sun 26/05/2024

India Lewis

Articles By India Lewis

Sunjeev Sahota: China Room review - separate, related lives

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Polly Barton: Fifty Sounds review - what is lost in translation

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Kazuo Ishiguro: Klara and the Sun review - what makes us human?

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Olivia Sudjic: Asylum Road review - trauma, barely suppressed

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theartsdesk Q&A: poet laureate Simon Armitage on landscapes, libraries, home and edgelands

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Don DeLillo: The Silence review - when the lights of technology go out

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Zaina Arafat: You Exist Too Much review - second-generation love addiction

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Andrey Kurkov: Grey Bees review - light Ukrainian odyssey, with bite

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Blu-ray: Lynn + Lucy

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Jenny Hval: Girls Against God review - a sticky dance through space and time

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Dolly Alderton: Ghosts review - a love story beyond romance

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James Rebanks: English Pastoral, An Inheritance review - a manifesto for a radical agricultural rethink

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DVD: Fanny Lye Deliver'd

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Helen Macdonald: Vesper Flights review - nature lovingly described, nearly lost

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Alex Halberstadt: Young Heroes of the Soviet Union review - a familial history of the twentieth century

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Ali Smith: Summer review - a hopeful present, beautifully described

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In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller...

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It was – let’s see – 63 years ago today that Brian Wilson taught the band to play. Fabled for their resplendent harmonies and ecstatic hymning of...

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There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances...

Kolesnikov, Wigmore Hall review - celestial navigation throu...

Like his baggy white suit, pitched somewhere between Liberace and Colonel Sanders, Pavel Kolesnikov’s playing was spotless at the...