New Music Interviews
10 Questions for Musician Kevin RowlandWednesday, 22 February 2017
After 27 years away, band leader Kevin Rowland (b 1953) successfully relaunched Dexys as a recording unit in 2012. The album, One Day I’m Going to Soar, then became a theatrical show that was performed extensively, including nine nights at London’s Duke of York Theatre in 2013. Read more... |
Mobydick: North Africa's outrageous rapperSunday, 20 November 2016
A couple of years ago I saw an extraordinary outdoor concert where a rapper called Muslim (great name if you want to be hard to find on Google) performed at the Timitar Festival in Agadir in the South of Morocco to 80,000 delirious fans. The song which everyone knew was “Al Rissala" (The Letter) which called out corruption and ignorance in high places. The Festival acts as a kind of safety valve for dissent. Read more... |
theartsdesk Q&A: Musician Marc AlmondSaturday, 05 November 2016
Marc Almond (b 1956) grew up in Southport, on the Lancashire coast. He first achieved fame when Soft Cell, his Leeds Polytechnic art school electronic project with Dave Ball, much to both their surprise, had a huge global hit in 1981 with their electronic cover of an old soul song, the 1965 Gloria Jones B-side, “Tainted Love”. Read more... |
theartsdesk Q&A: John LydonSaturday, 22 October 2016
It was first released on 23 November 1979, comprising three 45rpm, 12in records housed in 16mm metal film cans, and then reissued the following February as Second Edition, in the more friendly and familiar format of a double album, 33rpm, gatefold sleeve, lyrics on the back, no song titles, with just the PIL logo on the record label. Read more... |
theartsdesk Q&A: Musician Agnes ObelSaturday, 15 October 2016
Agnes Obel’s new album Citizen of Glass is released next week. Conceptually underpinned by a fascination with the German idea of the gläserner menschen or gläserner bürger – the glass citizen – its ten compositions examine privacy, the nature of what is hidden, why it is concealed and question how much self-exposure is needed, whether in day-to-day life or as fuel for an artist. The glass citizen is one for whom everything is apparent. Read more... |
10 Questions for Christine McVie of Fleetwood MacTuesday, 20 September 2016
theartsdesk meets Christine McVie on a sunny Friday afternoon in September; the Warner Brothers boardroom (with generous hospitality spread) is suitably palatial. We’re the first media interview of the day, so she’s bright and attentive. McVie was always the member of Fleetwood Mac who you’d want to adopt: the most approachably human member of a band constantly at war with itself. Read more... |
theartsdesk Q&A: Musician John FoxxFriday, 02 September 2016
“The best and most confident debut since ‘Anarchy in the UK,’” said weekly music paper Sounds of the debut single by Ultravox! “Dangerous Rhythm” had been released in February 1977. “Cosmic reggae," declared Record Mirror. Melody Maker identified a “rare quality and haunting presence”. The NME said the song was a “reggae abstraction” and “mesmeric”. Ultravox! – the attention-grabbing exclamation mark was ditched in early 1978 – were off to a good start. Read more... |
theartsdesk Q&A: Musician/DJ Mark Hawkins aka Marquis HawkesMonday, 29 August 2016
This is not a standard dance music story. Marquis Hawkes is one of the club music success stories of the past couple of years – since the first release in 2012 on Glasgow's revered Dixon Avenue Basement Jams, there've been many 12" club hits on multiple connoisseurs' labels, and his album Social Housing on the Fabric club's Houndstooth label has soundtracked many people's summer this year, with the artist all the while remaining anonymous. Read more... |
theartsdesk Q&A: Conductor Jules BuckleyTuesday, 09 August 2016
Conductor, arranger and composer Jules Buckley is a notable champion of non-classical orchestral music. He has pioneered orchestral arrangements with singer-songwriters such as Laura Mvula, Anna Calvi and Caro Emerald. Even more boldly, he has established orchestral collaborations with numerous artists from rock and electronic music, including the Arctic Monkeys, Professor Green, Basement Jaxx, and electronic improviser Beardyman. Read more... |
10 Questions for Musician Jasper HøibyWednesday, 27 July 2016
Copenhagen-born bassist Jasper Høiby moved to London in 2000 to attend the Royal Academy of Music. In 2005 he created the trio Phronesis which has toured extensively in Europe and North America and won awards for Jazz Album of the Year in Jazzwise and MOJO for its 2010 album, Alive, as well as a London Jazz Award for its "Pitch Black" performance at Brecon Jazz festival in 2012. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Emily Atack, Clapham Grand review - I'm a Celebrity......
Most people know Emily Atack from The Inbetweeners, where she played Charlotte, the object of Will's desire. More recently, she found new...
Rokia Traoré: Dream Mandé: Djata, Brighton Festival 2019 rev...
Rokia Traoré’s passage through this year’s Brighton Festival has been central, binding it to her Malian identity in a series of gigs....
Igor Levit, Wigmore Hall review – full-spectrum Bach from a...
You seldom hear a Champions League-level roar of approval at the Wigmore Hall. Last night, though, Igor Levit drew a throaty collective bark of...
Cannes 2019: Once Upon a Time... In Hollywood review - sun-s...
Moments before Quentin Tarantino’s blistering, outrageous work screened at...
The Lehman Trilogy, Piccadilly Theatre review - stunning chr...
Mammon and Yahweh are the presiding deities over an epic...
Aladdin review - live-action remake in classic Disney mould
Next up in Disney’s parade of live-action...
Manga, British Museum review - stories for outsiders
Manga, the Japanese art of the graphic novel, took its modern form...
CD: Morrissey - California Son
Unfortunately, it’s now reached the point where it’s impossible to mention Morrissey without...
Tribe//Still I Rise, Brighton Festival 2019 review - an even...
Maya Angelou’s iconic poem Still I Rise is a good starting point for many things in life. But it’s a particularly good beginning for a piece of...