fri 01/12/2023

India Lewis

Articles By India Lewis

This Is The Kit, Barbican review - familiarity and charm

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Charlie Porter: Bring No Clothes - Bloomsbury and the Philosophy of Fashion review - dress to impress

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Annie Ernaux: Shame review - the translation of pain

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Tirzah, The Colour Factory review - dry ice and bedroom beats

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Zadie Smith: The Fraud review - the trials we inherit

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Henry Hoke: Open Throat review - if a lion could speak

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Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the next

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Caleb Azumah Nelson: Small Worlds review - Ghana and London dance together

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Lucinda Chua, ICA review - sublimity on a rainy evening in London

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Lydia Sandgren: Collected Works review - the mysteries that surround us all

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Margaret Atwood: Old Babes in the Wood review - bookending the short story

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Nicole Flattery: Nothing Special review - returning to the Factory

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Jockstrap, Heaven review - ecstasy in underground bass

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Eliza Carthy and The Restitution, Barbican review - folk at its finest

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Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophile

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Wet Leg, O2 Forum Kentish Town review - eclectic glee from an emerging band

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latest in today

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...

Boat Story, BBC One review - once upon a time in Yorkshire

It was as long ago as January last year that the prolific Williams brothers,...

Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience,...

Mark Rothko, Fondation Louis Vuitton, Paris review - a show...

The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition...