wed 18/09/2024

India Lewis

Articles By India Lewis

Alex Halberstadt: Young Heroes of the Soviet Union review - a familial history of the twentieth century

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Ali Smith: Summer review - a hopeful present, beautifully described

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Nick Cave, Alone at Alexandra Palace review - mournful beauty from the king of misery

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DVD/Blu-ray: Moffie

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A. Kendra Greene: The Museum of Whales You Will Never See review - a thoughtful museum piece

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Blu-ray/DVD: It Couldn't Happen Here

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Blu-ray/DVD: Little Women

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Arena: The Changin' Times of Ike White, BBC Four review - musical mystery becomes personal

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The Two Killings of Sam Cooke, Netflix review - civil rights and singing in an unjust world

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Mieko Kawakami: Breasts and Eggs review - a book of two halves

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Rebecca Solnit: Recollections of My Non-Existence review - feminism, hope and the great American West

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Big Thief, Eventim Apollo review - flashes of brilliance

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Angel Olsen, Eventim Apollo review - rock reinvention at its loudest

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John Grant, Roundhouse review - simplicity, with a bit of space opera

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Deborah Orr: Motherwell review - memoir, but so much more

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Sinéad O'Connor, Shepherd's Bush Empire review - classics, with a hint of the new

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Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...