The Fell review - a dark night on the hills

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Portico Quartet, St John at Hackney review - softly beautiful discordancy

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Sarah Hall: Burntcoat review - love after the end of the world

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Here in Europe we mainly see subtle, lyrical Iranian films, targeted at international festivals or art house audiences, so it’s great to get the...

Drive Your Plow Over the Bones of the Dead, Complicité, Barb...

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There’s something about the Irish coastal village that makes filmmakers see...

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One wonders if Ricky Simmonds and Simon Vaughan pondered long over their debut musical’s title. Silvio might...

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There’s something charmingly unassuming and humble about The Zombies. Nowadays their 1968 second album Odyssey and Oracle regularly...